IBC Show: Sony unveil “transformational” advances in IP workflows

IBC Show: Sony unveil “transformational” advances in IP workflows

Today, Sony unveiled how it is reshaping the field of media solutions, introducing new ideas, approaches and technology on the opening day of IBC 2016.

Sony’s announcements at IBC explore how its innovations in the fields of image, IP and media workflow are helping broadcasters rethink the ways audiences and production teams alike engage and interact with creators and their content. Sony also showcased how its ‘Beyond Definition’ vision and rich technology heritage serve as the foundation for exciting new consumer experiences and a range of business opportunities for media organisations.

“Sony is committed to exceeding our customer expectations” said Adam Fry, Vice President, Sony Professional Solutions Europe. “The Image, IP and Workflow innovations we’re demonstrating at IBC show how we’re continuously reshaping our technology and services to exceed the demands of the ever-changing media industry. From sensors to full blown Media Operations Management,” continued Adam Fry, “Sony is continuing its mission to unleash the incredible power of images, through innovative technologies and with great people.”

End to end production workflow for HDR and SDR production

Creating lifelike images involves more than just resolution: content creators familiar with the production of higher resolution 4K images are now turning to areas such as High Dynamic Range (HDR) to improve the viewer experience even further and create more long term asset value. Throughout IBC Sony will present the benefits of an end-to-end HDR production workflow across different production needs including, live sports production and program production:

4K Live sports: HDR is a game changer

Sony is introducing the HDRC-4000 HDR production converter unit that fills in a missing piece of 4K HDR and HD SDR simultaneous live production workflow. Based on Sony’s recommended S-Log3 and BT.2020 production workflow in 4K HDR live production, the unit is able to do real-time conversions to the appropriate delivery formats for various applications (broadcast, OTT, public viewing), as well as formats for input (OETF/EOTF, colour space, HDR/SDR and resolution), including conventional HD content production, and video signals apart from S-Log3 (Hybrid Log Gamma, ST.2084) without compromising picture quality.

It eliminates the need for independent workflows for HDR and SDR on the same event and saving a production time and money. This innovative end-to-end workflow solution for 4K HDR Live Production is introduced as “SR Live for HDR”. This enables broadcasters to enjoy outstanding HDR image production as well as conventional 4K SDR and HD production.

4K Program production: XAVC allows excellent HDR capture in S-Log3

The version eight firmware update for F55 and F5 (PMW-F5 requires CBKZ-55FX installed) enables support for XAVC 4K Class 480 recording, enabling a higher bit rate, and capture of excellent HDR in S-Log3. XAVC allows for reviewing of images captures immediately after shooting on-site, making it ideal for HDR production of documentaries and natural history programmes.

4K OLED Monitor for HDR production

Sony has two 4K OLED monitors capable for HDR production. Both are high performance TRIMASTER EL OLED monitors providing professional quality black performance, colour reproduction, quick pixel response, and accurate signal processing. They also support high dynamic range mode and a wide colour gamut conforming to DCI-P3 and most of the ITU-R BT.2020 Recommendation.

BVM-X300, an award-winning 30-inch 4K OLED Master monitor, the flagship model in its professional monitor line-up will feature updated Version 2 firmware including additional HDR EOTF and function support, a new hardware with an HDMI input for easy connection to cameras or Blu-ray players, and a second 3G/HD-SDI 4K input for simpler system integration.

The PVM-X550, 55-inch 4K OLED picture monitor offers a large 3840 x 2160 pixels high-grade picture for critical monitoring performance. A Quad view display mode allows individual picture settings for each display quadrant.

Enhancing solutions for an IP Live system that is ready today, open for tomorrow

Sony further demonstrated its commitment to leading an industry-wide shift to interoperable IP. A core part of Sony’s strategy is its commitment to deliver fully interoperable solutions & systems that are ready to implement today, using current available standards while remaining open to upcoming future standards.

Sony has played a strong role in the industry since 2012, starting from the Joint Taskforce for Networked Media (JT-NM), later joining the ASPEN and AIMS alliance groups, and more recently the AMWA NMI incubator project, driving the development of the Networked Media Interface framework.

Sony’s persistent advances support of open protocols is what cements Sony’s place as a technology innovator and leader in interoperability. Sony has disclosed technical specification of related NMI technology components to the SMPTE (Society of Motion Picture and Television Engineers) as a Registered Disclosure Document (RDD): Essence Independent Mapping (RDD40), LLVC (RDD34) & NDCP (RDD38).

Working together to lead the industry towards interoperability, the expansion of the IP Live Alliance includes the addition of four new members: Asaca Corporation, ASTRODESIGN,Inc. , Lambda Systems Inc. and Studer by Harman.

Sony also introduced several new products that are built around its Network Media Interface (NMI):

NXLK-IP45F, a new AV Multiplexer/DeMultiplexer board enables to multiplex and de-multiplex video and audio over IP signals, with an SDI signal output that includes embedded audio.

NXL-IP4F, an SDI-IP Converter Unit ideal for 4K/HD standalone source or destination to integrate with an IP-based Production System.

HKCU-IP43F, an NMI board for HDCU-4300 camera control system enables easy connection to the IP Live System network.

XKS-Q8111 and XKS-Q8166, an NMI supported QSFP+ I/O board (output) for XVS switchers that allows the direct connection to the core switch of an IP Live System network using 40Gbps fiber link.

PWA-MV1N, Multi-viewer Software enables a very efficient monitoring solution into an IP Live Production Infrastructure, reducing drastically the video matrix resources used for monitoring.

Sony is taking action to bridge the gap to IP Live by providing a venue for training and education. In June 2016, Sony opened a unique facility in the UK, the Digital Motion Picture Centre IP Live at Pinewood Studios. This landmark centre provides educational resources, training and practical tools to aid the excellence and growth in IP for broadcasters and productions companies alike.

Since its opening in June this year, Sony has trained numerous people from leading broadcasters, enabling them to go beyond isolated proof of concept demonstrations and theory to experience interoperable products in a functioning live environment and upskill to become the professionals of tomorrow.

Transforming production and distribution workflows

Sony also emphasised its pledge to working with media organisations as a strategic business partner, evolving their production and distribution workflows to help them transform across various production platforms. Specifically focusing in on news production, Sony also introduced a number of solutions and services that add intelligence and greater communication between the on-field camera and the news centre.

XDCAM Air, harnessing the power of cloud computing and XDCAM: XDCAM Air services address the growing need for speed to air. Harnessing the power of cloud computing and the strengths of Sony’s XDCAM solutions, operators now have the ability to work more quickly and efficiently, concentrating on the story at hand, with the camera directly hooked into the workflow.

XDCAM Air is a portal for content workflows with intelligent functions such as new mobile applications, content management by metadata automation, connection control using GPS geo-location and distribution to multiple locations. Additionally, XDCAM Air will be interoperable with most of major systems, both from Sony and 3rd parties

Sony’s Media Backbone Hive introduced to European broadcasters: Media Backbone Hive utilises the latest IT technologies built using datacentre infrastructure to deliver a complete news and sport production workflow. Showcasing a range of intuitive web-based applications, Hive exists to deliver fast ‘Omni-media’ publishing serving all Web, mobile and social media as well as traditional TV playout. It gives access to clever and tailored dashboards that can inform business decisions, delivering efficiencies driven by insight.

Hive gives media companies the opportunity to truly excel in content creation by empowering their creative teams. Hive is dynamically scalable, drives better management of operational costs, as well as lowering total cost of ownership and avoiding unnecessary investment in underutilised resource.

Protecting, preserving and preparing content with scalable asset management

To meet the ever-growing demands for managing, storing and repurposing digital content, Sony introduced robust, long-term solutions that maximise flexibility, scalability, reliability, and performance.

Media Backbone NavigatorX, an upgraded version of Sony’s Media Navigator solution, offers new features to deliver easier, quicker and more efficient asset and workflow management. Building on the launch of Media Navigator last year, Media Backbone NavigatorX has been designed based on customer feedback to suit multiple modern workflow environments. Users will be able to manage content assets in a range of formats, with flexible feature options for production, archiving and workflow automation. Media Backbone NavigatorX features a simple user interface and is HTML-based web application compatible with multiple browsers.

Launched in April 2016, Sony’s second generation Optical Disc Archive system provides a secure long term archive on a proven format, the disc. This newest media is rated with a 100 year shelf life, achieve 3.3TB as a capacity of a single cartridge with affordable price. Optical Disc Archive System has higher accessibility than other general archive media and able to use for several workflow like exchange media, project backup and nearline archive. Additionally, Memnon Archiving Services (a member of the Sony group) offers large-scale audiovisual archive digitalisation for wider archiving projects. Further demonstrating Sony’s commitment to securing precious data and investments for generations to come.

For more on the latest IBC releases, take a look at our roundup post, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

IBC 2016: Codex and Panasonic continue their successful partnership with VariCam Pure

IBC 2016: Codex and Panasonic continue their successful partnership with VariCam Pure

Panasonic has once again called on the engineering and technical expertise of Codex to develop with them a totally integrated and smaller VariCam camera – the new VariCam Pure digital cinematography camera.

The new Panasonic VariCam Pure is a RAW-only camera that takes the VariCam range to a whole new level. The combination of Codex and Panasonic was proven with the VariCam 35 and Codex V-RAW recorder, used on projects such as Netflix’s Death Note and The OA, so Panasonic of course turned to Codex for this next generation camera.

The VariCam Pure is a modular camera solution providing in-camera recording that directly addresses the needs of cinematographers and camera crew who desired a compact but powerful camera system that could be used in any situation.

Michael Bravin, engineering supervisor at Sim Digital in Hollywood, said, “It’s great to see such purposeful product development in the collaboration between Codex and Panasonic. They have teamed-up, to not only offer RAW recording for the VariCam 35, but to raise the bar even higher. By tightly integrating this new V-RAW recorder with the VariCam for a smaller lighter, frankly better, system we now can more effectively meet the needs of our clients on high end 4K RAW productions.”

This expanded toolkit for digital capture is enabled by Codex’s battle-tested recording media – Codex Capture Drive – and provides the gateway to an entire production to post workflow via Codex Production Suite. Codex continues to provide one workflow, no matter what camera you shoot with.

“Those who have seen this new camera system have been impressed,” said Codex VP Brian Gaffney who added, “This combination is a powerful new tool for 4K RAW recording, and is just the kind of camera that studios are looking for to produce 4K content for the cinema or the home. We support camera choices at the front-end with a single workflow that simply and safely moves your data from production into post and beyond.”

Panasonic will showcase VariCam Pure at IBC 2016, Hall 11, Stand C45 and Cinec 2016, Stand 2-B01.

For more on the latest IBC releases, take a look at our roundup post, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

AJA Releases CION v1.3 Firmware with New Gamma Settings; Announces New Pak1000 Promo

AJA Releases CION v1.3 Firmware with New Gamma Settings; Announces New Pak1000 Promo

AJA Video Systems today released new v1.3 firmware for the AJA CION, AJA’s 4K/UltraHD and 2K/HD production camera that shoots edit-ready Apple ProRes files at up to 4K 60fps.

CION v1.3 firmware, available today as a free software download, was created based on customer feedback, and adds features that improve the CION imagery pipeline. AJA has also announced that CION purchases made after April 18, 2016 will qualify for a complimentary Pak1000 drive (US MSRP $1,495.00) provided directly from AJA.

CION v1.3 firmware new features:

– Improved highlight handling and black detail in every gamma mode.

– New gamma naming conventions make the modes more closely aligned to industry standards.

– New renamed gamma settings are now available in the CION menu and include new options for Standard, Expanded, Video and Cine modes.

“Our new firmware update and promo were created in direct response to community feedback. CION v1.3 offers a more gentle roll off of highlights, and a greater level of detail in the blacks, while the new promo makes the camera even more accessible to shooters looking to capture stunning footage,” said Nick Rashby, President, AJA Video Systems. “We’ve seen great adoption of CION from the commercial and industrial production community and we look forward to getting this update into our customers’ hands.”

Pricing and availability

CION v1.3 firmware is available today as a free download from AJA’s site. CION is available through AJA’s worldwide reseller network at a US MSRP of $4995.00. To redeem a complimentary Pak1000 drive with a CION purchase made through an authorized AJA Reseller, submit a claim directly here. For more information about CION, visit the AJA site.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

Sony goes Beyond Definition at NAB 2016

Sony goes Beyond Definition at NAB 2016

At NAB 2016, Sony is showcasing new technologies and workflows for HD, 4K, high dynamic range, storage and IP transmission, providing the tools to drive professionals’ creativity. Sony’s exhibit will feature new models and updates to widely used products – camcorders, cameras, monitors, switchers, storage, archiving, and wireless transmission for broadcast, production, sports, live events and more.

“Sony at NAB 2016 is all about accelerating the momentum with our customers. For the past two years, we have been showcasing and delivering a variety of forward thinking solutions under the banner of Beyond Definition. This year we are continuing that story and sharing with our partners and customers our latest developments in the core enabling areas of Image, IP and Workflow, all founded on Sony’s reputation as a technology innovator, solutions provider and strategic business partner, that goes beyond the traditional vendor / customer relationship”, says Michael Harrit, Marketing Director Media Solutions, Sony Professional Solutions Europe.

At NAB, Sony will highlight its comprehensive and growing line of cameras, with 4K available at every level from full-frame interchangeable lens cameras and compact professional camcorders to high frame rate, high dynamic range studio and motion picture cameras.

Cameras and camcorders

Sony cameras are used in every production genre at every budget level: high-end feature films, low to mid-budget feature films, news, documentary, episodic television, sports, commercials, OTT and more.

Sony’s new HDC-4800 camera system combines 4K resolution with enhanced high frame rate capabilities — 8x at 4K, and up to 16x in full HD. This is combined with HD cut-out and zoom capabilities for live sports and event production. The HDC-4800 is complemented by the BPU-4800, a baseband processor unit with a replay server capability that creates a fully networked, 4K live ultra-high speed production workflow.

The HDC-4800 uses a new Super 35mm 4K CMOS sensor and wide color space (BT.2020 and BT.709). It supports PL mount lenses enabling to capture high resolution, clear and crisp images for live sports shooting. In addition to this, HDR support is under development and will be available in near future.

Sony introduced the world’s first 4K XDCAM shoulder-mount camcorder, the PXW-Z450. Capable of capturing superb 4K (3840 x 2160) picture quality from new 2/3-type Exmor R CMOS sensor, the camcorder possesses exceptional weight balance and low power consumption alongside excellent networking features. Another addition to the XDCAM family is the PXW-Z150 with 1.0-type sensor that delivers low-light performance and networking features for fast turnaround, high-quality workflows.

IP Transmission

Sony further enhances its fully interoperable IP Live Production system with Networked Media Interface (NMI) IP Live Production system with Networked Media Interface (NMI). The new suite of solutions have been developed to help broadcasters make the most of IP technology, allowing them to deliver on the increasing demand for 4K live content while addressing the cost and scalability issues associated with conventional SDI live production workflows. Sony will be demonstrating its continued commitment to delivering IP interoperability among a wide range of compatible live production products through its IP Live Alliance. The Alliance has, with the recent participation by Grass Valley, now grown to 49 vendors across the live production space, and support is continuing to grow as more broadcasters adopt IP Live.

Storage

Sony is unveiling the second generation of its Optical Disc Archive (ODA) System, which adopts new, high-capacity optical media developed jointly by Sony and Panasonic. This affordable new media is rated with a 100-year shelf life and doubles the capacity of a single cartridge to 3.3 TB. The Generation 2 ODA System also introduces the world’s first 8-channel optical drive unit, doubling the read/write speeds of the previous generation and helping to meet the data needs of real-time 4K production.

ODA technology is designed for use as a near-line, deep archive storage or disaster recovery systems, ranging from large scalable robotics down to stand-alone archive systems. Sony is also embracing an open platform approach for broad compatibility, providing technologies and support to encourage other manufacturers to develop complementary products for the technology. Currently, 42 companies have announced their support for ODA.

High Dynamic Range (HDR)

At NAB 2015, Sony introduced its first 4K OLED reference monitor for critical viewing – the BVM-X300. Already, it’s become the de facto reference standard for 4K and HDR grading.

This year, Sony adds a new monitor – the PVM-X550, a 55-inch, OLED panel with 12-bit signal processing, perfect for client viewing. The PVM-X550 supports HDR through various Electro-Optical Transfer Functions (EOTF), such as S-Log3, SMPTE ST.2084 and Hybrid Log-Gamma, covering applications for both cinematography and broadcast. The PVM-X550 is the world’s first quad-view OLED monitor, which allows customized individual display settings across four distinct views in HD. It is equipped with the same signal-processing engine as the BVM-X300, providing a 12-bit output signal for the best picture accuracy and consistency. It also supports various industry standard color spaces including the wider ITU-R BT.2020 for Ultra High Definition. These all work in tandem with TRIMASTER EL technology to ensure that professionals across the broadcast and cinematography industries are provided excellent, vibrant and reliable images.

Technology Upgrades

Sony is helping customers extend the life of their current Sony technologies by continually introducing new upgrades, enabling new features and performance. These include:

– BVM-X300 – update for support of both Hybrid Log-Gamma formats, safe and aspect markers, XYZ color modulation and 1.5G dual link inputs.
– F55 – version 8 adds support for XAVC 4K class 480, for professionals that want a higher data rate in XAVC.
– FS7 – adds center crop functionality, a feature traditionally found on higher-end models like the F55, flexible spot focus and true 24P.
– FS5 – adding RAW external recording and auto variable ND filters, among several other features.

Wireless mic systems

Rounding out the total workflow for professionals, Sony’s NAB 2016 exhibit also highlights new wireless microphone systems with enhanced diversity features, solutions for media asset management, and more, across its entire product line. These include HXC-FB75 Camera – a successor model to Sony’s HXC-D70, the HXC-FB75 is a cost-effective entry-level studio camera. No camera adapter is required for fiber transmission to the CCU, and Sony’s HDVF interface enables smoother and sharper focusing. The lens, viewfinder and microphone packaged model is available in addition to the camera body sole model.

In response to the growing demand for 4K production and IP interfaces, Sony is adding to its multi-format switcher line-up. Sony’s new XVS Series Switchers, the XVS-7000 and XVS-6000 join the XVS-8000 to create the family of 4K/IP professional production switcher systems. The XVS Series inherits versatile features from Sony’s widely used MVS Series of switchers including enhanced frame memory, format conversion, multi-viewer capabilities, and a wide range of input and output video formats. The XVS Series also supports HDR imaging. Users can configure SDI and IP option boards in a single processor. The XVS family offers smooth migration not only from SDI to IP, but also from HD to 4K, promising efficient return of investment:

– XVS-7000 supports: In HD, 6ME operation with 112 inputs; in 4K,3ME operations with 28 inputs
– XVS-6000 supports: In HD, 4ME operation with 48 inputs; in 4K, 2ME operation with 12 inputs

Sony’s XDCAM technology is a standard for ENG and field production, evolving from optical disc to file-based workflows. Sony is developing new wireless workflows to support the current requirements of news production, using 4G/LTE networks for media delivery. XDCAM Air is a cloud-based ENG service that integrates existing Sony wireless solutions and adds new features such as a mobile application, live streaming edit integration with NLE and enhanced remote control capabilities.

Sony’s new UWP-D Wireless Microphone System, the URX-P03D is the first 2-channel portable receiver in its UWP-D series, eliminating the need to attach two receivers on a camcorder, especially smaller models, making them unbalanced and unwieldy. The URX-P03D receiver supports an external input for an additional wired microphone, such as Sony’s BMP type lavaliere microphones or conventional plug-in-power supported microphones. 3-channel mixer function is included for switching audio signals in the receiver. A new 2-channel version of Sony’s Multi Interface (MI) shoe adaptor, model SMAD-P3D is available for the URX-P03D.

Also introduced, Sony’s LMD-B170 a 17-inch, lightweight, compact Full HD LCD monitor. The new monitor incorporates features and designs from Sony’s PVM-A Series OLED and LMD-A Series Premium LCD picture monitors to give users a familiar interface, especially when using multiple series of monitors. The LMD-B170 can be wall-mounted for in-house use or used as a field monitor with DC power. Interfaces include SDI, HDMI and composite video with stereo analog audio as standard. The monitor also has 2W+2W front stereo speakers, more powerful than a monaural speaker or a rear speaker system.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: Sony unveils world’s first 4K XDCAM shoulder camcorder with 2/3-type image sensor

NAB 2016: Sony unveils world’s first 4K XDCAM shoulder camcorder with 2/3-type image sensor

Sony today introduced its latest XDCAM shoulder-mount camcorder, PXW-Z450. Capable of capturing superb 4K (3840 x 2160) picture quality from new 2/3-type Exmor R CMOS sensor, the camcorder possesses exceptional weight balance and low power consumption alongside excellent networking features.

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“Sony further reinforces its position to drive technology forward and create solutions that answer to the needs of our clients in the 4K production space,” said Lucie Wendremaire, Marketing Manager, Sony Professional Solutions, Sony Europe, “As the first 4K XDCAM shoulder-mount camcorder in the world equipped with a 2/3-type 4K image sensor 1, Sony’s PXW-Z450 goes beyond what has been traditionally possible with a camcorder, making it the ideal choice for broadcasters producing various TV programs in 4K.”

The PXW-Z450 allows standard B4-mount lenses to be attached directly onto the body without the need for an adaptor, providing the flexibility to interchange between different lenses at ease. With high zoom ratio and deep depth of field (DOF), users are assured of stunning picture quality. The camcorder also supports multi-format recording for a variety of applications, allowing users to shoot at robust 1080p HD and switch over to 4K 59.94p when needed. The PXW-Z450 supports both XAVC Intra and XAVC Long for 4K recording as well as MPEG HD422.

Further, the PXW-Z450 can supports pool feed functions (HD/SD-SDI), allowing broadcasters to record an external signal on SxS card, from another camera on-site without a portable deck.

Suitable for field production, the PXW-Z450 inherits a lot of features from the PXW-X400. This includes the “ONLINE button” which simply allows users to transmit the proxy clips or direct streaming AV signals to other equipment connected on network, low power consumption equivalent, and the well-balanced lens and body resolve any front-heavy issues for all-day shooting comfort.

PXW-X400 gets 4K upgrade

For current PXW-X400 users, Sony will also introduce a 4K upgrade kit, CBK-Z450UK. The new kit offers the users with the same functionalities of PXW-Z4502 2.

The PXW-Z450 is body-only with no lens or viewfinder but it can be paired with the optional HDVF-series full HD OLED viewfinder (HDVF-EL20/EL30) for excellent focusing performance, making it a perfect fit for today’s demanding content creation requirements.

The PXW-Z450 will be exhibited during the 2016 NAB show at booth C11001, Central Hall, C-5, at the Las Vegas Convention Centre, NV, US.

The PXW-Z450 is scheduled to be available by the end of 2016.

The CBK-Z450UK is scheduled to be available in 2017.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: Sony Unveils 4K 8x Super Motion Camera System with Replay Server Function

NAB 2016: Sony Unveils 4K 8x Super Motion Camera System with Replay Server Function

Sony announced today the launch of the HDC-4800, its newest camera system which combines 4K & Wide Color Space with Ultra-High Frame Rate (UHFR) capabilities – 8x at 4K, and up to 16x in full HD- but also features dynamic cutout and zoom capabilities for live sports and special event productions.

The HDC-4800 reinforces the suite of 4K, HDR, IP-ready set of solutions offered by Sony Professional, from the awarded HDC-4300 camera, the XVS Switchers series and PWS-4500 servers to the Trimaster ELTM 4K OLED displays BVM-X300 & PVM-X550.

Today, most live sports productions already include high frame rate data, which has become one of the de facto visual tools to relay for the viewer the raw emotion, effort and feats of athletes and sporting teams. However, such ultra-high frame rate content requires the use of specialised crews, equipment and custom developed workflows that were not originally designed for a live production application, where time to air is critical.

Sony has brought all of its experience and deep understanding of live sports production workflows and operations to answer that challenge with the HDC-4800. This is Ultra High Frame Rate System Camera developed specifically for live sports environments, bringing together innovative technology with efficient workflows and simple operation.

The system is composed of a camera head that any traditional camera operator, shader or engineer can operate. It uses the familiar ergonomics and commands including dynamic focus assists, simple large lens adapter as well as all paint functions from Remote Control Panel and is compatible with other accessories from the range of Sony system cameras.

This means operators can control precisely the colour and general parameters of an HDC-4800 like they would any other HDC system. This cuts out the requirement of a dedicated operator for Ultra Frame Rate, as there is no need for a specialised and dedicated set of accessories, such as viewfinders, remote control panels or large lens adapters.

The other challenge faced in present day UHFR operations is recording. This is often limited to an on board memory located in the camera head block, restricting not only how much action can be captured but also slowing down the time to air, as the data needs to be first transferred to an external replay server.

This constrains directors and can force them to make some very strong editorial choices. With the HDC-4800 system, Sony has developed a new approach which solves this problem: the BPU-4800 baseband processor unit doubles up as a replay server. This innovation not only enables to record continuously up to 4 hours of Ultra High Frame rate 4K (8x super motion content) thus capturing all the action, but also allows instant replays that can be broadcast on air as a first replay immediately after the moment.

The BPU-4800 integrates directly with other servers for instant replay using the Real Time network “Share Play” introduced on the PWS-4500 server system.

Thanks to these features, the HDC-4800/BPU-4800 camera system also creates a companion system for Sony’s HDC-4300 4K/HD camera with 2/3-inch image sensor.

“Sony has developed the HDC-4800 taking into account the workflow as a whole”, says Norbert Paquet, Strategic Marketing Manager, Sony Professional, Sony Europe.” From capture to replay operations, the HDC-4800 System enables not only the best in class capture of emotions but also more efficient workflows for live sports replays.“

“Exchanging contents in real time between servers is essential” continues Paquet “Now, while the High Speed replay operator is proposing his clips to the director, the highlight editing operator can get at the same time his clips into the main story, assembling clips not only from the normal replay servers but also from this Ultra High Speed server”.

The HDC-4800 uses a new Super 35mm 4K CMOS sensor and wide colour space (BT.2020 and BT.709). It also supports PL mount lenses that can capture high resolution, clear and crisp images for live sports shooting. HDR support is under development and will be available in the near future.

The HDC-4800 and BPU-4800 will be displayed for the first time at NAB 2016 and will be available from August 2016, ready for major sporting events.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: JVC introduces robotic PTZ Video-Over-IP production camera

NAB 2016: JVC introduces robotic PTZ Video-Over-IP production camera

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today introduced its first robotic PTZ IP video production camera, the KY-PZ100, which is ideal for studio or field applications. In addition to its 3G-SDI and HDMI outputs, the KY-PZ100 features JVC’s unique IP-based communications engine to provide streaming HD video at a variety of bit rates with minimal latency. JVC will demonstrate the new camera during the 2016 NAB Show (Booth C4314), which runs April 18-21 in Las Vegas, Nev.

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When connected to a Wi-Fi adapter or LTE modem via USB or directly connected to a LAN, the KY-PZ100 streams up to 1080p/60 video with two-channel audio using SMPTE 2022 forward error correction (FEC). The camera offers low latency streaming at various bit rates, and its integrated Zixi technology delivers reliable streaming performance with FEC and automatic repeat request (ARQ) as well as adaptive bit rate control.

Designed as a standalone remote camera or as part of a multi-camera system, the KY-PZ100 can also be used as a conventional PTZ camera. It includes a 1/2.8-inch CMOS sensor (2.2 million pixels) and a 30x optical zoom lens. Its f/1.6-4.7 maximum aperture delivers excellent low-light performance, and its LoLux mode delivers images in darkness as low as 0.01 lux. The camera also supports on-board HD recording at up to 50 Mbps to a MicroSDHC/SDXC media card, and recorded files can be uploaded to an external server.

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“There are plenty of PTZ cameras on the market, but none have a direct host USB connection to an LTE modem or Wi-Fi adapter.” explained Edgar Shane, general manager of engineering, JVC Professional Video. “This unique capability allows our PTZ camera to be placed anywhere there’s a power source and stream broadcast quality HD video. This exciting new technology will appeal to a number of vertical markets including broadcast, government, sports production, and houses of worship.”

Users can control the PTZ unit using JVC’s new RM-IP100 remote control panel, a Web browser, or a variety of remote units that support VISCA protocol. The RM-IP100 can memorize more than 100 preset settings and positions. For installation versatility, the camera is available in black (KY-PZ100B) or white (KY-PZ100W) housings and can be mounted upside-down, if necessary.

The KY-PZ100 will be available in October at an expected MSRP of $3,995. We’re still waiting on confirmation of a UK/EU release, so watch this space.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: New JVC ProHD fiber system supports multi-camera Video-Over-IP workflows

NAB 2016: New JVC ProHD fiber system supports multi-camera Video-Over-IP workflows

JVC Professional Video, a division of JVCKENWOOD USA Corporation, will introduce a new fiber studio system based on its 800 Series ProHD cameras at the 2016 NAB Show (Booth C4314), which runs April 18-21 in Las Vegas, Nev. Built exclusively for JVC by MultiDyne Video & Fiber-Optic Systems, the system supports 3G-SDI 1080p/60 camera feeds and returns, and takes advantage of the camera’s built-in streaming engine for video-over-IP functionality.

The camera module connects directly to the back of GY-HM890 camcorder via 68-pin interface – no external cables required – for full studio functionality. It transports multiple bi-directional 3G-SDI signals as well as control, audio, sync, and intercom between the camera and the FS-900 Base Station.

Up to three cameras are supported by the Base Station, and its redundant power supplies provide up to 150 watts for each camera, as well as prompters and talent monitors. Its three-in-one configuration provides a more cost efficient solution than other multi-camera solutions previously offered by JVC and other manufacturers.

With built-in gigabit Ethernet, the lightweight, 2 RU Base Station also allows video-over-IP, control and advanced configuration. The high quality 1080p video signals are ideal for webcasts, virtual sets, and image magnification (I-MAG) applications. The system integrates easily with any studio, mobile truck, or portable flypack, and connects directly with a facility’s switcher, router, intercom, and house sync systems.

“The integration of three cameras with a single base station provides an elegant, compact, and cost effective solution,” explained Edgar Shane, general manager of engineering, JVC Professional Video. “This does it all – at a lower cost than a conventional system with three base stations. Plus, you can add SMPTE 2022 SDI-over-IP functionality, so the system will support your future transition to a fully IP-based workflow.”

JVC will offer an optional multi-viewer card for the Base Station, and the module will be available in multiple configurations to address specific customer cable and intercom requirements. Both the camera module and base station will be available in June 2016, with pricing starting at under $32,000 for a three-camera system.

Want to know more? For more on the latest NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: The highlights

NAB 2016: The highlights

Here we go. Bookmark this page and periodically hit refresh to be kept up to date with all the big announcements from NAB Show 2016, including live streams, key links and the most interesting new releases.

AJA

AJA Releases CION v1.3 Firmware with New Gamma Settings; Announces New Pak1000 Promo for CION Purchases

AJA Video Systems today released new v1.3 firmware for the AJA CION, AJA’s 4K/UltraHD and 2K/HD production camera that shoots edit-ready Apple ProRes files at up to 4K 60fps. Read more

NAB 2016: AJA Unveils FS4 frame synchroniser and converter

AJA Video Systems today unveiled FS4, the most advanced all digital frame sync and universal up/down/cross converter ever from AJA, supporting 4K, UltraHD, 2K, HD and SD workflows in a 1RU frame. Read more 

NAB 2016: AJA Ki Pro Ultra v1.2 update to add ExFAT, 16-channel audio, CC support, 2SI; Pak-Adapt-eSATA to bring third party eSATA media compatibility

AJA Video Systems today announced Ki Pro Ultra v1.2 firmware adding 16-channel embedded SDI audio, ExFAT file system, Closed Captioning (CC) and SMPTE 2SI I/O support. Read more

NAB 2016: AJA announces U-TAP USB 3.0 capture devices

AJA Video Systems today announced U-TAP HDMI and U-TAP SDI offering high quality HD/SD capture through a bus powered USB 3.0 port. Read more

NAB 2016: AJA introduces new Mini-Converters and openGear-Compatible rack cards

At NAB 2016, AJA Video Systems expanded its line of portable Mini-Converters with the introduction of the Hi5-4K-Plus, a 4K/UltraHD 3G-SDI to HDMI 2.0 converter, and the HDP3, a 3G-SDI to DVI-D converter with 1080p 60 support. Read more

NAB 2016: AJA Announces KONA IP at NAB 2016

AJA Video Systems today announced KONA IP, its first desktop video and audio I/O product for professional IP-based workflows. KONA IP is the next generation of AJA’s industry-leading KONA line of PCIe capture cards and works with AJA Control Room and Control Panel software and SDK tools along with leading third-party content creation applications. Read more

Atomos

NAB 2016: Atomos adds flagship Shogun Inferno to the HDR blaze of product announcements

Atomos invented the all-in-one monitor recorder category and now redefine it with the Shogun Inferno. It is the combination of the most advanced monitor technologies – 1500nit/10bit/HDR, the latest recording capability – 4Kp60 over Quad-SDI, along with playback & editing functionality that encourages on set collaboration. Shogun Inferno makes mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers. Read more

Avid

NAB 2016: Avid demonstrate cloud collaboration within ProTools

Avid have demonstrated a new cloud collaboration platform for ProTools built directly into the application. The demo was done live at the Avid ACA event prior to NAB opening for select ACA members attending the event. Read more

NAB 2016: Avid announce Adobe Premiere integration with Interplay Media Central

Avid today have announced and demonstrated a huge move toward making their production asset management system, Interplay Media Central, the open arena they have talked about for a number of years now. Read more

NAB 2016: Avid announce NEXIS storage at Avid Connect

AVID today have announced a number of new and updated products at their Avid Connect event, prior to the NAB show which begins on Monday. One of the major headlines is a series of new storage systems, called NEXIS, building on the same hardware and operating system used with the ISIS 1000, launched last year. Read more

NAB 2016: Avid introduces industry’s first end-to-end production workflow for Panasonic AVC Ultra-LongG

More and more news organizations and broadcasters worldwide are now shooting in the Panasonic AVC Ultra-LongG video format, since it provides high quality media at smaller bandwidth rates. Some of the world’s largest broadcasters are already using this AVC Ultra-LongG format, including NBC and Cox Media, and many more organizations will be adopting the format soon. Read more

Moving from Avid ISIS to NEXIS | PRO? Here’s what we know…

As you’ve probably heard, Avid have announced that they’re rebranding their ISIS storage range as the NEXIS range of shared storage products. For those of you who were about to buy an ISIS, have just bought an ISIS or have based your entire storage setup around the ISIS, this might have been slightly unwelcome news, but actually the move to NEXIS seems pretty simple. Here’s what you need to know. Read more 

axle Video

NAB 2016: New axle Pulse turns audiences into contributors

Today axle Video announced the first-ever integrated solution for news organisations and brands to gather and stream video directly from their audiences. Read more

Blackmagic Design

NAB 2016: Blackmagic Design announces new Blackmagic URSA studio viewfinder

Turn URSA Mini into the ultimate professional studio camera with a 7 inch studio viewfinder! Blackmagic Design today announced the new Blackmagic URSA Studio Viewfinder, a high resolution 7” studio viewfinder with variable tension mounting points, tally, external controls and more that turns Blackmagic URSA Mini into a true professional studio camera. Read more

NAB 2016:  New URSA Mini camera OS adds new UI, dozens of features and improves camera performance!

Blackmagic Design today announced a major new camera operating system for its URSA Mini cameras. This new camera OS features an incredible new user interface along with dozens of new features and will be available later this year free of charge for all URSA Mini customers. Read more

NAB 2016: Blackmagic Design announces Blackmagic Video Assist 4K

Blackmagic Design today announced Blackmagic Video Assist 4K, a portable all in one professional monitor and video recorder that can be used to add professional recording and monitoring to any SDI or HDMI camera. Read more

NAB 2016: Blackmagic Design introduces new Blackmagic Micro Converters

Introducing the world’s smallest broadcast quality video converters! Blackmagic Design today introduced Blackmagic Micro Converter SDI to HDMI and Blackmagic Micro Converter HDMI to SDI, two new super small, pocket size broadcast quality video converters. Both models are available immediately for only US$85 each. Read more

NAB 2016: Blackmagic Design announces ATEM Switcher 6.8 update with HyperDeck Control integration

Blackmagic Design today announced the immediate availability of ATEM Switcher 6.8 Update which adds control of all HyperDeck Studio disk recorders to all ATEM switchers. ATEM Switcher 6.8 Update is available for download now from the Blackmagic Design website and is free of charge for all Blackmagic ATEM switcher customers. Read more 

NAB 2016: Blackmagic Design announces UltraStudio 4K Extreme 3

The world’s most advanced capture and playback solution now with 40Gb/s Thunderbolt 3 technology. Blackmagic Design today announced UltraStudio 4K Extreme 3, the world’s most advanced Thunderbolt video capture and playback solution. Read more

NAB 2016: Blackmagic Design selects Tico lightweight compression to move to live video production over IP

Blackmagic Design is now an adopter of the ultra low latency TICO compression technology developed by intoPIX, enabling high resolution video over IP networks. Read more 

NAB 2016: Blackmagic Design launches DaVinci Resolve 12.5!

Our friends over at the Resolve development team have done it again! This year’s NAB release of Resolve has over 250 new features and 1000 enhancements and bug fixes. The new features range from downright incredible to improving your day to day experience, saving time and bringing the sort of tools we’ll need for the next generation of content creation requirements. Read more

NAB 2016: Blackmagic Design announce new Blackmagic MultiView 4

Monitor 4 completely independent SD, HD or Ultra HD SDI video sources on a single display! Blackmagic Design today announced Blackmagic MultiView 4, a new multi viewer that lets customers monitor 4 completely independent SDI video sources on a single display. Read more

NAB 2016: Blackmagic Design convertor upgrades with HDMI instant lock and 33 point LUT support

Mini Converter SDI to HDMI 4K and Teranex Mini SDI to HDMI 12G both get new HDMI instant lock feature, and Teranex Mini also adds 33 point LUT support. Read more

NAB 2016: Blackmagic Design announces new DeckLink Duo 2 PCIe capture and playback card

Blackmagic Design today announced DeckLink Duo 2, a new high performance capture and playback solution with 4 independent channels that can be assigned to either record or playback in any combination, all on a single plug in PCI Express card. Read more

Blackmagic Design announces Desktop Video 10.6.4 update with HDR

New software update adds HDR support to UltraStudio 4K Extreme and DeckLink 4K Extreme 12G! Blackmagic Design today announced Desktop Video 10.6.4 Update which adds support for HDR playback over HDMI to UltraStudio 4K Extreme and DeckLink 4K Extreme 12G. Desktop Video 10.6.4 is available as a free download from the Blackmagic Design website. Read more

Canon

NAB 2016: Canon announce the new CN-E 18-80mm lens

Canon have unveiled the CN-E 18-80mm cine lens, a new Cinema EOS lens with cine-servo style functionality. Designed for professional and advanced amateur videographers using large format, single sensor cameras, the lens strengthens Canon’s line of cine-servo lenses, following in the footsteps of the CN7x17 and CN20x50. Read more

NAB 2016: Canon video range gets a firmware refresh

Canon’s pro video lineup is getting a fresh coat of paint ahead of NAB 2016, with many of the range getting major firmware updates. Here’s the official statement. Read more

G-Technology

NAB 2016: G-Technology offers new NAS solution for content creators

New 12-bay G-RACK 12 enables teams of creative professionals to streamline media and entertainment workflows with the reliability, scalability, and studio-friendly technology you’d expect from the trusted G-Technology brand. Read more

GB Labs

GB Labs adopts NewTek NDI for IP production workflow

GB Labs, the world’s leading manufacturer of Network Attached Storage (NAS), today announced its adoption of NewTek’s open Network Device Interface (NDI) standard for IP-based production workflows for its range of high speed, media specific storage. Read more

JVC

NAB 2016: New JVC ProHD fiber system supports multi-camera Video-Over-IP workflows

The camera module connects directly to the back of GY-HM890 camcorder via 68-pin interface – no external cables required – for full studio functionality. It transports multiple bi-directional 3G-SDI signals as well as control, audio, sync, and intercom between the camera and the FS-900 Base Station. Read more

NAB 2016: JVC introduces robotic PTZ Video-Over-IP production camera

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today introduced its first robotic PTZ IP video production camera, the KY-PZ100, which is ideal for studio or field applications. In addition to its 3G-SDI and HDMI outputs, the KY-PZ100 features JVC’s unique IP-based communications engine to provide streaming HD video at a variety of bit rates with minimal latency. Read more

LaCie

NAB 2016: LaCie Goes Big with Thunderbolt 3 debut

Today at the National Association of Broadcasters Convention, LaCie, the premium brand from Seagate Technology plc, announced the LaCie 12big Thunderbolt 3, a professional 12-bay desktop RAID storage unit. Read more

NewTek

NAB 2016: NewTek announces TalkShow VS 4000 multi-channel video calling system

Announced just prior to this year’s NAB Show, NewTek’s latest talk show update handles up to four remote video guests simultaneously or in sequence using SDI or IP workflows. Read more

NAB 2016: NDI Source set to make a splash

With so much hardware and software lined-up for the big event, we’re starting to get really excited for NAB 2016. One thing we’re particularly excited about is NDI Source. Read more

NAB 2016: NewTek Connect Pro tool bridges IP and SDI workflows

NewTek today announced NewTek Connect Pro, a multi-purpose software tool designed to seamlessly connect IP video formats of new and existing video production hardware and software to work together. Read more

NAB 2016: NewTek’s NDI For Adobe Creative Cloud applications eliminates pre- and post-production render and upload times, streamlining video review & approval

At NAB 2016, NewTek today announced NDI for Adobe Creative Cloud, a software plug-in with NewTek’s groundbreaking Network Device Interface (NDI) technology. The NDI integration enables users of Adobe Premiere Pro CC, Adobe After Effects CC and other Adobe Creative Cloud applications to send real-time video and audio to any NDI-enabled receiving product, such as production switchers or capture cards, across a standard Ethernet network. Read more

What are NDI Transit and Telestrator?

NewTek’s NDI IP protocol was one of the big talking points at this year’s NAB, and two of the key apps they released to work within it were NDI Transit and NDI Telestrator. Which begs the question, what are they? Read more 

Matrox

NAB 2016: Matrox release new lecture capture system, the Monarch LCS

Matrox video have launched an exciting new product for HE at this year’s NAB Show in Las Vegas. Their Monarch LCS is a lecture capture system (in case you were wondering what LCS meant), which Matrox promise is “simple to set up and integrate into any open Video Management System”. Read more

Small HD

NAB 2016: SmallHD announces production monitor prices and proves value with slow-mo durability demo

SmallHD announces pricing of their new daylight-viewable SmallHDR Production Monitors and releases a new video on SmallHDR.com featuring extreme durability tests of the displays in super slow motion. Read more

Sony

NAB 2016: Sony Unveils 4K 8x Super Motion Camera System with Replay Server Function, built for sports live production

Sony announced today the launch of the HDC-4800, its newest camera system which combines 4K & Wide Color Space with Ultra-High Frame Rate (UHFR) capabilities – 8x at 4K, and up to 16x in full HD- but also features dynamic cutout and zoom capabilities for live sports and special event productions. Read more

NAB 2016: Sony unveils world’s first 4K XDCAM shoulder camcorder with 2/3-type image sensor

Sony today introduced its latest XDCAM shoulder-mount camcorder, PXW-Z450. Capable of capturing superb 4K (3840 x 2160) picture quality from new 2/3-type Exmor R CMOS sensor, the camcorder possesses exceptional weight balance and low power consumption alongside excellent networking features. Read more

NAB 2016: Sony introduces the PVM-X550, a 55” quad-view large screen TRIMASTER EL 4K OLED monitor

Sony today announced the new PVM-X550, a 55-inch 4K OLED monitor ideal for verifying 4K footage during production. The PVM-X550 incorporates Sony’s exclusive TRIMASTER EL technology, achieving superb colour and picture quality reproduction, and making the monitor ideal for 4K cinema production and 4K live production. Read more

Sony goes Beyond Definition at NAB 2016

At NAB 2016, Sony is showcasing new technologies and workflows for HD, 4K, high dynamic range, storage and IP transmission, providing the tools to drive professionals’ creativity. Sony’s exhibit will feature new models and updates to widely used products – camcorders, cameras, monitors, switchers, storage, archiving, and wireless transmission for broadcast, production, sports, live events and more. Read more 

NAB 2016: Sony showcases 4K IP Live and ASPEN Interoperability in collaboration with Evertz

At NAB 2016, Sony is showcasing IP interoperability through its continuing collaboration on Sony’s IP Live Production System and Evertz’ Software Defined Video Networking (SDVN) solution. Read more

NAB 2106: Sony’s new Media Backbone Hive wins IABM Game Changer Award

IABM has chosen Sony’s Media Backbone Hive as the winner of its IABM Game Changer Award in the hotly contested Post Production category. The IABM Game Changer Awards, announced yearly at NAB, honour the efforts vendors devote to bringing cutting-edge solutions to the broadcast industry. Read more

Symply

NAB 2016: Symply slip StorNext 5 into storage

The team haven’t even touched down in Vegas for NAB 2016 yet, but big news is already filtering in. First of all, we’re hearing Symply Inc have announced they’re embedding the StorNext 5 storage management platform into their hard drive lineup. Read more

NAB 2016: Symply unveils first product series, SymplyStor and SymplyShare

Symply, Inc., the new startup in high-performance storage for media and creative professionals, today unveiled its first product series, SymplyStor desktop RAID and SymplyShare for Thunderbolt and IP-connected workgroups. Read more

Tangent Devices

NAB 2016: Tangent Ripple shipping soon!

Tangent’s long-awaited entry level Ripple panel has been on the horizon since IBC 2015, but now the design and details have been finalised and we’re closing in on a shipping date. Read more

NAB 2016: Premiere Pro and FCP X add support for Tangent panels

As well as announcing availability of their long-awaited Ripple panel, Tangent Devices have revealed that Adobe Premiere Pro and Apple Final Cut Pro X now sport improved Tangent integration. Read more

Zeiss

NAB 2016: Zeiss announce the new Batis 2.8/18 lens for Sony E mount cameras

Zeiss is pleased to announce the latest addition to the Batis family of autofocus lenses with the launch of the new 2.8/18 lens. Featuring a super wide-angle, the launch of the Batis 2.8/18 marks the expansion of ZEISS’ family of full-frame lenses for Sony α system E-Mount cameras. Sales of the new lens will commence on 2nd May 2016. Read more

Want to know more? For more on the latest NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: New FUJINON UA107x is industry’s longest, widest 4K UHD lens

NAB 2016: New FUJINON UA107x is industry’s longest, widest 4K UHD lens

Ground-breaking lens delivers crisp 4K images across entire zoom range, better colour capture, and high dynamic range.

fujinon_4k_blog_size

At the NAB Show, the Optical Devices Division of FUJIFILM North America will introduce its cutting-edge FUJINON UA107x8.4 (UA107x) broadcast lens – the longest and widest 4K lens ever created for Ultra HD (UHD) broadcast applications. The UA107x 4K UHD lens can be seen along with the complete FUJINON Premier 4K product family at Booth C7125 during the NAB Show, running from April 16-21 at the Las Vegas Convention Center.

Destined to set a new standard for 4K UHD and HD production worldwide, the UA107x provides superb 4K optical quality across the entire zoom focal range – a hallmark of the FUJINON ZK series of Cine-Style lenses.

“With an F number of 1.7 and a focal length of 8.4 to 900mm, the UA107 raises the bar for 4K UHD and HD production worldwide,” said Thom Calabro, director of Marketing and Product Development for the Optical Division of FUJIFILM. “A proprietary anti-fogging system reduces downtime due to moisture, which is a critical concern when shooting in all types of weather. And it comes with patented OS-TECH optical image stabilisation technology for rock-steady performance, even when making the longest UHD shots. The UA107x produces images that are sure to impress.”

The UA107’s refined optical quality has been engineered using FUJIFILM’s latest optical simulation software, which was used to model the UA107’s large diameter aspherical elements. This lens has a multi-group zoom system that suppresses image distortion and ensures that 4K UHD images captured remain consistent and accurate from center to corner, making the UA107x a solid choice to complement today’s 4K 2/3” UHD cameras.

High resolution, high contrast, and high dynamic range are hallmarks of the Premier 4K UA Series. The UA107x’s aspherical elements have been treated with the latest High Transmittance Electron Beam Coating (HT-EBC). Using HT-EBC in tandem with FUJIFILM’s exclusive Aspheric Technology, the UA107 is able to reduce ghosting and lens flares, while increasing the amount of light transmitted through the lens to the camera’s sensors.

“The UA107 delivers richer colors plus greatly enhanced blue response and transmittance, due to its use of the latest High Transmittance Electron Beam Coating (HT-EBC),” said Calabro. “Coupled with FUJIFILM’s exclusive Aspheric Technology, and the UA107x is able to reduce ghosts and flares while increasing light transmission to the camera sensors.”

Users of FUJINON’s UA80x and XA99X lenses will feel right at home using the XA107x, because this new 4K lens retains all the same digital features, including: F number limit, Quick Zoom, two-shot presets, a 2X extender, and other precision digital functions designed to increase production flexibility.

A video of Calabro explaining the features of the UA107 and other FUJINON lenses being introduced at the NAB convention next week can be seen here:

Want to know more? For more on the latest NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.