NAB 2017: New TVLogic reference 4K and OLED monitors

NAB 2017: New TVLogic reference 4K and OLED monitors

LCD and OLED HD displays manufacturer TVLogic are choosing NAB 2017 to introduce several new 4K HDR and OLED monitors. The new displays are designed to address the ever-increasing demands of broadcast, production, post-production, and multi-viewer applications. Here’s the full press release… 

The new lineup includes the LUM-310R – a 31″ 4K HDR Reference Master monitor featuring 2000 nit maximum luminance, the LEM-550R – a 55″ UHD OLED HDR monitor for broadcast QC and post production, the VFM-055A – a 5.5″ HD OLED viewfinder/onboard monitor offering stunning cinematic quality, and the LVM-171S – a 17″ QC-Grade HD Dual-Channel LCD monitor with unmatched wide viewing. The displays will be on display at the company’s Booth N5306 during NAB.

Wes Donahue, Director of Channel Sales & Marketing, TVLogic USA & Latin America, said: “We look forward to major industry events and shows each year, such as NAB, where we have an opportunity to showcase our newest products while also having a chance to meet one-on-one with our customers. This year, we are highlighting some of our most advanced video monitor designs ever. As high-resolution image technologies like 4K and HDR continue to struggle toward standardisation, the need for reference monitors that support a range of new imaging formats is imperative. NAB is the perfect venue to introduce these offerings to the industry.”

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LUM-310R

The LUM-310R is a 4K HDR Reference Master production monitor with a 31″ wide Super-IPS 4K LCD (4096 x 2160) and a local-dimming backlight array designed to reproduce reference HDR content at a maximum luminance of 2000 nits with a simultaneous deep black minimum of 0.002 nits.

The LUM-310R supports various HDR standards such as SMPTE ST2084, ST2086 and ST2094 (pending), Hybrid-Log Gamma (HLG), and more. It also supports multiple colour gamuts including Rec.709, DCI-P3, and Rec.2020. Signal I/O includes 3G/6G/12G-SDI input via one, two, or four SDI connections as well as HDMI (ver. 2.0).

LEM-550R

The LEM-550R is a QC-Grade HDR monitor for broadcast and post-production with a 55″ OLED panel with UHD resolution of 3840 x 2160. The OLED panel can reproduce a maximum luminance of up to 750 nits. The LEM-550R supports various HDR standards such as SMPTE ST2084, ST2086 and ST2094 (pending), Hybrid-Log Gamma (HLG), and others. It also supports multiple colour gamuts including Rec.709, DCI, and Rec.2020. Signal I/O includes 3G/6G/12G-SDI input via one, two, or four SDI connections as well as HDMI (ver. 2.0).

VFM-055A

The VFM-055A is a 5.5″ OLED (organic LED) on-camera viewfinder monitor with native 1920×1080 resolution. It offers truly cinematic image quality with deep blacks, wide-gamut colour reproduction, a very wide viewing angle, and support for multiple video formats via 3G-SDI and HDMI 1.4 inputs. Useful functions include cinema camera log-to-linear LUT conversion, HDMI-SDI cross-converted output, waveform and vector scope, markers, focus assist, audio level meters and more.

LVM-171S 

The new LVM-171S is TVLogic’s top QC-Grade 17″ model with a 16.5″ IPS LCD panel with 1920×1080 native resolution, wide-gamut reproduction (up to DCI-P3) enhanced contrast ratio and wide viewing angle all unmatched by other LCD monitors. A completely redesigned video processing unit provides powerful dual-channel performance and artefact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

IBC Show: Sony unveil “transformational” advances in IP workflows

IBC Show: Sony unveil “transformational” advances in IP workflows

Today, Sony unveiled how it is reshaping the field of media solutions, introducing new ideas, approaches and technology on the opening day of IBC 2016.

Sony’s announcements at IBC explore how its innovations in the fields of image, IP and media workflow are helping broadcasters rethink the ways audiences and production teams alike engage and interact with creators and their content. Sony also showcased how its ‘Beyond Definition’ vision and rich technology heritage serve as the foundation for exciting new consumer experiences and a range of business opportunities for media organisations.

“Sony is committed to exceeding our customer expectations” said Adam Fry, Vice President, Sony Professional Solutions Europe. “The Image, IP and Workflow innovations we’re demonstrating at IBC show how we’re continuously reshaping our technology and services to exceed the demands of the ever-changing media industry. From sensors to full blown Media Operations Management,” continued Adam Fry, “Sony is continuing its mission to unleash the incredible power of images, through innovative technologies and with great people.”

End to end production workflow for HDR and SDR production

Creating lifelike images involves more than just resolution: content creators familiar with the production of higher resolution 4K images are now turning to areas such as High Dynamic Range (HDR) to improve the viewer experience even further and create more long term asset value. Throughout IBC Sony will present the benefits of an end-to-end HDR production workflow across different production needs including, live sports production and program production:

4K Live sports: HDR is a game changer

Sony is introducing the HDRC-4000 HDR production converter unit that fills in a missing piece of 4K HDR and HD SDR simultaneous live production workflow. Based on Sony’s recommended S-Log3 and BT.2020 production workflow in 4K HDR live production, the unit is able to do real-time conversions to the appropriate delivery formats for various applications (broadcast, OTT, public viewing), as well as formats for input (OETF/EOTF, colour space, HDR/SDR and resolution), including conventional HD content production, and video signals apart from S-Log3 (Hybrid Log Gamma, ST.2084) without compromising picture quality.

It eliminates the need for independent workflows for HDR and SDR on the same event and saving a production time and money. This innovative end-to-end workflow solution for 4K HDR Live Production is introduced as “SR Live for HDR”. This enables broadcasters to enjoy outstanding HDR image production as well as conventional 4K SDR and HD production.

4K Program production: XAVC allows excellent HDR capture in S-Log3

The version eight firmware update for F55 and F5 (PMW-F5 requires CBKZ-55FX installed) enables support for XAVC 4K Class 480 recording, enabling a higher bit rate, and capture of excellent HDR in S-Log3. XAVC allows for reviewing of images captures immediately after shooting on-site, making it ideal for HDR production of documentaries and natural history programmes.

4K OLED Monitor for HDR production

Sony has two 4K OLED monitors capable for HDR production. Both are high performance TRIMASTER EL OLED monitors providing professional quality black performance, colour reproduction, quick pixel response, and accurate signal processing. They also support high dynamic range mode and a wide colour gamut conforming to DCI-P3 and most of the ITU-R BT.2020 Recommendation.

BVM-X300, an award-winning 30-inch 4K OLED Master monitor, the flagship model in its professional monitor line-up will feature updated Version 2 firmware including additional HDR EOTF and function support, a new hardware with an HDMI input for easy connection to cameras or Blu-ray players, and a second 3G/HD-SDI 4K input for simpler system integration.

The PVM-X550, 55-inch 4K OLED picture monitor offers a large 3840 x 2160 pixels high-grade picture for critical monitoring performance. A Quad view display mode allows individual picture settings for each display quadrant.

Enhancing solutions for an IP Live system that is ready today, open for tomorrow

Sony further demonstrated its commitment to leading an industry-wide shift to interoperable IP. A core part of Sony’s strategy is its commitment to deliver fully interoperable solutions & systems that are ready to implement today, using current available standards while remaining open to upcoming future standards.

Sony has played a strong role in the industry since 2012, starting from the Joint Taskforce for Networked Media (JT-NM), later joining the ASPEN and AIMS alliance groups, and more recently the AMWA NMI incubator project, driving the development of the Networked Media Interface framework.

Sony’s persistent advances support of open protocols is what cements Sony’s place as a technology innovator and leader in interoperability. Sony has disclosed technical specification of related NMI technology components to the SMPTE (Society of Motion Picture and Television Engineers) as a Registered Disclosure Document (RDD): Essence Independent Mapping (RDD40), LLVC (RDD34) & NDCP (RDD38).

Working together to lead the industry towards interoperability, the expansion of the IP Live Alliance includes the addition of four new members: Asaca Corporation, ASTRODESIGN,Inc. , Lambda Systems Inc. and Studer by Harman.

Sony also introduced several new products that are built around its Network Media Interface (NMI):

NXLK-IP45F, a new AV Multiplexer/DeMultiplexer board enables to multiplex and de-multiplex video and audio over IP signals, with an SDI signal output that includes embedded audio.

NXL-IP4F, an SDI-IP Converter Unit ideal for 4K/HD standalone source or destination to integrate with an IP-based Production System.

HKCU-IP43F, an NMI board for HDCU-4300 camera control system enables easy connection to the IP Live System network.

XKS-Q8111 and XKS-Q8166, an NMI supported QSFP+ I/O board (output) for XVS switchers that allows the direct connection to the core switch of an IP Live System network using 40Gbps fiber link.

PWA-MV1N, Multi-viewer Software enables a very efficient monitoring solution into an IP Live Production Infrastructure, reducing drastically the video matrix resources used for monitoring.

Sony is taking action to bridge the gap to IP Live by providing a venue for training and education. In June 2016, Sony opened a unique facility in the UK, the Digital Motion Picture Centre IP Live at Pinewood Studios. This landmark centre provides educational resources, training and practical tools to aid the excellence and growth in IP for broadcasters and productions companies alike.

Since its opening in June this year, Sony has trained numerous people from leading broadcasters, enabling them to go beyond isolated proof of concept demonstrations and theory to experience interoperable products in a functioning live environment and upskill to become the professionals of tomorrow.

Transforming production and distribution workflows

Sony also emphasised its pledge to working with media organisations as a strategic business partner, evolving their production and distribution workflows to help them transform across various production platforms. Specifically focusing in on news production, Sony also introduced a number of solutions and services that add intelligence and greater communication between the on-field camera and the news centre.

XDCAM Air, harnessing the power of cloud computing and XDCAM: XDCAM Air services address the growing need for speed to air. Harnessing the power of cloud computing and the strengths of Sony’s XDCAM solutions, operators now have the ability to work more quickly and efficiently, concentrating on the story at hand, with the camera directly hooked into the workflow.

XDCAM Air is a portal for content workflows with intelligent functions such as new mobile applications, content management by metadata automation, connection control using GPS geo-location and distribution to multiple locations. Additionally, XDCAM Air will be interoperable with most of major systems, both from Sony and 3rd parties

Sony’s Media Backbone Hive introduced to European broadcasters: Media Backbone Hive utilises the latest IT technologies built using datacentre infrastructure to deliver a complete news and sport production workflow. Showcasing a range of intuitive web-based applications, Hive exists to deliver fast ‘Omni-media’ publishing serving all Web, mobile and social media as well as traditional TV playout. It gives access to clever and tailored dashboards that can inform business decisions, delivering efficiencies driven by insight.

Hive gives media companies the opportunity to truly excel in content creation by empowering their creative teams. Hive is dynamically scalable, drives better management of operational costs, as well as lowering total cost of ownership and avoiding unnecessary investment in underutilised resource.

Protecting, preserving and preparing content with scalable asset management

To meet the ever-growing demands for managing, storing and repurposing digital content, Sony introduced robust, long-term solutions that maximise flexibility, scalability, reliability, and performance.

Media Backbone NavigatorX, an upgraded version of Sony’s Media Navigator solution, offers new features to deliver easier, quicker and more efficient asset and workflow management. Building on the launch of Media Navigator last year, Media Backbone NavigatorX has been designed based on customer feedback to suit multiple modern workflow environments. Users will be able to manage content assets in a range of formats, with flexible feature options for production, archiving and workflow automation. Media Backbone NavigatorX features a simple user interface and is HTML-based web application compatible with multiple browsers.

Launched in April 2016, Sony’s second generation Optical Disc Archive system provides a secure long term archive on a proven format, the disc. This newest media is rated with a 100 year shelf life, achieve 3.3TB as a capacity of a single cartridge with affordable price. Optical Disc Archive System has higher accessibility than other general archive media and able to use for several workflow like exchange media, project backup and nearline archive. Additionally, Memnon Archiving Services (a member of the Sony group) offers large-scale audiovisual archive digitalisation for wider archiving projects. Further demonstrating Sony’s commitment to securing precious data and investments for generations to come.

For more on the latest IBC releases, take a look at our roundup post, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: Sony introduces the PVM-X550, a 55” quad-view large screen TRIMASTER EL 4K OLED monitor

NAB 2016: Sony introduces the PVM-X550, a 55” quad-view large screen TRIMASTER EL 4K OLED monitor

Sony today announced the new PVM-X550, a 55-inch 4K OLED monitor ideal for verifying 4K footage during production. The PVM-X550 incorporates Sony’s exclusive TRIMASTER EL technology, achieving superb colour and picture quality reproduction, and making the monitor ideal for 4K cinema production and 4K live production.

As demand continues to grow for next generation video formats such as 4K and High Dynamic Range (HDR), improved workflows will become even more critical for cameramen, directors and producers evaluating video in the field. A 4K OLED large display that can be used alongside the BVM-X300,Sony’s award winning 30-inch 4K OLED reference monitor, has long been desired. The new PVM-X550 is ideally suited for this use as it is equipped with the same signal processing system as the BVM-X300 for picture accuracy and calibration. The combination of the Sony BVM series master monitors for critical evaluation and the PVM-X550 client monitor deliver the ideal image reproduction and picture quality.

The PVM-X550 supports HDR through various Electro-Optical Transfer Functions (EOTF), such as S-Log3, SMPTE ST.2084 and Hybrid Log-Gamma, covering applications for both cinematography and broadcast. It is equipped with the same signal-processing engine as the BVM-X300, providing a 12-bit output signal for the best picture accuracy and consistency. It also supports various industry standard colour spaces including the wider ITU-R BT.2020 for Ultra High Definition. These all work in tandem with TRIMASTER EL technology to ensure that professionals across the broadcast and cinematography industries are provided excellent, vibrant and reliable images.

The PVM-X550 is the quad-view OLED monitor, which allows customized individual display settings across four distinct views, including:

– Electro-Optical Transfer Function (EOTF).

– Colour space, Transfer Matrix and colour temperature.

– Contrast, Bright and Chroma.

– Interface (3G-SDI,HD-SDI including Single Link/Dual Link and HDMI).

– Signal structure (RGBy and YCBCR).

With great off-axis viewing performance, the PVM-X550’s narrow bezel and lightweight design make it ideal for wall mounting, which is a particular benefit for integration into live production environments where space is often at a premium. At the same time, the 55-inch display also delivers a screen size that can fit in with the need for larger, more detailed monitors in the world of postproduction.

“Professional monitors are essential for 4K productions in the field and aid creators in visual storytelling”, said Daniel Dubreuil, Senior Product Marketing Manager at Sony Professional Solutions Europe. “Sony has listened to its customers and partners about their individual needs during production and the result of those conversations is the PVM-X550 – high-performance, versatile, and customisable quad-view OLED monitor. Cameramen, directors and producers now have the capability to choose individual settings for each of the four displays to achieve their desired outcome. With this range of displays, Sony is putting image quality and dependability at the front of its agenda, giving professionals the confidence to count on excellent, reliable images for the longest time possible.”

The PVM-X550 will be available in Summer 2016.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

Compare Sony TRIMASTER EL OLED monitors with our chart

Compare Sony TRIMASTER EL OLED monitors with our chart

Looking for a new broadcast reference monitor? The Sony TRIMASTER EL OLED BVM and PVM range are among the most impressive monitors on the market when it comes to colour critical work, with a 12-bit non-linear cubic colour conversion management system giving picture uniformity, colour consistency and accuracy of reproduction. Powered by Sony’s TRIMASTER EL image processing technology, these OLED monitors offer you a huge colour gamut across their entire luminance range, with deep, detailed blacks, accurate skin tones and far less of the flicker and motion blurring you get with CRT monitors.

Click on the link below for our at-a-glance Sony TRIMASTER EL OLED chart…

Know your BVM from your PVM?: Our Sony TRIMASTER OLED EL comparison chart

Want to know more about Sony’s TRIMASTER EL OLED monitors? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @Jigsaw24Video on Twitter or ‘Like’ us on Facebook