NAB 2017: Blackmagic Design announces DaVinci Resolve 14

NAB 2017: Blackmagic Design announces DaVinci Resolve 14

Blackmagic Design today announced DaVinci Resolve 14, the biggest release in the history of the product, and an update that has been designed to be more than an incremental software update, but a complete revolution in post production. Blackmagic Design believes the new DaVinci Resolve will break through the stagnant toolsets used in post production, and offer a new path forward for the smallest as well as the largest facilities in the world.

New features include up to 10 times performance improvement, a whole new audio post production suite with Fairlight audio built into DaVinci Resolve, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time.

What this means is that DaVinci Resolve 14 is like 3 high end applications in one. Customers get professional editing, color correction and the new Fairlight audio tools. All it takes is a single click to switch between editing, color and audio. Then the new multi user collaboration tools let everyone work on the same project at the same time, so customers no longer have to import, export, translate or conform projects.

DaVinci Resolve 14 dramatically changes post production from a linear to a parallel workflow, so everyone can work at the same time, giving editors, colorists and audio engineers more time to be creative.

A public beta of DaVinci Resolve 14 will be available today and for immediate download from the Blackmagic Design website. DaVinci Resolve 14 will also be demonstrated on the Blackmagic Design NAB 2017 booth at #SL216.

DaVinci Resolve 14 features a new high performance playback engine that’s up to 10 times faster than before.

In addition to extensive CPU and GPU optimizations, customers also get better threading and GPU pipelining, lower latency, much faster UI refresh rates, support for Apple Metal and much more. This makes DaVinci Resolve 14 faster and more responsive than ever so customers get incredibly fluid performance and more precise editing, even on long timelines with thousands of clips. Scrubbing and playback are instantaneous and there is powerful new acceleration for processor intensive formats like H.264, making it possible to edit 4K images on a laptop.

 

Legendary Fairlight audio is now fully built into the DaVinci Resolve 14 application itself. Fairlight is famous for being used at the world’s highest end studios for audio post on film and television. Fairlight is known for both its superior sound quality and its speed. Customers get a massive set of professional audio tools for recording, editing and sweetening, professional bussing, mixing and routing, and multi format mastering to 3D audio formats such as 5.1, 7.1, Dolby and even 22.2. The state of the art, super low latency audio engine is designed to work with 192kHz 96-bit audio and delivers up to 1,000 tracks with real time EQ, dynamics processing and plug-ins on every track when used with the Fairlight Audio Accelerator. Plus the new Fairlight audio can record up to 96 channels while simultaneously playing back up to 150 audio channels, while mixing it all in real time! There simply is no other software available with this level of dedicated audio power.

The new Fairlight audio in DaVinci Resolve 14 features a full multi track timeline for subframe editing of audio, down to the sample level. The mixer is designed to let customers create sophisticated sequences and has several main, sub and aux buses for mastering and delivering to multiple formats at the same time. Every channel on the mixer features real time 6 band parametric EQ, along with expander/gate, compressor and limiter dynamics. Clip time warping lets customers stretch or compress audio without shifting pitch. In addition, every single parameter can be automated, even VST plug ins, using a variety of automation modes.

In addition to audio editing, sweetening, and mixing, Fairlight audio in DaVinci Resolve 14 also includes multi channel recording tools that are far superior to those found in most editing systems. Customers can record voice overs or even an entire symphony orchestra while also monitoring video and multiple channels of dialog and sound effects. The advanced monitoring can handle buses up to 24 channels wide with customizable fold-up and fold-down for crossing between formats. Monitoring can be done on up to 16 different sets of speakers, including massive cinematic installations.

DaVinci Resolve 14 works with the Fairlight Audio Accelerator card, which gives customers up to 1,000 zero latency tracks and real time effects processing for EQ, dynamics, and up to 6 VST plug ins per channel. Even without the accelerator, most modern computers can still process more than 60 tracks in real time. In addition, DaVinci Resolve 14 can also be used to drive the entire line of Fairlight hardware mixing consoles, which makes working on complex multi track projects faster than any other system available.

The advanced busing and mixing architecture also allows multi language and multi format delivery to be handled simultaneously from the same project, dramatically reducing the time required to deliver final masters.

All this editing, color correction and audio post production power also means multiple people need to work on the same job, at the same time. This is where the revolutionary new collaboration tools are vital to the dream of revolutionizing post production. The new collaboration tools completely redefines post production workflows by supporting simultaneous editing, color correction and audio post. Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, and sound editors mix and finish audio, all in the same project at the same time.

New bin, clip and timeline locking lets users safely work on a specific part of the project without overwriting each other. There’s also a built in secure chat client that lets team members talk to each other from within DaVinci Resolve without the need for an external internet connection. This secure chat is vital because most high end facilities are unable to use services such as Slack or Skype for messaging because they need to remain completely disconnected from the internet to ensure security against hacking.

The new timeline comparison tool makes it fast and easy to see differences and merge changes between two timelines by viewing a side by side comparison of every single change made between users. Best of all, DaVinci Resolve 14 works with the storage you already have. There’s no need to buy expensive or proprietary storage and servers to work collaboratively.

The new multi user features of DaVinci Resolve 14 eliminate the need for importing, exporting, translating and conforming projects. Customers no longer have to wait for a locked edit before starting color and audio work. Switching between editing, color and audio is just a single click away. That means picture editors, colorists, and sound editors can all work in parallel, making DaVinci Resolve 14 the fastest way to edit, grade, mix and deliver projects.

In addition to the incredible performance improvements, editors also get new slip and slide trim commands that make it easier to dynamically trim live on the fly during playback. They can now save interface layout presets, view multiple bins at once and open multiple bin windows. New marker overlays, audio only and video only edit tools, track colors, and subframe audio editing make it the world’s most powerful creative editor.

For colorists, there are over 20 new Resolve FX filters that make it easy to remove dust, fix dead pixels, warp images and more. The amazing new face enhancement tool automatically recognizes and tracks facial features so colorists can quickly smooth skin, adjust skin tone, brighten eyes, and even change lip color, all without having to manually select or rotoscope any part of the image. The face enhancement tool is an indispensable feature that colorists will use every single day. In addition, there are new stabilization, match move, and other image processing tools that give colorists more creative options than ever before.

Customers can add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Control panel for the ultimate high speed workflow. All controls are logically placed near natural hand positions and are made out of the highest quality materials. Smooth, high resolution weighted trackballs and precision engineered knobs and dials feature the perfect amount of resistance for accurately adjusting any setting. The DaVinci Resolve control panels give colorists and editors fluid, hands on control over multiple parameters at the same time, allowing them to create looks that are simply impossible with a standard mouse.

“The overwhelming success of DaVinci Resolve has been incredibly exciting. It has become the world’s fastest growing editing system and now we’re taking it to the next level with DaVinci Resolve 14,” said Grant Petty, CEO, Blackmagic Design. “With this new version, we didn’t want to do an incremental update. We wanted to make a large leap forward and break new ground. It’s also much more exciting for the whole engineering team here at Blackmagic Design! We are really excited about how quickly editors are switching and we hope that a new generation of audio engineers will enter the industry. Together, we can all work to continue making it the best editing, color correction and now audio software in the world!”

Blackmagic Design also announced a price reduction for DaVinci Resolve Studio from $995 to only $299. It costs less than most annual cloud based subscription plans, making DaVinci Resolve more affordable to more customers.

The free version of DaVinci Resolve is also available with the same powerful new editing and audio post production features. The $299 DaVinci Resolve 14 Studio version adds the new collaborative multi user tools, over 20 new Resolve FX including the advanced face enhancement tools, 4K and 120fps project support, stereoscopic 3D, optical quality blur and mist effects, film grain, de-noise tools and much more. Best of all, DaVinci Resolve 14 Studio does not require a connection to the internet or a cloud subscription to work.

In addition, Blackmagic Design has also announced a new worldwide training and certification program, along with certified curriculum for DaVinci Resolve. Customers can learn at their own pace by purchasing the Blackmagic Design series of books, or they can take training courses online or in person at certified training centers. More details are available on the DaVinci Resolve website.

DaVinci Resolve 14 runs on all major platforms, including Mac, Windows and Linux, making it easy to integrate with existing systems and workflows. Customers running Red Hat or CentOS Linux can even build their own workstations using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs for incredible real time performance.

Availability and Price

The public beta of DaVinci Resolve 14 is available today as a free download from the Blackmagic Design website for all current DaVinci Resolve and DaVinci Resolve Studio customers. DaVinci Resolve Studio is available for $299 from Blackmagic Design resellers worldwide.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

NAB 2017: Even more efficient storage solutions from Rohde & Schwarz with IBM Spectrum Scale

NAB 2017: Even more efficient storage solutions from Rohde & Schwarz with IBM Spectrum Scale

Broadcasters and post production houses can now implement intelligent solutions for storing their media files based on their needs. The new file system software for R&S SpycerBox Cell and R&S SpycerBox Ultra TL simplifies the storage workflow and makes it more cost-effective.

Reliable storage solutions are essential for broadcasters and post production houses. Digital content is the media industry’s key asset. It must be securely and safely stored. At the same time, certain media files must be quickly and reliably accessible. As budgets shrink and cost pressure grows, efficient storage becomes key in every respect.

To meet these requirements, IBM Spectrum Scale is now available for the R&S SpycerBox product family. This file system enables users to more efficiently utilize different storage tiers based on their needs. Combining high-performance R&S SpycerBox Cell online storage and powerful R&S SpycerBox Ultra TL nearline storage with IBM Spectrum Scale provides the basis for a centralized, tiered storage solution.

The file system solution assigns files to the most efficient storage location based on how frequently they are needed and other file characteristics. The advantages of the R&S SpycerBox products are optimally utilized. For example, R&S SpycerBox Cell features exceptional performance for realtime processing of video material, while R&S SpycerBox Ultra TL is a much more cost-effective nearline storage medium.

IBM Spectrum Scale allows files to be automatically or manually stored in the optimal location. Since file paths remain constant regardless of which tier is used, workflows do not have to be modified.

“It is important for our customers to be able to reliably access their media files at any time,” explains Stefan Weidner, Sales Director Media at Rohde & Schwarz. “This data is their company’s most important asset. With IBM Spectrum Scale on R&S SpycerBox Cell or R&S SpycerBox Ultra TL, broadcasters and post production companies can rest easy knowing that their key asset is securely and cost-effectively stored.”

As storage requirements increase, storage solutions must be scalable in terms of capacity and bandwidth. Customers in the media branch cannot tolerate any interruptions during production and broadcasting when they expand their storage space. The R&S SpycerBox series is capable of non-destructive scaling. Individual R&S SpycerBox Cell systems can be combined to achieve even more performance.

“In the media branch, a deadline is a deadline – especially for broadcasters. There are no extensions,” says Dirk Thometzek, Product Manager File Based Media Solutions. “That’s why a storage solution that guarantees efficient workflows is so important. The combination of Rohde & Schwarz hardware with the IBM file system makes it possible to scale the performance and capacity of centralized storage without interruption.”

R&S SpycerBox Cell and R&S SpycerBox Ultra TL with the IBM Spectrum Scale will be available in the third quarter of 2017. Quantum StorNext is still available as a file system option.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter, ‘Like’ us on Facebook or take a look at our roundup post.