Ready for IBC? Our consultants are gearing up for their annual trip to Amsterdam, where they’ll be getting hands-on with the latest releases, meeting our key vendors and finding out what the upcoming year holds for media and entertainment. We asked the team what they’re most looking forward to…
Jamie Allan, Solutions & Business Development for M&E
We’re looking forward to talking to more people about remote connectivity and new methods of collaboration this year. It’s a hugely exciting area of expansion for us and our customers, with many of our preferred vendors bringing updates to enable more advanced connectivity over long distances via public and private networks.
Having worked on some major connectivity projects recently between clients and datacentres, we’re starting to see the huge benefits of colocating or virtualising systems really come into effect on multiple scales. Hopefully at the show we’ll see more vendors embracing this and bringing new solutions to the table.
As usual with a major trade show, we’re expecting our friends at Blackmagic Design to come with some exciting news. Hopefully a full release version of Resolve 14 will be made available, including all the amazing new features we’ve been playing with in beta since NAB.
In conjunction with this, the audio world is anticipating new hardware for Fairlight mixing consoles that will be tightly integrated with Resolve, allowing us to build end to end collaborative workflows for edit, grade and audio mix all in realtime!
Neal Kemsley, Pre-Sales Technical Specialist
I’m looking forward to hearing what Avid have in store for their NEXIS shared storage for media production users. It would be lovely to see more progress on their storage performance capability tiers, as well as built-in tools for migrating data stored in Workspaces among those tiers. Also on my wish-list are some features that have yet to make it to NEXIS, which were lost in the migration from previous Avid products, such as controlled shutdown from an external UPS system and deletion reporting. File access auditing would also be a valuable addition to the product.
I’m also looking forward to hearing about what’s being planned for their Interplay Production Asset Management system, as well as seeing progress on Avid’s Media Central Platform, which I understand has undergone a significant amount of redevelopment work.
David ‘Saxon’ Greenep, Senior Pro Audio Consultant
As the pace of technologies in the audio world continues to grow, I am looking forward to learning about new tech that will further streamline the process of content creation.
I am expecting to see developments in audio over IP as well as DAW and hardware solutions for both Atmos and VR audio. With the new standards available now from Dolby, I will also be interested to see if there have been further developments when it comes to both speaker specifications and speaker calibration systems.
Phil Crawley, Engineer
Although the rush to IP continues apace, some of our higher-end TV and Digital Cinema customers still need the near-zero latency and uncompressed quality that only SDI provides for UHD/4K. I’ll be paying particular attention to Barnfind’s product refresh with their 12G copper/fibre parts. Additionally, Amulet have refreshed their Teradici2 offerings; they uniquely offer external Tera2 parts as well as a soon-to-be-released update for existing customers to monitor their GUI displays at 4K resolution.
Rupert Watson, Sales Director for M&E
As a reseller questing for the latest useful technology on behalf of our customers, we will be out looking for vendors at IBC who are bringing something new to the processes and practice of production and post-production. As technologies advance and merge, we attempt to understand and assimilate new ways of working and to present them to our customers in ways that allow them to make money and prosper from our pathfinding on their behalf.
David Skeggs, Project Specialist
IBC is poised to bring the next round of HDR (high dynamic range) developments and offerings. Ultra HD or 4K coupled with HDR has put a real focus on accurate monitoring within post-production – I’d say now they are more acute than ever before.
Dolby and the BBC have led the development of two very different standards for creating an HDR image, but how has the industry been adopting these? We await to see what updates the monitor manufacturers bring around the wider colour gamut and greater bit depths. Equally, it will be interesting to see how manufacturers have been adopting HDR within products, supply chains and workflows.
Graham McGuinness, Operations Director for M&E
Phillip Boettcher, Technical Architect for M&E
Want to meet the team?
If you want to meet up with one of the team to discuss your needs, how new releases could fit into your workflow, or what changes you need to make to take advantage of upcoming technologies like those behind remote collaboration, just get in touch on the details below. Who knows, they may even buy you a beer.
If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter, ‘Like’ us on Facebook or take a look at our roundup post.