IBC 2017: SmallHD debuts brighter daylight viewable 17″ monitor

IBC 2017: SmallHD debuts brighter daylight viewable 17″ monitor

Due to the success of its daylight viewable monitors, SmallHD introduces its brightest, full-featured 17” reference grade monitor ever made, the 1703-P3X. Double the brightness of other 17” reference monitors, it is at home in full sunlight, and covers 100 percent of the DCI-P3 and Rec 709 color spaces.

The 1703-P3X features a 1500:1 contrast ratio and a 179° viewing angle, along with SmallHD’s Pagebuilder OS toolset. The new monitor is being unveiled at IBC (stand 12.E65).

small_hd_monitor

“This monitor is both bright, extremely color accurate, and offers true reference grade cinema color,” said Wes Philips, SmallHD co-founder. “Covering 100% of the DCI-P3 color space, it’s the perfect monitor for DIT’s on-set or location and for mastering in post.”

Designed to serve the demanding color display requirements of both on-set and post production color grading professionals, the 1703-P3X comes pre-calibrated for DCI-P3 and Rec 709 for both broadcast use and cinema mastering. Covering 100% DCI-P3 with a Delta E average of <0.5, it offers easy installation of the user’s own 3D LUT calibration with advanced color management solutions like Light Illusion’s, LightSpace CMS, or SpectraCal’s CalMAN.

The 1703-P3X features one HDMI and two SDI inputs plus one HDMI and two SDI outputs. The fast and intuitive operating system allows ganging of on-screen tools like HD waveform, vectorscope, false color, focus peaking and 2x zebra bars simultaneously. Its Dual View function allows users to monitor two input sources simultaneously with side-by-side viewing.

The new monitor’s bright display supports any LUT workflow through SmallHD’s ColorFlow 3D LUT Engine which enables 3D LUT support, allowing previously created look-up tables to be used on-set. LUTS can be applied via the monitor’s full-size SD slot. This information can also be pushed downstream to other monitors. A LUT altered on-set with third party software, such as LiveGrade, can be viewed on the monitor and/or downstream monitors, and uploaded to an SD card for reference in post.

The 1703P3X is constructed of rugged milled aluminum to withstand the rigor of production. It features numerous ¼-inch and 3/8-inch threaded mounting points, a VESA mount and RapidRail accessory mounting system. The monitor can easily power wireless accessories like Teradek with built in 12V 2-pin LEMO auxiliary power. It can be powered via 4-pin XLR by optional V-mount and Gold-mount battery packs for wireless operation.

MSRP for the 1703-P3X is $3,999.

If you want to know more, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our IBC roundup.

IBC 2017: Avid add SSD support to NEXIS storage

IBC 2017: Avid add SSD support to NEXIS storage

Avid’s NEXIS software is ‘software-defined’, meaning you can manage the storage system independently from its underlying hardware – something you’ll get to do very soon, as Avid have released another update.

Avid NEXIS | FS software version 7.7 was released just last month (if that’s not ringing a bell, it’s the one that introduced support for single-disk mirrored workspace protection, so you get more storage capacity and better protection in one swoop).

Avid-NEXIS-Admin

But Avid don’t like to rest on their laurels, and have released another update at IBC. As the Avid blog explains, “To accommodate high resolution (4K/UHD and above) finishing, we’ve added the option of SSD drives to the Avid NEXIS | E2 engines. Available as either 9.6 TB or 19.2 TB Media Packs, you can edit bandwidth-intensive media in realtime with up to eight times greater read performance over hard disk drives. There are no moving parts, so it adds greater robustness to your workflow. And since Avid NEXIS is a scalable storage platform, this is a simple, additive process.

“All Avid NEXIS | Enterprise storage engines are fully compatible with one another. They can be mixed, matched and augmented, so a storage investment in Avid NEXIS never becomes obsolete as capacity, bandwidth performance and availability can be upgraded to meet changing content and production demands.

“As Avid is committed to improving collaboration across the broadest range of media workflows, we extensively test not just our own creative software tools like Avid Media Composer and Pro Tools, but also those from third parties, including Adobe Premiere Pro, Apple Final Cut Pro and Grass Valley EDIUS.

“At IBC 2017, we’re excited to announce MediaCentral for Post – a solution comprising Avid NEXIS, Media Composer and a component of the all-new MediaCentral ecosystem, MediaCentral | Editorial Management, a robust, yet lightweight file management application. It’s a snap to install and configure, so you’ll be up and running in no time. Its MediaCentral Core indexing engine and service keep track of all projects and media stored, so everyone on the team can view what’s available in realtime. For post production in particular, we truly believe that this will be a real game changer in terms of collaborative content creation, whatever resolution you are working in.

“With over 1500 installations in just a year since its first release, Avid NEXIS is being adopted quickly by media producers all around the world — from pre-eminent global broadcasters to boutique post houses, and everything in between. Avid NEXIS is proven and trusted in the most demanding and bandwidth-intensive workflows. It continues to lead the market as reliable, high-performance, intelligent storage for media that can scale and adjust quickly to change, without interrupting production. At IBC 2017, we’re taking productivity to new levels, not just by tweaking the tech, but also by turbocharging the capacity for teamwork.”

If you want to know more, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our IBC roundup.

IBC 2017: NewTek demo new LivePanel

IBC 2017: NewTek demo new LivePanel

It’s day one of IBC, and NewTek have already unveiled LivePanel, a fully customisable browser-based control system that they’ll be including with NewTek IP Series multi-camera production systems, and which will be available as an option with TriCaster TC1.

As NewTek explain, LivePanel will be “accessible from smartphone, tablet, laptop, or desktop devices – wired or wireless.” It “allows users to access their own customised video workflows from any web browser on the same network. Users can also preview and monitor videos of any video source within the browser for immediate visual feedback. Even casual users can design and drive complex productions with a few button pushes, providing a level of quality and consistency rivaling seasoned professionals.”

Investing in LivePanel will also allow more operators to get behind the TriCaster TC1 and IP Series systems in larger-scale production environments – NewTek are particularly keen that you try using it for scoreboard control and stats feeds at sporting events.

livepanel-header-scaled

“Producers who want to leverage the cutting-edge IP production workflow and horsepower of NewTek live production systems without requiring highly-trained production personnel can now use NewTek LivePanel to simplify the user experience and create high-quality, consistent programming,” said Brian Olson, Vice President of Product Management for NewTek. “LivePanel makes designing and running a complex production easy and fun, and illustrates NewTek’s commitment to innovating the way production is performed and leading the move to full IP based workflows. Not only can your video production devices be connected anywhere on the network over IP, now you can control your production from anywhere on the network as well.”

LivePanel ships with panels designed to control various aspects of the workflow – including switching, audio, media playback, scoreboards, and macro triggering. LivePanel makes it possible for every operator to design their own layouts, controls and video preview windows as necessary. Basic user-defined panels can be created with LivePanel Builder to assign complex sequences and time-based effects to a single button. Fully configurable custom menus and buttons of any size may be built with custom images, text, color and video previews identifying each control function.

From an IP Series platform for example, LivePanel can be configured to preview any of the up to 44 video inputs, including 4K inputs, 20 internal graphics and media channles, or any outputs over SDI or IP. LivePanel is served directly from software built into the IP Series or TriCaster TC1 and devices do not require any installation or even a connection to a public internet. It runs on any device, browser, or operating system – Windows, Mac, Linux, Android, or iOS. This makes it simple to have on-camera talent control portions of the production with a tablet or even their mobile phone.

Availability

NewTek LivePanel is available now on NewTek IP Series at no additional cost and optionally available on TriCaster TC1 in the next software release for $995 (UK pricing coming your way when we have it).

If you want to know more, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our IBC roundup.

Soliton announces NewTek integration and improved live streaming ahead of IBC

Soliton announces NewTek integration and improved live streaming ahead of IBC

Ahead of Europe’s leading media, entertainment and technology show, Soliton have announced exciting new updates to their leading H.265 bonded solutions, ZAO and Zao-S.

For those of you who are already fans of the Soliton products, updated features to enhance their Smart telecaster range are below. If you’re new to the range and would like to know more, scroll down for more information on the ZAO and Zao-S, and why we’re so excited about the new updates.

Updates to the Soliton smart-telecaster range for IBC 2017 include:

Integration and support for software-driven IP workflows using NewTek NDI.

Addition of the new ‘BOOST’ feature, that allows the system to maintain extra bandwidth where mobile phone signals are in high demand.

Further improvements to their H.265 codec, aiming to improve small details in the picture, providing an even higher video quality.

Live streaming app ML-Cam for iPhone users and, coming soon, Android users.

You can catch Soliton at IBC, where they’ll be demoing all the new features live, and answering any questions you might have about the updates at stand B.11 in hall 2.

 

The ZAO and Zao-S

The ZAO is a broadcast-grade live video encoder, and was the world’s first H.265 HEVC hardware encoder. It enables full HD live video mobile transmission of live events from a remote location to anywhere in the world, with a simple unit that can be attached to any broadcast camera. The unit allows you to maintain HD quality in low 3G or 4G bandwidth environments, and minimal latency while covering live events – typically half a second, but as low as 240ms.

While the ZAO was the world’s first, the Zao-S is the world’s smallest, providing the same high reliability but in a much smaller form factor – however not quite the same high-bit encoding rate. It’s small size allows it to be easily held in a body strap or mounted directly to the camera.

 

NewTek NDI Integration

Soliton have announced they will integrate NDI into the ZAO and Zao-S. They will be joining the growing number of companies enabling IP-based customer workflows – and Jigsaw24 is particularly interested to see how the ZAO range will work with NDI Cloud, which would be groundbreaking for live production. NewTek’s NDI technology is royalty free and allows video and audio sources to be shared bidirectionally across an IP network.

“Mobile cameras for outside broadcast are not typically network attached and still rely on traditional baseband technology such as HDMI or HD-SDI,” says Mark Andrews, Head of Broadcast for Soliton Systems Europe. “By adopting NDI from NewTek on our receiving platform, we are allowing outside broadcasters to take advantage of IP workflows without the need to change their mobile camera infrastructure.”

Michael Kornet, Executive Vice President of Business Development for NewTek also comments: “Software-driven IP workflows are quickly becoming ubiquitous in video production. NDI-enabled devices like the Smart telecaster products for mobile live streaming, exponentially increase the video sources available for live production and thus create efficiencies and opportunities for customers that did not previously exist. NDI is the most widely adopted IP technology on the market, as shown by the millions of customers with access to it today.”

 

Enhanced live streaming functionality with BOOST and ML-Cam

The addition of the new ‘BOOST’ feature will allow the system to maintain extra bandwidth where the mobile phone signals are in high demand. This feature will maintain high connectivity and improved reliability for when you need your signal not to let you down.

“There is no guarantee of quality of service when using 4G,” stated Shinya Hyakutake, Head of the Broadcast Division for Soliton in Japan. “With our RASCOW protocol for combining multiple 3G and 4G networks on one device, and now with our added BOOST functionality, we see the Zao being able to mitigate against the issues of signal degradation of cellular phone operators. It just makes the whole user experience so much more reliable for live streaming video for bonded systems.”

Bandwidth that won’t cut out right in the middle of a live steam not enough for you? Soliton have more. They’ve further improved their H.265 codec, one that they already believed to be the most advanced on the mobile market. The new codec seeks to improve small details in the picture, especially moving ones, providing an even higher video quality.

 

Over in Amsterdam at IBC, Soliton will be demonstrating the benefits of NDI with NewTek’s Tricaster with live demos, alongside their own Smart telecaster and cloud solutions. IBC attendees can check out Soliton’s products, including live demos of the updated features, at stand B.11 in hall 2.

Want to know more about Soliton’s H.265 mobile products, or want to have a chat with us about IBC? Get in touch by calling 03332 409 306 or emailing broadcast@Jigsaw24.com. For all the latest news and gossip, follow us on Twitter @WeAreJigsaw24 and like us on Facebook

Don’t miss BirdDog Studio NDI and more at IBC 2017

Don’t miss BirdDog Studio NDI and more at IBC 2017

BirdDog are bringing their new Studio NDI to IBC in Amsterdam this month. First demoed back at NAB to resounding success, this impressive bit of kit allows your existing cameras to be included in a new IP workflow for your live productions. 

Touted as the world’s best NDI encoder, Studio comes production-ready with Tally, PoE and video conversion. While still a few weeks away from shipping, punters will have the chance to get an up-close look at the device, which enables more flexible video inputs into live productions and access to video resources anywhere in your facility.

The BirdDog team will also be on hand to showcase real-world integration with NewTek TriCaster, vMix, Telestream Wirecast, and NewTek NDI Tools, and answer any questions you might have.

Features

NDI made simple

Studio allows users to convert baseband SDI and HDMI to take full advantage of IP networks. That means you can access live video in realtime from anywhere on your network, so there’s no need to run long SDI cables or purchase pricey video routers.

Dual colour Tally 

Studio can display Tally onboard and externally via Tally out, and provides both Program and Preview tally indicators.

Power from anywhere

Handily, the device can be powered from an ethernet cable thanks to PoE technology. Alternatively, users can power it up via DC power supply or optional V/Gold-mount battery plate accessories with power pass-through functionality (which are coming soon).

Central fleet control

Users get complete control and configuration capabilities for multiple Studio devices through the admin panel, which can be accessed on both desktop or on mobile devices.

Monitor loop-out/format converter

BirdDog Studio’s SDI and HDMI ports are always live, meaning users can convert from HDMI to SDI and vice versa. Users can also connect a monitor to the device.

Upgradable software

The BirdDog team are always hard at work creating new features for Studio, which will be made available free of charge via the site deployment wizard as soon as they’re ready. The wizard will also ensure all BirdDog Studio devices in your facility are updated and running on the most recent software version.

In other IBC news…

NewTek and Vizrt will be demoing the NVG1 – their IP Graphics Server – at IBC this year, with the system being made available in the UK soon after. As a realtime 4K-capable graphics system, the NVG1 is designed for deep integration with the NewTek IP Series and TriCaster TC1 video production systems, and streamlines graphic operations by utilising NewTek’s NDI IP video standard to bi-directionally transfer video, audio, key, control and metadata on a single network cable over existing GigE infrastructures. It also combines the NewTek 1RU server platform with NDI IP video connectivity and Viz Trio/Viz Engine software to deliver best-of-breed live graphics for NewTek’s end to end IP-native video workflows.

If you want to know more about the biggest news and announcements from IBC, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

IBC Show: Sony unveil “transformational” advances in IP workflows

IBC Show: Sony unveil “transformational” advances in IP workflows

Today, Sony unveiled how it is reshaping the field of media solutions, introducing new ideas, approaches and technology on the opening day of IBC 2016.

Sony’s announcements at IBC explore how its innovations in the fields of image, IP and media workflow are helping broadcasters rethink the ways audiences and production teams alike engage and interact with creators and their content. Sony also showcased how its ‘Beyond Definition’ vision and rich technology heritage serve as the foundation for exciting new consumer experiences and a range of business opportunities for media organisations.

“Sony is committed to exceeding our customer expectations” said Adam Fry, Vice President, Sony Professional Solutions Europe. “The Image, IP and Workflow innovations we’re demonstrating at IBC show how we’re continuously reshaping our technology and services to exceed the demands of the ever-changing media industry. From sensors to full blown Media Operations Management,” continued Adam Fry, “Sony is continuing its mission to unleash the incredible power of images, through innovative technologies and with great people.”

End to end production workflow for HDR and SDR production

Creating lifelike images involves more than just resolution: content creators familiar with the production of higher resolution 4K images are now turning to areas such as High Dynamic Range (HDR) to improve the viewer experience even further and create more long term asset value. Throughout IBC Sony will present the benefits of an end-to-end HDR production workflow across different production needs including, live sports production and program production:

4K Live sports: HDR is a game changer

Sony is introducing the HDRC-4000 HDR production converter unit that fills in a missing piece of 4K HDR and HD SDR simultaneous live production workflow. Based on Sony’s recommended S-Log3 and BT.2020 production workflow in 4K HDR live production, the unit is able to do real-time conversions to the appropriate delivery formats for various applications (broadcast, OTT, public viewing), as well as formats for input (OETF/EOTF, colour space, HDR/SDR and resolution), including conventional HD content production, and video signals apart from S-Log3 (Hybrid Log Gamma, ST.2084) without compromising picture quality.

It eliminates the need for independent workflows for HDR and SDR on the same event and saving a production time and money. This innovative end-to-end workflow solution for 4K HDR Live Production is introduced as “SR Live for HDR”. This enables broadcasters to enjoy outstanding HDR image production as well as conventional 4K SDR and HD production.

4K Program production: XAVC allows excellent HDR capture in S-Log3

The version eight firmware update for F55 and F5 (PMW-F5 requires CBKZ-55FX installed) enables support for XAVC 4K Class 480 recording, enabling a higher bit rate, and capture of excellent HDR in S-Log3. XAVC allows for reviewing of images captures immediately after shooting on-site, making it ideal for HDR production of documentaries and natural history programmes.

4K OLED Monitor for HDR production

Sony has two 4K OLED monitors capable for HDR production. Both are high performance TRIMASTER EL OLED monitors providing professional quality black performance, colour reproduction, quick pixel response, and accurate signal processing. They also support high dynamic range mode and a wide colour gamut conforming to DCI-P3 and most of the ITU-R BT.2020 Recommendation.

BVM-X300, an award-winning 30-inch 4K OLED Master monitor, the flagship model in its professional monitor line-up will feature updated Version 2 firmware including additional HDR EOTF and function support, a new hardware with an HDMI input for easy connection to cameras or Blu-ray players, and a second 3G/HD-SDI 4K input for simpler system integration.

The PVM-X550, 55-inch 4K OLED picture monitor offers a large 3840 x 2160 pixels high-grade picture for critical monitoring performance. A Quad view display mode allows individual picture settings for each display quadrant.

Enhancing solutions for an IP Live system that is ready today, open for tomorrow

Sony further demonstrated its commitment to leading an industry-wide shift to interoperable IP. A core part of Sony’s strategy is its commitment to deliver fully interoperable solutions & systems that are ready to implement today, using current available standards while remaining open to upcoming future standards.

Sony has played a strong role in the industry since 2012, starting from the Joint Taskforce for Networked Media (JT-NM), later joining the ASPEN and AIMS alliance groups, and more recently the AMWA NMI incubator project, driving the development of the Networked Media Interface framework.

Sony’s persistent advances support of open protocols is what cements Sony’s place as a technology innovator and leader in interoperability. Sony has disclosed technical specification of related NMI technology components to the SMPTE (Society of Motion Picture and Television Engineers) as a Registered Disclosure Document (RDD): Essence Independent Mapping (RDD40), LLVC (RDD34) & NDCP (RDD38).

Working together to lead the industry towards interoperability, the expansion of the IP Live Alliance includes the addition of four new members: Asaca Corporation, ASTRODESIGN,Inc. , Lambda Systems Inc. and Studer by Harman.

Sony also introduced several new products that are built around its Network Media Interface (NMI):

NXLK-IP45F, a new AV Multiplexer/DeMultiplexer board enables to multiplex and de-multiplex video and audio over IP signals, with an SDI signal output that includes embedded audio.

NXL-IP4F, an SDI-IP Converter Unit ideal for 4K/HD standalone source or destination to integrate with an IP-based Production System.

HKCU-IP43F, an NMI board for HDCU-4300 camera control system enables easy connection to the IP Live System network.

XKS-Q8111 and XKS-Q8166, an NMI supported QSFP+ I/O board (output) for XVS switchers that allows the direct connection to the core switch of an IP Live System network using 40Gbps fiber link.

PWA-MV1N, Multi-viewer Software enables a very efficient monitoring solution into an IP Live Production Infrastructure, reducing drastically the video matrix resources used for monitoring.

Sony is taking action to bridge the gap to IP Live by providing a venue for training and education. In June 2016, Sony opened a unique facility in the UK, the Digital Motion Picture Centre IP Live at Pinewood Studios. This landmark centre provides educational resources, training and practical tools to aid the excellence and growth in IP for broadcasters and productions companies alike.

Since its opening in June this year, Sony has trained numerous people from leading broadcasters, enabling them to go beyond isolated proof of concept demonstrations and theory to experience interoperable products in a functioning live environment and upskill to become the professionals of tomorrow.

Transforming production and distribution workflows

Sony also emphasised its pledge to working with media organisations as a strategic business partner, evolving their production and distribution workflows to help them transform across various production platforms. Specifically focusing in on news production, Sony also introduced a number of solutions and services that add intelligence and greater communication between the on-field camera and the news centre.

XDCAM Air, harnessing the power of cloud computing and XDCAM: XDCAM Air services address the growing need for speed to air. Harnessing the power of cloud computing and the strengths of Sony’s XDCAM solutions, operators now have the ability to work more quickly and efficiently, concentrating on the story at hand, with the camera directly hooked into the workflow.

XDCAM Air is a portal for content workflows with intelligent functions such as new mobile applications, content management by metadata automation, connection control using GPS geo-location and distribution to multiple locations. Additionally, XDCAM Air will be interoperable with most of major systems, both from Sony and 3rd parties

Sony’s Media Backbone Hive introduced to European broadcasters: Media Backbone Hive utilises the latest IT technologies built using datacentre infrastructure to deliver a complete news and sport production workflow. Showcasing a range of intuitive web-based applications, Hive exists to deliver fast ‘Omni-media’ publishing serving all Web, mobile and social media as well as traditional TV playout. It gives access to clever and tailored dashboards that can inform business decisions, delivering efficiencies driven by insight.

Hive gives media companies the opportunity to truly excel in content creation by empowering their creative teams. Hive is dynamically scalable, drives better management of operational costs, as well as lowering total cost of ownership and avoiding unnecessary investment in underutilised resource.

Protecting, preserving and preparing content with scalable asset management

To meet the ever-growing demands for managing, storing and repurposing digital content, Sony introduced robust, long-term solutions that maximise flexibility, scalability, reliability, and performance.

Media Backbone NavigatorX, an upgraded version of Sony’s Media Navigator solution, offers new features to deliver easier, quicker and more efficient asset and workflow management. Building on the launch of Media Navigator last year, Media Backbone NavigatorX has been designed based on customer feedback to suit multiple modern workflow environments. Users will be able to manage content assets in a range of formats, with flexible feature options for production, archiving and workflow automation. Media Backbone NavigatorX features a simple user interface and is HTML-based web application compatible with multiple browsers.

Launched in April 2016, Sony’s second generation Optical Disc Archive system provides a secure long term archive on a proven format, the disc. This newest media is rated with a 100 year shelf life, achieve 3.3TB as a capacity of a single cartridge with affordable price. Optical Disc Archive System has higher accessibility than other general archive media and able to use for several workflow like exchange media, project backup and nearline archive. Additionally, Memnon Archiving Services (a member of the Sony group) offers large-scale audiovisual archive digitalisation for wider archiving projects. Further demonstrating Sony’s commitment to securing precious data and investments for generations to come.

For more on the latest IBC releases, take a look at our roundup post, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

IBC 2016: AJA expands IP-based workflow technologies

IBC 2016: AJA expands IP-based workflow technologies

AJA Video Systems has announced two new Mini-Converters supporting IP-based video and audio workflows at IBC 2016. The company simultaneously announced free v12.5 Desktop Software with new features for KONA IP that improve redundancy and reliability in Broadcast IP pipelines, including SMPTE 2022-7 support for protection switching.

IP-based workflows and interop demos with Arista and LAWO will be showcased during the IBC Conference at the RAI in Amsterdam from September 9-16 at the AJA stand 7.F11; AJA solutions will also be demonstrated at the AIMS (Alliance for IP Media Solutions) and IABM Interoperability Zone (8.D10).

IPR-1G-HDMI and IPR-1G-SDI Mini-Converters 
IPR-1G-HDMI decodes VSF TR-01 and other JPEG 2000 streams, and formats the data for output on a full size HDMI 1.4 interface. IPR-1G-SDI decodes VSF TR-01 and other JPEG 2000 streams, and formats the data for 3G-SDI BNC output. The rugged, fanless converters support a range of HD and SD formats, and are designed for several point of use applications – including source monitoring, digital signage, and video walls. Key features include: embedded and RCA analog audio outputs, a full 10-bit pixel processing pipeline, LAN control and status, and a USB 2.0 Mini-B Connector for simple network setup with AJA eMini-Setup Software.

New KONA IP features in v12.5 Desktop Software 
AJA v12.5 software adds SMPTE 2022-7 to KONA IP, which offers a seamless protection switching experience. It allows users to send the same uncompressed data stream from the top and bottom SFP+ cages onto two separate networks for easy routing of video over IP networks. New v12.5 software support for KONA IP also includes HDR 10 metadata support in AJA Control Panel. Support for SMPTE 2022-2 workflows with JPEG 2000 is planned for future updates.

“We’re continually exploring how we can alleviate the challenges professionals face in the transition to IP by creating futureproof solutions that will carry facilities through this new era of IP and beyond. Our new Mini-Converters and v12.5 software features for KONA IP deliver the latest IP video workflow features our customers have been asking for,” shared AJA President Nick Rashby.

Pricing and Availability
The IPR-1G-HDMI Mini-Converter will be available soon through AJA’s worldwide network of resellers at a US MSRP of $795, with the IPR-1G-SDI Mini-Converter also available soon at a US MSRP of $795.

For more on the latest IBC releases, take a look at our roundup post, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

IBC 2016 as it happens

IBC 2016 as it happens

OK, IBC fans, here’s where we’ll be rounding up all the announcements from the media sector’s annual Amsterdam blowout. Expect new releases, upgrades announcements, official previews of products that were teased at NAB, and (event WiFi permitting) exclusive on-the-floor content from our team.

All you need to do is bookmark this post, then hit refresh occasionally to see any updates as they arrive, nicely organised by vendor. Easy.

Adobe

IBC 2016: Adobe unveils new virtual reality, character animation and 3D innovations

Keeping pace with high velocity content demands across both new and traditional platforms, Adobe will showcase advancements in VR, 3D, motion graphics and character animation supported by tools to deliver, measure and monetise TV and film content across multiple screens. Read more

AJA

IBC 2016: AJA expands IP-based workflow technologies 

AJA Video Systems has announced two new Mini-Converters supporting IP-based video and audio workflows at IBC 2016. The company simultaneously announced free v12.5 Desktop Software with new features for KONA IP that improve redundancy and reliability in Broadcast IP pipelines, including SMPTE 2022-7 support for protection switching. Read more 

Atomos

IBC 2016: Atomos and G-Technology team up to improve your on-set storage

The show’s not officially open yet and G-Technology and Atomos have already managed to get our storage team in a tizzy by teaming up to improve on-set storage for us all. The result of their collaboration is the Atomos Master Caddy by G-Technology, a new range of ev series-comptible, high performance solid state drives. Read more

Avid

Pre-IBC: Avid to unveil latest innovations and new products at IBC 2016

MediaCentral Platform innovations, new products and product enhancements will deliver unprecedented creativity, productivity and efficiency improvements to address the industry’s most pressing business challenges. Read more

IBC 2016: Avid demonstrates leadership in emerging IP and UHD workflows

By supporting real-time IP signals natively in key components of the Avid MediaCentral Platform, Avid is accelerating the industry’s transition to IP and delivering a unified environment for file-based and live signal-based media workflows that will ease the migration to emerging image formats, including UHD. Read more

IBC 2016: Avid introduce NEXIS | E5 and Avid NEXIS High Availability

New high-density, high-availability Avid NEXIS solutions enable large-scale broadcast and post-production organizations to accelerate production and increase efficiency. Read more

IBC 2016: Avid Pro Tools

Avid have made some major announcements at IBC 2016 which introduce a seismic shift in terms
of how customers are able to purchase their flagship Pro Tools|HDX and Pro Tools|HD software
range of professional audio production products. Read more 

BirdDog Studio

IBC 2016: Digibox to distribute BirdDog Studio IP solution

DigiBox has been appointed Master Distributor for BirdDog Studio, a great solution that lets you include existing cameras in your new IP workflow. We highly recommend BirdDog Studio because a) it’s only £560 per unit and b) we really like their logo. Read more

Blackmagic Design

IBC 2016: Blackmagic Design acquires Ultimatte and Fairlight

Not content with bringing Resolve to the masses and supporting the Cintel scanner, Blackmagic Design have announced that they’ve acquired Fairlight, specialists in 3D immersive audio mixing and finishing, and Ultimatte,  the excellently-named world leaders in blue and green screen removal. Read more 

IBC 2016: Grant Petty on Teranex AV, DeckLink Mini 4K and Blackmagic acquisitions

Blackmagic Design always arrive at events like IBC with a raft of new releases, and for those among who struggle to keep up, Grant Petty’s regular roundups are one of the highlights of the event. Read on to see what the man himself has to say about this year’s releases and the future of Blackmagic Design. Read more 

GB Labs

IBC 2016: GB Labs launch Echo 36 with complete failover

GB Labs have launched some exciting new high availability storage at this year’s IBC. Called Echo 36, it offers complete failover in the case of disk failure or “localised disaster”, a phrase we do not hear enough. Read more 

G-Technology

IBC 2016: Atomos and G-Technology team up to improve your on-set storage

The show’s not officially open yet and G-Technology and Atomos have already managed to get our storage team in a tizzy by teaming up to improve on-set storage for us all. The result of their collaboration is the Atomos Master Caddy by G-Technology, a new range of ev series-comptible, high performance solid state drives. Read more

JVC

IBC 2016: JVC’s best IBC-only camcorder and monitor deals

JVC are running a load of amazing deals on camcorders and monitors during the IBC 2016 show, including freebie mics and lenses, and glorious cashback. We’ve rounded up the best offers below so you can buy online. Read more

Levels Beyond

IBC 2016: Jigsaw24 to reach the next level of MAM with Reach Engine by Levels Beyond

Exciting times at Jigsaw24 as we have taken on the mantle of sales and appliance integration for one of the world’s leading MAM platforms, Reach Engine by Levels Beyond. Read more

NewTek

Pre-IBC: NewTek strengthens its leadership in software-driven IP workflows with NDI version 2

NewTek announced today a second-generation Network Device Interface (NDI) technology with a host of new advanced features, performance improvements, and full compatibility with all existing versions of NDI. Read more

IBC 2016: NewTek and Wowza deliver the first ever global and local media distribution platform

NewTek and Wowza Media Systems today launched the MDS, a revolutionary real-time media encoding and live streaming video delivery platform. The MDS is a fully integrated hardware and software solution merging NewTek’s industry-leading live production technology with the powerful, proven Wowza streaming software in a 1RU footprint. Read more

Panasonic

IBC 2016: Codex and Panasonic continue their successful partnership with VariCam Pure

Panasonic has once again called on the engineering and technical expertise of Codex to develop with them a totally integrated and smaller VariCam camera – the new VariCam Pure digital cinematography camera. Read more

Sony

See the full Sony press conference here

Pre-IBC: Sony announce HXR-NX5R camcorder and more

Sony have confirmed three brand new products, including the HXR-NX5R Full HD camcorder, the much anticipated successor to the acclaimed HXR-NX5 and NX3, the MCX-500 mixer and the RM-30BP Multi-Function Remote. Read more

IBC 2016: Sony announce updates for the F5/F55 and PXW-X400

Not in the market for a new camera currently? Sony don’t want you to feel left out. That’s why they’ve announced new firmware for the F5 and F55, plus a sensor update for the PXW-X400. Read more

IBC Show: Sony unveil “transformational” advances in IP workflows

Today, Sony unveiled how it is reshaping the field of media solutions, introducing new ideas, approaches and technology on the opening day of IBC 2016. Read more

IBC 2016: Sony are bringing back Prime Support

Worried about the health and wellbeing of your Sony devices? Sony are bringing back Prime Support – this time in four new configurations – so you can be sure you’re covered. Read more

IBC 2016: Sony showcase Beyond Definition vision

In case you weren’t excited enough by Prime SupportIP workflow solutions and the NX5R, Sony have another ace up their sleeve: they’re demonstrating their Beyond Definition workflow solutions on their stand, including PTZ cameras, lenses and monitors. Read more

For more information or to pre-order new kit, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.