Celebrating 25 years of Adobe Premiere Pro

Celebrating 25 years of Adobe Premiere Pro

Our birthday twin Premiere Pro has turned 25 this year (both us and Adobe’s industry-leading NLE began life way back in 1992). And while we’ve been building our modest creative technology empire, Premiere has managed to seduce the Coen Brothers, David Fincher and a small army of editors, as evidenced by their birthday video, below. 

Obviously all of these people are just as excited by our birthday, and the gifts they definitely sent us are merely lost in the post.

It’s easy to see why Premiere won people over, though – its earliest iteration was the first software-only editing system that you could run on a normal computer, and by 1994’s version 4.0 it was hitting full screen broadcast quality with 60 fields per frame. By 1996, it was offering a 4K frame size for use with digital signage, and has continued to push resolution limits, with the current version maxing out at 16K x 10K.

Since 2006, a Dynamic Link to Adobe After Effects connected traditional editing timelines to motion graphics and visual effects production, and cross disciplinary support has only increased since the move to Creative Cloud.

You can see a longer, more nostalgia-heavy and occasionally surprising (did you know Netflix had been around since 1997?) rundown of Premiere’s illustrious history here.

In the latest iteration, previewed at NAB, new media manager features in both Premiere Pro and Media Encoder give you much greater control over the handling of your files during the ingest process, and allow for more flexibility when working with very large media. You can set Premiere Pro to copy media to a specific location on your machine as it imports, and even begin editing immediately while your media copies in the background. If your workflow requires a transcode, you can easily set Premiere Pro or Media Encoder to handle that step for you too.

You can also generate proxies on ingest, and toggle between these and your full-res media at one click, in order to better support 6K and 8K workflows. There’s also support for advanced Lumetri scopes and the Rec2020 colourspace.

And when it comes to the workflows of the future – VR, for example, Premiere is ready: VR Video mode allows you to use pan and tilt controls to preview the experience inside the sphere. You can even click-drag directly on the video clip and freely pan around so you know what your viewer would be seeing when looking in a given direction. When you’re ready to share, you can easily add a metadata flag to ensure you’ll get the full panoramic experience on supported sites like YouTube and Facebook.

If you want to know more about Adobe, give us a call on 03332 409 306 or email adobe@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter, or ‘Like’ us on Facebook.

Media Composer 8.5 is available for download now!

Media Composer 8.5 is available for download now!

Avid have just announced that Media Composer 8.5 is now available via the Avid Download Centre for users with a valid Upgrade & Support plan (look for a notification in your copy’s Application Manager) or via your Master Avid Account if you’re a new customer. 

The update promises a range of exciting new features designed to speed up your editing workflow but, as ever, we beg you to back up your work before hitting download. Do it now, in fact. We’ll wait.

Once you’ve done that, you’ll be happy to hear that new features include:

Simpler menus The menus have been reorganised to remove legacy items and simplify your user experience.

An updated Timeline UI A number of updates have been made to the timeline, including enabling Sync Rollers for Sync Locked Tracks, the ability to see full segments as you drag them within the timeline, as well as the effect their repositioning will have on the rest of the timeline before you commit the change, and creating a new track by dragging a segment above or below the timeline.

Support for 64 tracks of audio Fairly self explanatory, this one.

Group by audio waveforms Group clips can be made based on audio waveform analysis.

HDR support Media Composer now includes colour spaces for High Dynamic Range (HDR). This provides support for a higher range of video signal, and enables automatic colour transformations for source files based on the HDR colour space set in the project.

Audio mixer updates You can now resize the audio mixer and create custom track groupings.

FrameFlex rotation Users can rotate the framing box in the FrameFlex source settings using the Z rotation slides, enabling the straightening or reframing of an image at the source level rather than in the timeline.

Interactive video frame cache A new Video Memory tab has been added to the Media Cache settings to allow users to save generated frames of the current playing sequence into a memory storage cache, resulting in faster response times while editing and playing back media.

UI personalisation tools Additional UI settings have been added to allow users to change the background colour of the Project Window and Timeline, and override Bin and Project fonts and font sizes.

Bin Columns updates The process for adding Custom Columns as well as Multiple Columns in bins has been simplified, and you can now copy and paste the same text to multiple fields within a column.

Identifying rendered effects Users can now choose to differentiate between rendered effect media and Title and Matte key effect media in the Media Tool. This is helpful when identifying media to delete.

SCC import Media Composer now supports importing of Scenarist Closed Caption (.scc) files.

For a complete list of fixed bugs and new features, you’ll need to familiarise yourself with the Media Composer 8.5 ReadMe, which can be found here. You’ll also want to check your Interplay documentation – this version of Media Composer is supported with Interplay 3.2, 3.3, 3.4 and 3.5, so check your release notes for any known limitations on feature functionality.

Want to know more about Media Composer 8.5? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @Jigsaw24Video on Twitter or ‘Like’ us on Facebook.