Pro Tools 12.8.2 launched at AES

Pro Tools 12.8.2 launched at AES

At AES today, Avid announced Pro Tools 12.8.2, the latest version of their ubiquitous audio software. 12.8.2 includes major improvements and new features for Pro Tools | First, Pro Tools, and Pro Tools | HD.

User requests

Some of these changes are based on user requests, including a slew of new MIDI enhancements to help speed and ease your workflow. Avid tell us you’ll be able to:

– Quickly change Grid and Nudge sizes, and Pencil tool commands, using keystrokes.

– Record-enable, solo, and mute MIDI tracks right in the MIDI Editor.

– View chord names and notes as you play them to ensure input accuracy.

– Store and recall MIDI Editor lanes in window configurations.

– Constrain MIDI clips to edit selections while using the Smart Tool.

Editing and mix for VR

Avid have been working to make immersive full-sphere surround sound content easier to create. 12.8.2 includes support for  first-, second-, and third-order Ambisonics formats across your Pro Tools tracks and busses. You can then output and deliver content to the required format for playback.

Speed up your Atmos workflow

With the new front/rear position knob link, you can easily control both parameters as one when writing panning automation from the Pro Tools interface or a control surface, with all subsequent automation being written following suit. You can also set up Pro Tools sessions in seconds based on the connected Dolby Atmos Renderer configuration, and repurpose existing pan automation data to instantly generate height automation.

Workflow efficiency

The introduction of Batch Rename means you can now give your countless tracks and tips more meaningful names, more easily. Your options for renaming tracks include find and replace, adding prefixes and/or suffixes, and applying various numbering conventions. You can also navigate through large sessions and menus faster with type-ahead search capabilities available in the Scroll to Track dialogue and menus for Plug-in, Input, Output, Send, and more.

Converting projects to Pro Tools | First

If you’re collaborating on projects, you can convert projects from Pro Tools or Pro Tools | HD to a project format in Pro Tools | First, so that you can carry on working with them. Simply open a session and use the Convert to Project dialogue that pops up to save the file as a project in your cloud space.

If you want to know more about the latest edition of Pro Tools, give us a call on 03332 409 306 or email audio@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter, or ‘Like’ us on Facebook.

Prism Sound unleash Titan audio interface

Prism Sound unleash Titan audio interface


Given that Prism Sound make what are arguably the best audio converters in existence, we tend to get a little giddy whenever they release a new device. This time round, though, we feel it’s completely justified. 

Prism Sound Titan audio interface

Titan is a USB multi-channel recording interface with MDIO expansion. While it’s a USB 2.0 interface at heart, that expansion slot means you can slot in either a Thunderbolt card or a Pro Tools HDX connection, attach the Titan directly to an HDX or HD Native card and use it instead of your Avid OMNI or 8x8x8.

Titan’s key specs

According to Prism Sound themselves, Titan users will be able to enjoy:

  • No-compromise, full Prism Sound audio quality.
  • Dedicated USB interface.
  • Multi-channel digital I/O (MDIO) expansion port.
  • ASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit).
  • Direct compatibility with CORE AUDIO on Mac OS X 10.4+.
  • Eight ‘Prism Sound’ premium-quality AD and DA channels.
  • Concurrent operation of ADAT and switchable S/PDIF or AES3 ports.
  • Four high-end integrated mic preamps (typ.-130dBu EIN).
  • Mic pres with individually switchable phantom power and 20dB pads.
  • MS Matrix processing on mic inputs.
  • Two instrument inputs.
  • RIAA equalisation on inputs one and two.
  • Prism Sound ‘Overkillers’ on every analogue channel to control transient overloads.
  • Fully-floating (isolated) balanced architecture for optimum noise rejection.
  • Mono or stereo input configurations.
  • Outputs selectable between workstation bus or Titan mixer.
  • Low-latency ‘console-quality’ digital mixer for foldback monitoring.
  • Fader, pan, cut, solo on every mixer channel.
  • Dual headphone outputs, each with its own front-panel volume control.
  • Front-panel master volume control and mute, assignable to selected channels.
  • Configurable for stereo, 5.1 or 7.1 or surround monitoring.
  • Built-in sample rate conversion (SRC) on S/PDIF inputs and outputs.
  • Prism Sound 4-curve SNS noise shaping on digital outputs.
  • State-of-the-art clock generation with proprietary hybrid 2-stage DPLL.

The Titan clocks in at a fairly reasonable £2495 (£2994 inc VAT) and the units should be with us in late December/early next year, so if any of you fancy buying us a Christmas present…

Want to know more about the Prism Titan? Give us a call on 03332 409 306 or email audio@Jigsaw24.com. For all the latest news, follow @Jigsaw24Audio on Twitter or ‘Like’ us on Facebook.