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IPV have built one of the industry’s most innovative and comprehensive video content management platforms in Curator. Utilised by broadcasters, brands, sports organisations, government agencies and educational institutes, Curator provides a wide-ranging collection of management tools that integrate with solutions from Avid, Adobe, Apple, Amazon, Azure and more.
As a long-term partner of Avid, Adobe and Apple, we really appreciate Curator’s ability to unite users on different platforms and bring them all into a single, streamlined content management workflow. We’ve deployed IPV in a range of environments, for clients of all sizes and from all sectors, so whatever workflow you need to enable, our team can help. Get in touch to arrange a live demo in our Soho experience centre.
Often, your key content is spread over various devices and locations: camera operators’ hard drives, editors’ laptops, producers’ personal storage. IPV allows users anywhere in the world to upload content to a single, central, searchable platform. Mandatory metadata fields ensure that the files are easy to find and help avoid duplication.
Sharing, sending and storing files the size of today’s high resolution videos is time consuming, bandwidth sapping and expensive. IPV lets you work with frame accurate proxies that are just 2% the size of the original file. Waste less time waiting for files to send or download, and spend more time perfecting your project.
Adobe Creative Cloud doesn’t offer native production asset management tools, meaning managing the content produced by a team is often time consuming and heavy on admin. Curator aims to help you bypass cumbersome file systems and focus on finding your content directly, even if you’re working remotely.
Choosing what you need to keep in your online storage and what can be offloaded to an archive can be difficult. Curator lets you access low res proxies of your archived projects for editing, and has intelligent retrieval tools so you can reuse assets more easily. Using cloud storage, on-premises or a hybrid of the two? Curator will cope equally well with any setup.
IPV is dedicated to giving the best creatives access to their content, wherever they are. You can view, work on, conform and submit content remotely and securely, without waiting for it to download. Work on frame-accurate proxies to reduce transfer costs, and even collaborate with other editors in real time.
Tagging content quickly and accurately is vital if you want to be able to find, use and reuse it, but editors often don’t want to break their flow to add metadata. Curator extracts configurable metadata in ingest, and provides loggers with controlled vocabularies, so they can’t make a typo or input the wrong name. In fact, Curator features entire workspaces designed for logging different formats of footage, from films to news to ENG, so loggers are set up for success. And if manual logging is too time-consuming, there are plenty of automation options, too…
Curator’s AI-driven speech to text search will save you hours of manual tagging and scrolling. It makes all of your content searchable and ensures that you jump straight to the relevant frame. Whatever language you’re working in, Curator can make subtitle generation much more efficient – in fact, it pays for itself even if you generate as little as 3.5 hours of captioned footage a week.
Curator has over 50 integrations, so it can easily slot into your content creation workflow and ensure you have all the functionality you need. And because they’re still using all their familiar tools, your team are going to find the move to Curator seamless, and embed its toolkit in their workflow much more quickly.
Get in touch with the team using the form. Alternatively, give us a call on 03332 409 210 or email broadcast@Jigsaw24.com.
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