The Deluxe Group have long been one of the most recognisable brands in post. Since 1985, they’ve kept pace with...

IMF is the acronym of the moment. Like HDR, the idea of Interoperable Master Format has been around for a while, but has recently moved...

In the 15 years since the release of Premiere Pro, Adobe have done a huge amount of work to expand the range of tools they offer for video.

Everything you need to know about Via24, our colocation and virtualisation solution for creative businesses.

Missed us at Media Production Show? You can catch up with our introduction to audio over IP and what it means for your workflows here...

Avid NEXIS can support even the most demanding production pipelines, enabling your team to share media and complete projects faster.

Between NewTek’s NDI product suite, Audinate’s Dante solutions and SMPTE 2110, there’s a lot of scope for moving away from SDI in favour of an IP workflow.

Avid are ending support for the ICON D-Command and D-Control systems on 31st August, after which they’ll no longer be providing technical support, repairs or parts.

After years of messy workarounds, unreliable hardware and poor syncing, Dynamic Drive Pool storage has arrived, and they're winning over studios fast...

EIZO’s ColorEdge monitors continue to lead the industry for colour accuracy – find out why they're worth the investment.

iMac Pro is qualified for use with Avid Media Composer version 8.10 and greater, and requires running a minimum of the Avid NEXIS v2018.3.

All the news from this year's Las Vegas spectacular as it happens, including announcements from Avid, Atoms, NewTek and Blackmagic Design. Bookmark, F5, enjoy.