Media & Entertainment

The line between backup and archive can get blurry when you’re dealing with rich media, but both present unique challenges.

Blackmagic Design have launched a new accreditation – DaVinci Resolve Authorised Reseller – and we’re delighted to be one of the UK's first.

With home, mobile and gaming devices adopting immersive sound, we update our must-have list.

The range of projects that are going to require an Atmos mix – everything from mobile games up to virtual reality content for OTT providers – is growing.

Four years ago, Adrenaline Studios were something of an anomaly: an audio company focused on dubbing foreign language content into English.

Now that IBC has closed its doors and our team have enjoyed a week of frantic plotting and pre-ordering back in Blighty, let's revisit this year's highlights.

Matt and Saxon from our audio team were on hand for the S4's first live demo in the UK, and managed to get hands-on with the kit. Here’s what they thought.

If you’ve outgrown your current console and aren’t sure that the S6 is right for you, you might want to take a look at the S4, the latest addition to Avid's lineup.

The colour fidelity grading requires has kept clients and colourists firmly in the suite, with little of the flexibility editors enjoy. Until Streambox. 

If you’re looking for a portable control surface with plenty of potential, the S1 is actually an excellent and affordable choice. Let’s take a look at its best features…

Ahead of IBC, Rohde & Schwarz have confirmed that they’ll be focusing on Ethernet, not Fibre Channel.

The new version of Avid’s flagship software was released this June – with plenty of benefits for video professionals.