Blackmagic Design today announced the immediate availability of DaVinci Resolve 12.1, which adds dozens of new features such as remote rendering, 10-bit viewers, new editing and colour correction tools, and more. The DaVinci Resolve 12.1 update is available now for both DaVinci Resolve 12 and DaVinci Resolve 12 Studio customers, and can be downloaded from the Blackmagic Design website.
DaVinci Resolve 12 is the most successful update in the history of the software and has become the industry’s fastest growing video editor. The feedback from the DaVinci Resolve community has been overwhelmingly positive and Blackmagic Design engineers have been hard at work to add even more of the features that professional editors and colourists have asked for.
DaVinci Resolve 12.1 update gives editors the ability to select clips when using the blade tool, extend freeze frames, use faders on generators and titles, perform negative timecode offsets, filter clips more efficiently, media manage groups of selected timeline clips, sort bins and footage more easily, create better filters for smart bins, and much more. Customers also get improved subclip support with Final Cut Pro 7 XMLs and improved audio rendering of audio transitions.
For colourists, DaVinci Resolve 12.1 update adds the ability to colour correct nested timelines and to decompose compound nodes along with new manual keyframe options for Power Windows, support for 3D stereo decision lists version 0.25, filtering of keyframed clips, the option to copy flags and markers when performing ColorTrace and more.
In addition, the free DaVinci Resolve 12.1 update adds support for native display profiles on Mac OS X El Capitan, along with the option to enable 10-bit precision in the on screen viewers. That means customers using the new iMac with Retina P3 display will be able to see more colour, detail and dynamic range than ever before.
Since its release in September, the rapidly growing community of DaVinci Resolve 12 editors has meant that developers are now bringing their best and most exciting OpenFX plugins to DaVinci Resolve. For example, GenArts has been working with Blackmagic Design to bring new Sapphire Builder support to DaVinci Resolve 12.
Expected in an upcoming Sapphire 9.0.1 release, Builder will let DaVinci Resolve users combine Sapphire plug-ins together in any order to create a virtually unlimited number of unique effects and transitions. “DaVinci Resolve is the first OFX host to support Sapphire Builder!” said Sapphire product manager Brian Fox, “We’re very excited that DaVinci Resolve 12.1 users can benefit from all the new capabilities of Sapphire Builder.”
To support the growing momentum of DaVinci Resolve 12, Blackmagic Design has conducted multiple hands-on training sessions with the Motion Pictures Editor’s Guild in Hollywood. “I feel like DaVinci Resolve 12 is the NLE users have been waiting for all of these years,” said Noam Kroll, Los Angeles based filmmaker and editor whose feature film credits include The Grace Of Jake (2015), Shake The Dust (2014) and Footsteps (2012). “DaVinci Resolve 12 offers the same track based system that many editors are most comfortable with, but also provides truly innovative tools that feel very forward thinking.”
“Since it was released in September, DaVinci Resolve 12 has been downloaded by more customers than any other version of the software and has become the industry’s fastest growing video editor,” said Grant Petty, CEO, Blackmagic Design. “DaVinci Resolve is now used on virtually all major films, television shows and commercials! We’ve listened to feedback from professional editors and colourists and are excited to give them this free update which includes even more of the features they’ve been asking for!”
What’s new in DaVinci Resolve 12.1?
– Remote rendering on DaVinci Resolve Studio.
– Support for native display colour profiles on OS X.
– Preferences option to enable 10-bit precision on viewers on OS X 10.11 El Capitan.
– Ability to select clips when in blade mode.
– Support for faders on generators and titles.
– Ability to extend freeze frames from the start of the edit.
– Ability to media manage selected clips on a timeline.
– Ability to perform negative timecode offset in clip attributes.
– Improved support for sub-clips from FCP7 XML.
– Improved rendering of audio transitions (cross-fades) and audio faders.
– Auto scroll during timeline item resize.
– Improved sorting in media storage and media pool.
– Support for smart bin filtering based on clip type.
– Ability to move clips and timelines from a smart bin view.
– Support for moving files to the trash instead of deleting them permanently when using the media manager on both Mac and Windows systems.
– Ability to delete multiple projects and folders in project manager.
– Ability to decompose a compound node.
– Ability to grade nested timelines.
– Ability to filter clips based on whether they have keyframes.
– Ability to manually keyframe power windows in frame mode even without tracking.
– Ability to freeze the current frame on an external matte.
– User option to copy flags and markers when performing ColorTrace.
– Improved ACEScc support.
– Support for stereo decision list (SDL) v0.25.
– Support for RED SDK v6.0.4.
– Support for embedding timecode in audio output.