Avid Artist | DNxIO now supported with Pro Tools

Avid Artist | DNxIO now supported with Pro Tools

If you missed it over the Christmas break, Avid gifted media professionals the news that the Avid Artist | DNxIO video interface is now supported with Pro Tools. It’s another step towards their streamlined, integrated Avid Everywhere vision (and a great reason to upgrade to Pro Tools 12 and or Media Composer 8). 

Official word from Avid below:

Avid Artist | DNxIO

“The Avid Artist | DNxIO is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, Ultra HD*, 2K*, and 4K* workflow. Available as standalone hardware or bundled with industry-standard Media Composer software, Artist | DNxIO enables you to capture**, monitor, and output media quickly – in the highest quality possible. And because the interface is designed to be open and flexible, you can use it with Avid and other creative tools too – like Pro Tools.

– For Pro Tools support with DNxIO, Desktop Video for Artist DNxIO version 10.5.1 is required.

– Pro Tools 12.3 and higher qualified with DNxIO.

– For more detailed information click here.

*Pro Tools does not yet support video playback of any rates and resolutions larger than HD. However, 2K/4K/UHD playback may be achieved using DNxIO with Media Composer 8.4.2 or higher as a Video Satellite.

**Capture is only supported in Media Composer.”


Want to know more about the Avid Artist | DNxIO? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @Jigsaw24Video on Twitter or ‘Like’ us on Facebook.

iOS 9: Our team look back at their favourite features

iOS 9: Our team look back at their favourite features

Apple launched the latest version of their mobile operating system back in September, iOS 9. As always, the new OS promised heaps of new features and adjustments, including updates to headline apps and services like Maps, Apple Music, Spotlight and more.

While all great improvements from Apple, inevitably some of the new features are more immediately useful than others, while some little tweaks might become more apparent through extended use. (Not all iPhone or iPad users use their device in exactly the same way, after all.) So now that we’re a few months down the line from iOS 9, we asked our creative team to pick out which new features have actually made the most marked improvement on their workflow and general iOS usage.

Back to app

The one feature that I think I have enjoyed in iOS 9 more than any other is ridiculously simple – but then, aren’t all the best ideas? While using one app and switching to another by tapping a new notification, iOS 9 now gives you the option to quickly go back to the original app.

Say you’re having a quick browse of the News app, then you receive an important iMessage. When you tap the banner notification and open up Messages, you’ll see ‘Back to News’ and an arrow in the top left hand corner of the screen, which will send you back to where you were in News once you’re finished in Messages. No more double tapping the home button and selecting the original app from the launcher – a small touch, but one that’s made multitasking just that bit easier.

Keyboard caps

For copywriter Becky, her favourite update has been the keyboard makeover, Apple shifting from the all caps format of iOS 8 to an upper and lowercase convention in iOS 9.

Said Becky: “A simple one, but the introduction of the lowercase keyboard in iOS 9 has made it far easier to tell when caps lock is on. It makes complete sense that when you’re typing in lowercase the keyboard is in lowercase and when you want to type in uppercase the keyboard switches to capitals.”

Better battery

We all sometimes get caught out by low battery, so Apple’s new Low Power Mode was a very welcome addition to iOS 9. This mode limits the activity of background apps and other power-eating processes (including disabling mail fetching, reducing screen brightness and turning off your screen more quickly), and kicks in when your battery falls below 20%, or you can turn it on manually under Battery in Settings.

Designer Simon Curd earmarked this as his top pick from the new features in iOS 9: “I’d have to say Low Power Mode. I don’t know how it’s supposed to work but I find the name reassuring when battery’s low, and I also happen to think the battery icon looks best in yellow.” Typical designer.

Apple Music

Apple originally launched their own music streaming service, Apple Music, in June 2015. With a three month free trial available, millions of Apple users signed up for the new service. Those sticking around to the end of the subscription saw iOS 9 tinkering with the interface to really up the user experience, according to design manager Vic.

“The whole app seems a lot snappier since iOS 9,” she said. “Menus are easier to navigate than before – especially on an iPhone screen – adding songs to a playlist is a breeze, and songs play quicker one after another. It’s certainly made me keep up my Apple Music subscription.”


At the end of October 2015, Apple released the first small ‘point’ update for iOS 9. Perhaps the headline feature of iOS 9.1 was its Unicode support, meaning 150 new emojis and even more ways of expressing yourself without having to use real words.

Marketing coordinator Madison was particularly taken with the new emoji: “I really like the variety of emojis on offer in the latest iOS 9 update – I think it has a nicer representation, particularly across the food and animal categories. I know the unicorn and taco emojis went down well with the public, but my favourite has to be the lion. Sometimes you just really need to show your fierce lion side in a group message.”

Want to know more? Give us a call on 03332 409 306 or email sales@Jigsaw24.com. For all the latest news and reviews, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

Apple annual roundup 2015: All the news and highlights from Cupertino

Apple annual roundup 2015: All the news and highlights from Cupertino

Apple’s hardware and OS refreshes for Mac, iPad and iPhone have become highly-anticipated annual events. You could say this was an even more landmark year than usual though, with the 12″ MacBook, iPad Pro, a long-awaited new Apple TV, plus brand new ventures into the world of wearables and music streaming in the form of Apple Watch and Apple Music.

MacBook and more

While it was all quiet on the Mac Pro front this year, all eyes were on new Mac on the block, the 12″ MacBook, in March 2015. Thinner and lighter than MacBook Air, it features a brand new faster Intel Core M processor, up to 8GB of RAM, up to 512GB of flash storage and a swanky 2304×1440 resolution Retina display. It also features a new edge-to-edge keyboard design, a Force Touch trackpad and sports just one USB type-C port and a headphone jack. Oh, and it was also the first MacBook model to be available in gold, which is great if you need your notebook to match your neckwear.

As well as the new 12″ MacBook, the MacBook Air and MacBook Pro also got a refresh at the Spring Forward event. With new fifth-gen Intel processors giving a significant speed boost, a Retina display, and more efficient storage architecture, the 13″ MacBook Pro now also features Apple’s latest Force Touch TrackPad too, as announced on the 12″ MacBook.

There was good news for iMac users in 2015 too. As well as getting bumped up to Retina 4K display with 4096 x 2304 resolution, the new 21.5″ models also feature new colour display technology that widens their colour gamut by 25% and include Intel’s Broadwell processors.

Apple announce new 12″ MacBook

– Apple Spring Forward with newly refreshed 2015 MacBook Pro and MacBook Air

– Apple announce new 21.5″ 4K iMac and boost all 27″ models to 5K

Buyers’ Guide 2015: Mac for Business


iPad updates

On to September’s Hey Siri event, which focuses on mobile devices, and there was a whole raft of new iOS goodness. Analysts and Apple fans had been predicting this was the event that Tim Cook would unveil a new, bigger iPad Pro, and they weren’t disappointed. The largest iPad to date, iPad Pro features a stunning 12.9″ Retina display, 5.6 million pixels, the latest iOS and new 64-bit A9X chip, giving it enough power to rival most portable PCs.

iPad mini also got a face lift, with a new 18% thinner (at just 6.1mm) profile, and slightly lighter, and is powered by a new A8 processor chip, finally bringing it in line with the power of iPad Air.

What’s the verdict on iPad Pro?

– Apple announce new iPad Pro and iPad mini 4

Buyers Guide 2015: iPad for Business

iPhone 6s and 6s Plus

It didn’t take Nostradamus to predict that Apple may continue their run of annual iPhone refreshes at the Hey Siri event in September and, true to form, they unveiled iPhone 6s and iPhone 6s Plus, while discontinuing the colourful iPhone 5c. As Philip Schiller, Apple’s senior vice president of Worldwide Marketing, said at the time:

“The only thing that has changed with iPhone 6s and iPhone 6s Plus is everything – 3D Touch lets users interact with iPhone in entirely new and fun ways, and the innovative Live Photos brings your pictures to life. These are the most advanced iPhones ever, with 7000 series aluminum, ion-strengthened glass, the new 64-bit A9 chip, 12 megapixel iSight and 5 megapixel FaceTime HD cameras, faster Touch ID, LTE and Wi-Fi. Customers are going to love them.”

– iPhone 6s and 6s Plus are in; iPhone 5c is out

Buyers’ Guide 2015: iPhone for Business


OS X El Capitan and iOS 9

Back at the Worldwide Developers Conference (WWDC) in June 2015, the assembled crowds of devs were treated to first glimpses of both the new Mac operating system, OS X 10.11 El Capitan, and Apple’s mobile OS for iPad and iPhone, iOS 9.

The focus of OS X 10.11 El Capitan was really on user experience, with new gestures, improvements to Safari and a new, more powerful Spotlight. A few of the new features we’ve found most useful in El Capitan have been: being able to shake your mouse or a finger on the trackpad to locate your cursor; Split View in full-screen mode; being able to pin tabs in Safari; swiping to delete messages in Mail and muting individual tabs in Safari.

iOS 9 meanwhile, saw Siri become 40% more accurate and 40% faster, with new additions like starting your music player when you plug in your headphones, adding invitations to your calendar automatically, and advising you on the time it will take to get to a meeting based on realtime traffic info. She can even suggest who a caller might be by trawling your email for phone numbers hidden in email signatures. Other highlights included Apple Pay, meaning you can now pay for a coffee with your iPhone, better battery life, the News app replacing Newsstand, and more.

– Apple’s WWDC releases: An over-excited guide

Our top five new features in OS X El Capitan

Apple TV

It had been three years since Apple updated their standalone set-top box, so Apple TV was well due an upgrade when the all new model was announced in November 2015. Apple TV now has its very own App Store (which, as of December 2015, features BBC iPlayer, which is very welcome news for anyone in the UK), plus a brand new touchpad remote with Siri integration. There’s now support for games too, using the touchpad remote as a game controller. You can also pick up a very fetching Wii-style optional strap for more active gaming, or serious gamers can opt for a third-party MFi game controller.

Apple launch next generation Apple TV


And the rest…

Earlier in the year, health, fitness and fashion freaks welcomed Apple Watch with open arms. Apple’s first wearable let users track fitness, receive notifications, messages and mail directly from their wrist, and came with a number of different options (we’re still holding out for an Apple Watch Edition from a very loving relative this Christmas). It then got an update to its operating system at WWDC, watchOS 2, which was paired with WatchKit, a set of tools allowing developers access to hardware and software to create native Apple Watch apps.

The same conference also saw Apple unveil a new music streaming service, Apple Music. As well as listening to your own iTunes library, you can stream any of the 30 million songs Apple has access to, or listen to carefully curated playlists based on your tastes.

Anything we missed that was top of your Apple list in 2015? Anything you’d like to see from Apple in 2016? Let us know in the comments below… 

Want to know more? Give us a call on 03332 409 306 or email sales@Jigsaw24.com. For all the latest news and reviews, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

Mac cutting into PC business share, says JAMF Software survey

Mac cutting into PC business share, says JAMF Software survey

JAMF Software have just published their second annual global survey of IT pros, with stats showing how Mac, iPhone and iPad are seeing adoption in business rapidly increase, as well as highlighting how Apple has set itself apart from other platforms.

One of the most interesting things to come out of JAMF Software’s survey is the prediction of 67% of respondents that “Mac will cut into PC share over the next three years”. We’ve picked out just a few key findings below, but you can download the full report from JAMF Software here.

–  Adoption growth. Mac, iPad, and iPhone usage grew within organisations in 2015, by 68% for Mac, 46% for iPhone and 36% for iPad.

– Mac in enterprise. The Apple ecosystem has become commonplace alongside PCs in the enterprise, with 96% of companies supporting Mac, 92% PC, 28% Chromebook, 19% Linux, and 9% other.

– iPad in enterprise. iPad is becoming the dominant tablet in business, with 81% of companies supporting iPad, 46% Windows tablets and 35% Android tablets.

– iPhone in enterprise. Thanks to its intuitive design and user experience, iPhone is also leading the way in mobile phone in enterprise, with 84% of companies supporting iPhone, 64% Android and 35% Windows.

To find out the reasons IT pros gave for supporting both OS X and iOS (including user preference, productivity, security and more), download JAMF Software’s 2015 Survey: Managing Apple Devices in the Enterprise here.

Want to know more about Apple in business? Give our team a call on 03332 409 306 or email B2B@Jigsaw24.com. For all the latest news and tips, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

New Avid firmware adjusts cooling fan speed of ISIS | 1000 engine

New Avid firmware adjusts cooling fan speed of ISIS | 1000 engine

When Avid first released the ISIS | 1000, the cooling fans ran faster than necessary to cool the system, resulting in elevated noise levels. But they’ve now released new firmware (v4.1.7b) that adjusts the cooling fan speed of the ISIS | 1000 engine and greatly reduces noise levels.

This firmware update is for all ISIS | 1000 users running the current ISIS v5.0 software, but it is optional. If your ISIS | 1000 is kept in a server room or in a place where ambient noise is not a concern, you don’t need to install this update. There are no other changes in this firmware bundle, and no other ISIS software needs to be changed with this firmware update.

Avid ISIS | 1000

Applying the update

Avid recommend you should schedule installation of this firmware update during a maintenance window. Instructions on how to do it below, or check out all the information on the firmware update in Avid Support’s literature here.

“1. Log in to your Avid Master Account.

2. Go to My Products and Subscriptions.

3. Click Show next to Product Details and Download Links.

4. Download the firmware file, named AvidISISSetup_Firmware_r4.1.7b.bin, to a computer that is connected to or can be moved to the network with the ISIS | 1000.

5. Connect the computer to the same network as the ISIS system.

6. Open the Management Console and click Engines. If you have multiple Engines in the shared storage system, you can update the System Director Engine before or after you update the other Engines. Each Engine will reboot to complete the update. The System Director Engine must be running for the Management Console to work.

7. Open the Agent page:

– Select an Engine and click Details
– Double-click the Host Name entry in the Storage Controllers panel

8. In the Agent, click Install under the Configuration heading:

9. Click Choose File and navigate to the location where you downloaded the AvidISISSetup_Firmware_r4.1.7b.bin file. Select the file and click Open.

10. In the Agent page, click Submit. When prompted for confirmation, click OK. The firmware installer (the bin file) installs the update. When the update is installed, the installer restarts the system.

11. If your system includes additional ISIS | 1000 Engines, repeat this procedure for each Engine.”

After installing and verifying the firmware, the cooling fan speed will be reduced to normal limits and the noise will be greatly reduced.

Want to know more about Avid ISIS | 1000? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @Jigsaw24Video on Twitter or ‘Like’ us on Facebook

JVC release 120fps slow-mo firmware update

JVC release 120fps slow-mo firmware update

JVC have just released a firmware update for their fixed lens 4KCAM models, the GY-HM170 and GY-HM200, including 120fps recording in HD mode for smooth slow motion effects (along with audio recording). 

This high speed recording mode will, JVC say, add creativity to your recordings, ideal for creating a slow motion effect for filming dancing, rain etc. Or indeed, for capturing dozens of M&Ms (other sugar-coated chocolate beans are available) being dropped onto a saucer, as can be seen in the colourful slow motion sample footage below, filmed with the GY-HM200 in 120fps. One to try this Christmas.

You can download the new firmware update from JVC’s service site here.


Want to know more? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @Jigsaw24Video on Twitter or ‘Like’ us on Facebook.

Interview: Neil Rostance, Managing Director, Fat Free Media

Interview: Neil Rostance, Managing Director, Fat Free Media

Having to tailor content for multiple platforms and screen sizes, the demand for new formats and resolutions such as 4K – there’s always some new challenge digital creatives have to contend with. To find out more, we chatted to Neil Rostance, who’s Managing Director at Fat Free Media, a Nottingham-based video production company specialising in content for the web…

Who are Fat Free Media, and what kind of services do you currently offer clients?

We’re a video production company sitting firmly on content marketing for the web, doing video and animation – 2D and 3D – 99% of the time for online brands. We’ve specialised in that for about eight years now, but obviously in that time the landscape has changed massively for online digital content. We now try to make as exciting and authentic video content as possible, in whatever shape or form. Our team covers everything from live action and production through to 2D animation, and then the more specialist 3D visualisation and animation side.

Does that set you apart from other companies in the region, having all those different services and content available in-house?

It’s a little bit unusual for a regional company, having it all in-house, and it’s something we’re proud of. It’s really cool to be able to say to clients when they ring up that you’ve got someone who’s able to answer any questions. A lot of other companies outsource, or there’s a network they rely on, but from the start we were never interested in that. I wanted to have a team that works all at once on projects and make that the offering, and clients have really responded to that. That does set us apart both technically and also just with the rapport with clients – if they’ve got a team on their site and not working remotely in a city they don’t know, they can get answers quickly.

Neil Rostance interview

What kind of brands have you worked with before? Do you have any favourites, or any that stick out as being particularly challenging?

We do a lot of work with larger, well-established brands, so at the moment, we’re doing some cool projects with Center Parcs and Genting Casinos, as well as the industrial wing of Toyota. They’ve come to us specifically for something that is either outside their comfort zone or a new way of speaking to their clients – video. Even though these brands are household names, we get the exciting challenge of starting from scratch on how their brand talks and feels on video. You’re really going into uncharted territories when a brand that everybody recognises hasn’t done video before or maybe has but it hasn’t been as strategic as their print or direct marketing. That’s equally challenging as it is exciting.

So you can really tailor your offering to clients’ needs?

We’ve been surprised how niche we can get. Someone will come to us with a brief that sounds really specific but we’ve been lucky enough to be able to say ‘Yes, we’ve done that three or four times in different ways’, and we can show our track record. It doesn’t matter what industry it is, they get a feeling for video, and then can apply that to their own brand.

What do you think are the biggest challenges facing digital creatives like you these days?

I still think there’s a lot of education to be done both as content creatives and brand holders in defining what the purpose of video content is and how people consume it. There’s still a bit of a hangover from the corporate video days and practices that do not sit well in highly interactive short form content. Big brands still seem to be thinking in old ways, and one of the biggest challenges is trying to reflect how people today consume video, and work backwards from that, rather than start by saying ‘Let’s make a ten minute video’. It’s trying to get what the viewer wants and work back from there, rather than applying content onto them.

Have you found there’s a big demand from clients for newer formats like 4K, and has that challenged your workflow?

We’ve only just tested the water with a 4K workflow, and although we want to incorporate it, we’ve only had a handful of clients even mention it, let alone require it yet. If you look at the delivery outputs we’re going through, which is web, there’s an even smaller portion of our viewers that can even access on 4K. So our output is not particularly screaming for it, but that doesn’t stop us wanting to explore it. We shoot in 4K, we sometimes edit in 4K, but to us it’s more of a testing ground rather than ready to go.

So it’s more about being ready for what clients may demand in the future?

I’m not saying there’s no future for it – it could be that we are suddenly working 100% in 4K from next month – but we don’t want to be behind the times. It does exist on the web, it’s just that we don’t get requests for it. Again, it’s a case of telling our customers that it does exist and that we can work with it, which is all part of our package.

As you’ve been going since 2007, you’ve probably seen formats and resolutions evolve quite a bit since then?

When we started, it was just at the tail end of DV tape. I started my studies shooting on reel to reel. So I have experience of analogue all the way to digital, and even though it moves very fast, 4K just means clients have more choices. Why not go with the best possible quality and work back from there? It gives more flexible options for the viewer, really.

Does it mean you’re having to update your infrastructure to cope?

The only issue that we’ve found is processing times. We’ve not had to change our infrastructure too much – luckily we’ve been given a good infrastructure from Jigsaw24 that can already handle it quite well. 4K just extends projects and takes longer to do anything, which is purely down to computer processing. So we can do it, there’s no extra special magic we’ve had to add to the workflow, we’ve just had to be a bit more patient with it. That will change and we will get used to it.

Are there any other challenges you can see on the horizon?

I’ve been seeing that our content is getting shorter and shorter, and spread across many more platforms, and many more outlets and channels. So the creative challenge has changed from creating one video for one set of viewers, in one channel, and building it from the start, to having to consider all different forms of content and how it’s consumed. That’s the biggest challenge at the moment – having to think ‘What would it be like if someone watched this on a train?’, ‘What would it be like if someone watched this on a 4K monitor?’, and having to be prepared to adapt for that full range, from a smartphone to a 4K monitor and beyond.

So you want to come up with a concept that can cover all platforms…

It’s the chicken and egg scenario when we’re brainstorming – do we create an idea and fit it to the technology, or do we bear in mind the technology and come up with an idea that forms around that? Do we let it always sit on technology that’s relevant to that idea, or do we look at all the available channels and really build the idea around the technology? I’m not fond of that, because it’s undermining the potential of the content. That’s the biggest consideration and challenge that we have creatively and technologically in our business at the moment.

Want to know more about our solutions for digital creatives? Get in touch with the team on 03332 409 306 or email solutions@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.


MatrixCMS: Untangling your marketing team

MatrixCMS: Untangling your marketing team

Marketing team being pulled between updating websites, catalogues, mobile content, emails and ERP systems? This video shows how MatrixCMS can help untangle your marketing team… 

Want to find out more? Give our team a call on 03332 400 888, email sales@Jigsaw24.com. For all the latest news and tips, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

Canon launch new lens mount service for EOS C300 Mark II

Canon launch new lens mount service for EOS C300 Mark II

Anyone rocking a Canon EOS C300 Mark II can now benefit from a new lens mount service option. This offers the capability to change the 4K Digital Cinema Camera’s original EF mount to EF Mount with Cinema Lock, or to a PL mount and back again.

You can book in for this service through Canon Regional Competence Centres (RCC). Alternatively, the PL lens mount and shim kit are also available for direct sale.

Canon have also revealed that, from early 2016, a PL mount version of the C300 Mark II will be available to purchase. Up until now the camera has only been available in an EF mount but by January 2016 customers can choose whether to purchase an EF mount or a PL mount version. The upcoming PL mount version of the camera will provide support for all of Canon’s PL mount Cinema lenses and other industry-standard PL lenses, thus allowing for even greater shooting possibilities.


How to book a replacement or buy parts

From 16th November, 2015, owners will have the option to either send their EOS C300 Mark II to an RCC in order to perform the Lens Mount Service or to purchase a PL Lens Mount and/or SHIM kit directly for self-installation or installation by an RCC.

Available service options and prices are as follows:

Mount replacement service. If you choose to purchase a PL Lens Mount directly, or would like to revert the camera back to the original EF mount from a previous mount change, the RCCs will be able perform the mount replacement using your purchased or original Lens Mount. £330 ex VAT.

Mount replacement service and mount. Depending on your requirements, the applicable RCC will supply and install either an EF Mount with Cinema Lock Lens Mount or a PL Lens Mount. £880 ex VAT.

Mount replacement service and mount and shim kit. Depending on your requirements, the applicable RCC will supply and install either an EF Mount with Cinema Lock Lens Mount or a PL Lens Mount. A shim kit will also be supplied for self-installation. £990 ex VAT.

interested_orange_buttonWant to know more? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @Jigsaw24Video on Twitter or ‘Like’ us on Facebook.

Highlights from JAMF Software’s JNUC 2015 event

Highlights from JAMF Software’s JNUC 2015 event
Our team headed to the JAMF Nation User Conference in Minneapolis last week to catch the latest news in Mac management. Hundreds of Apple IT admins packed into the Guthrie Theater for the annual event based on freely sharing IT information and best practices.
Over three days and dozens of sessions, there was insight from a wide range of organisations – from large and small schools to global companies – all with the common thread of enabling scalable Apple technologies at scale through creative practices, from security to deployment and management. Just a few of our highlights included:
System Integrity Protection (SIP)

here was a lot of chat at the show about System Integrity Protection (SIP), which is part of OS X El Capitan 10.11, which was interesting to hear as it’s a new direction from Apple and affects Mac admins. csrutil, NetBoot and any old packages and software that install into protected directories will no longer run, however JAMF binary is on the white list so will continue to work.

Rich Trouton, an Apple veteran with over 18 years of experience supporting Macs, provided an overview: “All malware tries to get root access,” Trouton mentioned as he explained why SIP became important for Apple to implement. SIP disables root access to certain system files and kernel extensions. “SIP is a big change, but still a work in progress. I expect Apple to update this in the future.”

He also warned against disabling SIP and suggested that If you are using software that requires SIP to be disabled, “demand more from those vendors or leave them.” You can check out his full presentation here.

A new CEO at JAMF Software

JNUC 2015 was also the first JNUC with Dean Hager as JAMF Software’s Chief Executive Officer. Hager has more than 20 years of experience in leadership positions at high-growth software and technology companies including Kroll Ontrack and Lawson Software.

On his appointment, he said: “Businesses and schools love Apple products, and are continuing to adopt Mac, iPad, and iPhone devices in droves. This creates an enormous opportunity for JAMF by providing an easy way to manage these devices, helping organisations both large and small succeed with Apple. I am thrilled to be a part of it and to be leading JAMF in its next stage of growth.”

The JNUC 5k

The event wasn’t all Apple IT admin (and posh dinners) though – there was also the small matter of a 5k run open to all delegates. One of our heroic Solutions Architects, Thomas Holbrook, took it upon himself to dash around Minneapolis in the October cold, so well done, Tom!


Want to find out more about JAMF Software Casper Suite and our partnership with them? Give us a call on 03332 409 306 or email solutions@Jigsaw24.com. For all the latest news and reviews, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook