NAB 2017: Canon releases firmware upgrade for professional displays

NAB 2017: Canon releases firmware upgrade for professional displays

Canon Europe, world leader in imaging solutions, today announces a firmware upgrade for three of its professional 4K displays – the DP-V1710, DP-V2410 and DP-V2420.

The new features include enhanced connectivity with digital cinema cameras and greater convenience when confirming images during High Dynamic Range (HDR) shooting, greatly improving on-location workflows.

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The update allows 4K RAW video captured on the EOS C700 or EOS C700 GS PL to be viewed directly on the display using only a 3G-SDI cable, without the need for an external intermediary device.

With the update, it’s now possible to acquire all image data from video captured on the EOS C700, EOS C700 GS PL, and EOS C300 Mark II by displaying image setting values from the connected camera and its metadata. Additionally, the update enables the display of the cinema aspect ratio 2.39:1 for specialised shooting using a digital cinema camera equipped with an anamorphic lens. The addition of these new features ensure enhanced user convenience when confirming images during shooting.

Thanks to the update, users no longer need to add a LUT to confirm video, dramatically improving ease of use. An ARRI digital cinema camera can be simply connected to the DP-V170, DP-V2410 or DP-V2420 allowing LOG C video to be displayed in HDR.

The update also allows a single 4K video image to be viewed in both HDR and Standard Dynamic Range (SDR) simultaneously by splitting the screen vertically down the middle, as well as offering the option of a downscaled side-by-side comparison of the same image. Colours can be overlaid on HDR video, with the colour depending on the actual luminance of the video area, allowing for the visual confirmation of luminance distribution.

The firmware upgrade will be available from June 2017. A demonstration of the enhanced functionalities can be seen at the Canon booth (C4325) at the National Association of Broadcasters Show (NAB) in Las Vegas from 24th – 27th April 2017.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter, ‘Like’ us on Facebook or take a look at our roundup post.

NAB 2017: Avid Pro Tools to provide native Dolby Atmos mixing

NAB 2017: Avid Pro Tools to provide native Dolby Atmos mixing

Avid and Dolby collaboration delivers the industry’s deepest integration and the most efficient audio mixing workflows for powerful immersive audio experiences.

Avid have announced that the forthcoming release of Avid Pro Tools, the leading professional digital audio workstation, will offer native Dolby Atmos mixing. Through a collaboration between Avid and Dolby, Pro Tools will streamline complex workflows and facilitate the most fluid, efficient audio mixing for the leading immersive audio format.

This collaboration is a further demonstration of Avid’s commitment to providing the most comprehensive tools and workflow solutions to create, distribute and optimise media. Avid will showcase Pro Tools with native Dolby Atmos mixing at the Avid booth during NAB 2017 (Booth #SU902).

Pro Tools will feature a comprehensive suite of Dolby Atmos workflows to enable audio post professionals to work more fluidly in the multi-channel and object-based audio format. New features will include built-in Dolby Atmos panning, deep Avid pro mixing control surface integration, advanced automation with the Dolby Rendering and Mastering Unit (RMU), and more. And as a key component of the Avid MediaCentral Platform – the industry’s most open, tightly integrated and efficient media platform – Pro Tools delivers the most integrated end-to-end workflow in the industry.

“Dolby Atmos is becoming the hottest thing in cinema and home theatre, enabling filmmakers to deliver bigger, more immersive audio experiences,” said Dana Ruzicka, chief product officer, Avid. “We’ve worked closely with Dolby to deliver an unparalleled workflow to empower our user community of world-class audio professionals to raise the bar for immersive sound in movies, TV, music, and video games. It’s another example of the deeply integrated workflow you won’t find anywhere else, powered by the Avid MediaCentral Platform.”

Pro Tools enhancements include support for Dolby Atmos 7.1.2 audio stems with built-in fold-down logic. On-the-fly switching and automation between surround and object outputs give mixers the ultimate flexibility. For the most fluid re-recording workflows, Pro Tools also synchronises audio and automation punches between input and playback modes in conjunction with the Dolby RMU. And support for ADM BWAV files, containing object metadata, makes remixing more efficient and economical for repurposing content.

Combined with Pro Tools | S6 and Pro Tools | HD, the premium suite of Dolby Atmos mixing tools delivers the most powerful, integrated and affordable solution for mixing Dolby Atmos soundtracks for theatrical releases. Dolby Atmos support for the fully cloud-enabled Pro Tools application enables customers to futureproof their workflows and make mixing for immersive content a flexible, collaborative process.

Availability

Pro Tools with native Dolby Atmos mixing will be available in Q2 2017.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

NAB 2017: Avid NEXIS now delivers unparalleled performance, scalability and Pro Tools support

NAB 2017: Avid NEXIS now delivers unparalleled performance, scalability and Pro Tools support

New software release, available to all new and current customers of Avid NEXIS, delivers greater system bandwidths, enables scalability to larger storage capacities, and now offers support for Pro Tools to optimise professional audio production workflows.

Avid announced the upcoming availability of the latest version of Avid NEXIS, the world’s first and only software-defined storage platform for media. Like all Avid applications and solutions, Avid NEXIS is powered by the MediaCentral Platform, the most open, tightly integrated, and efficient platform designed specifically for media.

With the latest software release, Avid NEXIS and Avid NEXIS | PRO systems will provide the fastest, most efficient and reliable workflows for real-time media production, including highly intensive professional post-production and broadcast environments. It also introduces new collaborative shared storage workflows for professional audio production with support for Avid Pro Tools. Avid will showcase the new version of Avid NEXIS at the Avid booth during NAB 2017 (Booth #SU902).

Unrivalled performance, scalability, and reliability for every production environment

For larger post and broadcast environments, Avid NEXIS enterprise-class storage systems (E5, E4, and E2) offer greater performance for finishing and specialised media workflows, providing up to 28 GB/s of bandwidth with new high-performance storage groups. For smaller environments, Avid NEXIS | PRO professional-class storage provides the industry’s most comprehensive collaborative capabilities while also delivering real-time 4K performance at up to 2.4GB/s, all at an even more cost-effective price point.

Avid NEXIS and Avid NEXIS | PRO also provide real-time creative team collaboration using not only Avid Media Composer, but other editorial and creative tools including Adobe Premiere Pro CC, Apple Final Cut Pro X, DaVinci Resolve and more, as well as allowing for easy integration with third-party asset management systems.

New collaborative workflows for audio production

Avid Pro Tools, the industry-standard digital audio workstation, is now qualified on Avid NEXIS, enabling audio creative teams to also leverage the industry’s most efficient and powerful media storage environment. With Pro Tools combined with Avid NEXIS, users can share projects on a centralised pool of media storage, turning work around faster by eliminating the time wasted moving files between different systems.

“Media organizations of all sizes need to produce great content on extremely tight timeframes, and they have to contend with more media than ever before,” said Dana Ruzicka, chief product officer, Avid. “That’s why we’ve put so much work into making sure the new version of Avid NEXIS brings performance, scalability, collaboration, and production speed to a whole new level. And because Avid NEXIS is a software-defined storage platform, customers will continue to see a steady stream of innovation in the form of simple software updates.”

Major new features in the upcoming version of Avid NEXIS include:

– High-performance storage groups, with each media pack capable of data rates up to 50% faster at 600MB/s, providing the performance needed for high-volume 4K/UHD, HD, and bandwidth-intensive media workflows.

– Capacity to play back over 215 streams of DNxHR-encoded 4K media at high quality, or almost 1400 streams of DNxHR-encoded 4K media at standard quality.

– Scalability enhancements that double the capacity of Avid NEXIS | Enterprise systems to support up to 48 media packs across a single scale-out networked system. Customers can mix and match a combination of Avid NEXIS | E5, E4, and/or E2 engines, providing nearly 3PB of storage capacity and 28GB/s of high-performance bandwidth.

Availability

The Pro Tools software version, which adds optimised workflows for Avid NEXIS, will be available late Q2. The new version of Avid NEXIS is available in Q2. The latest software updates will also be available to all current Avid NEXIS owners who have an active annual support and software maintenance plan.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

NAB 2017: Avid unveils Media Composer | First – a free version of the industry standard video editing system

NAB 2017: Avid unveils Media Composer | First – a free version of the industry standard video editing system

Avid announced the upcoming availability of Avid Media Composer | First, a free version of the industry standard video editing system.

Media Composer | First is a brand new, fully featured video editing solution that provides aspiring creative professionals, students, and those just starting their professional careers with free access to the same creative tools used by the most successful and acclaimed filmmakers and television program creators in the world. And because it’s powered by the Avid MediaCentral Platform, First users can also easily connect and collaborate with other aspiring creative and media professionals through the Avid Artist Community. Avid will showcase Media Composer | First at the Avid booth during NAB 2017 (Booth #SU902).

“It can be really difficult for up-and-coming filmmakers, television programme creators and digital media producers to get access to the right tools to tell their stories in a compelling way. Consumer applications are fun to play with but will only take you so far,” said Dana Ruzicka, chief product officer, Avid. “With Media Composer | First, we’re giving any aspiring creative pros access to the same tools used by top industry professionals – for free! And with access to the Avid Artist Community, First users can connect with other aspiring creatives and media professionals, collaborate and get their work out there for others to see.”

Media Composer | First provides users with a comprehensive yet simple-to-use editing toolset with many of the same features and functionality that award-winning Media Composer editors rely on, in a new powerful, streamlined interface. With four video tracks, eight audio tracks, and a host of built-in visual effects, transitions, colour correction presets and titling templates, users can quickly cut together layers of video, dialogue, music and sound effects to produce captivating, professional quality video content. Media Composer | First also allows easy sharing, with one-click publishing to popular social media channels including YouTube, Vimeo and Facebook.

“I’ve worked with other tools, but Avid’s model is the most efficient by far,” said Emmy Award-winning editor, Stuart Bass, ACE (The OfficeArrested Development, Pushing Daisies). “Learning Avid’s industry standard tools has been essential in making me the successful editor that I am today.”

Avid’s vibrant Artist Community, an online community designed to foster creative connections and professional opportunities, together with Media Composer | First and Pro Tools | First, enables emerging creative and media talent to more easily connect, fostering creative and professional growth and opportunities.

Availability

Avid Media Composer | First will be available in June 2017 as a free software download through the Avid website.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

NAB 2017: Avid Artist | DNxIQ unveiled for 4K monitoring and universal mastering

NAB 2017: Avid Artist | DNxIQ unveiled for 4K monitoring and universal mastering

Next-generation video/audio interface offers extensive format support, including 4K monitoring and universal mastering capability, to enable video professionals to quickly and easily meet today’s varied content demands and wide-ranging delivery requirements.

Avid, a leading global media technology provider for the creation, distribution, and monetisation of media assets for global media organisations, enterprise users and individual creative professionals, today announced the availability of Avid Artist | DNxIQ, a new hardware interface that delivers extensive format support, from SD to 4K.

Part of Avid’s commitment to offering the most comprehensive set of tools and workflow solutions to create, distribute and optimize media, Avid Artist | DNxIQ enables video professionals to quickly, easily and efficiently respond to rapidly changing content demands and delivery requirements driven from an ever-expanding range of channels and devices that today’s content needs to feed. Avid will showcase Avid Artist | DNxIQ at the Avid booth during NAB 2017 (Booth #SU902).

“Video professionals today have to turn more content around faster to more devices than ever before. And the seemingly unending proliferation of video formats can make this a real challenge,” said Dana Ruzicka, chief product officer, Avid. “With this in mind, Avid Artist | DNxIQ is built to handle any project that walks through the door – SD all the way to UHD, 4K and beyond. It features the most popular connection types encountered in a professional facility, and through its real-time Universal Mastering technology, it can easily deliver final masters for virtually any format and market.”

Built in partnership with Blackmagic Design, Avid Artist | DNxIQ provides broad format support in a sleek yet sturdy configuration that enables users to work more flexibly and creatively. Thanks to the openness of the Avid MediaCentral Platform, the industry’s most open, tightly integrated and efficient platform designed for media, Avid Artist | DNxIQ is compatible with any Avid Artist Suite solution and many third-party creative tools – including Blackmagic DaVinci Resolve, Apple Final Cut Pro X, Adobe Premiere Pro CC, and more.

“Since the launch of Avid Artist | DNxIO two years ago, we’ve continued to work closely with Avid as an Alliance Partner, and are excited to launch Avid Artist | DNxIQ,” said Grant Petty, founder and CEO, Blackmagic Design. “Our companies are at the forefront of high-resolution technology, and we’re proud that together we’re able to offer video professionals these amazing integrated solutions for creating greater-than-HD media.”

Avid Artist | DNxIQ’s Universal Mastering feature perfectly complements Avid’s Media Composer| Symphony Option, providing real-time format and frame-rate conversion on output and playback. The new interface supports SD, HD, 2K, UHD and 4K ingest, monitoring and output. As well as supporting all major NLEs, it also supports Thunderbolt 3 and PCIe for Mac and PC.

Availability

The new Avid Artist | DNxIQ video interface is available now.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

NAB 2017: Panasonic showcases next gen technology and solutions to support 4K smart entertainment and connected stadiums

NAB 2017: Panasonic showcases next gen technology and solutions to support 4K smart entertainment and connected stadiums

Panasonic have revealed that their NAB highlights this year will include the 4K AK-UC3000 studio camera system and the HD AK-HC5000 high-speed camera system, 4-sided LED videoboards, ballooncam, and augmented reality projection.

Panasonic Corporation showcases its leading video solutions supporting 4K content creation such as broadcast / video production, stadium business and stadium entertainment at the 2017 NAB Show in Las Vegas from April 24 – 27.

“One of the big themes of NAB 2017 is the confluence of Media and Entertainment Technologies,” said Masaki Arizono, Executive Officer of Panasonic Corporation, and Vice President of Connected Solutions Company in charge of Media Entertainment Business. “This is exactly the business direction Panasonic is now aiming to pursue. It is our mission to become a truly indispensable technology partner for customers in this industry with diverse solutions, making full use of Internet connectivity and other technologies from across our portfolio.”

The Panasonic booth (C3607) at the Las Vegas Convention Center has two zones – Connected Stadium Zone and Production Zone. It is designed as a sports stadium to demonstrate how a total solution contributes to guests’ experience. Booth technologies and solutions range from next-gen sports shooting systems to the latest display devices used to engage spectators, including large LED display systems, digital signage, and other equipment for shooting, editing, transmission and distribution.

For broadcast / production, Panasonic is showcasing technologies that respond to the needs of the 4K era, such as:

– AK-UC3000 4K Studio Camera System compatible with UHD (4K) output and HD/SD simultaneous output.

– AK-HC5000 HD Studio Camera System capable of 1080p 4× high-speed shooting.

For video production, Panasonic is demonstrating product lineups that respond to evolving to high-quality content:

– VariCam 35 4K Cinema Camera/Recorder, which has already built a reputation for its HDR color reproduction, low light capability and wide dynamic range.

– VariCam LT 4K Cinema Camcorder.

– VariCamPure 4K Camera Module for V-RAW 2.0 Recorder: the camera module of the VariCam 35 directly linked to the V-RAW2.0 recorder capable of uncompressed 4K RAW acquisition.

Other 4K cameras on display:

– The AG-UX180 4K Premium Handheld Camcorder which is equipped with the industry’s widest angle 24 mm + optical 20 × zoom, 1.0 type MOS sensor.

– Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera features a 20.3Megapixels, 4K 60p and 4:2:2 10-bit video at 24/30p.

In the Connected Stadium Zone, Panasonic displays technologies and solutions that take the stadium experience to a new level of engagement: 

– ballooncam combines a drone with the hovering capability of a large balloon for a unique video platform. With unique shooting angles, the ballooncam can be used to enhance the fan experience at sporting and other stadium events.

– Gigantic four-sided LED screens, hung in the center of the field, offers premium viewing from all stadium seats.

– Window Augmented Reality Projection. See how transparent film applied to ordinary window glass can serve as signage to display pristine images. At stadiums, Window Augmented Reality Projection can be used to enhance the experience by showing player stats and high-impact video.

– LinkRay-equipped LCD Displays. These displays support Panasonic’s LinkRay light ID communication technology. Users can download info instantaneously by pointing their mobile devices at the screens.

 

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

NAB 2017: NewTek TriCaster offers native support of JVC KY-PZ100 PTZ cameras

NAB 2017: NewTek TriCaster offers native support of JVC KY-PZ100 PTZ cameras

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today announced NewTek TriCaster multi-camera video production systems will offer native support of JVC KY-PZ100 robotic PTZ network video production cameras. JVC will demonstrate its PTZ cameras at the 2017 NAB Show (Booth C4315), which runs April 24-27 in Las Vegas, Nev.

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TriCaster offers control of a select group of PTZ cameras directly from its switcher user interface, which is useful for education, government, worship, corporate, traditional broadcast, and sports applications. JVC PTZ cameras will be added to the list of supported cameras as part of the next TriCaster software update and in the just announced TriCaster TC1. In addition to LAN and RS-232/422, TriCaster can control KY-PZ100 over Wi-Fi and 4G LTE with appropriate adapters.

“JVC has been part of the NewTek Developer Network since 2015, and TriCaster users can already use our ProHD and 4KCAM wireless cameras in multi-camera productions,” said Lon Mass, vice president of marketing, JVC Professional Video. “We are very pleased that TriCaster will now offer native support of our PTZ cameras, which will be a very valuable feature for productions that rely on limited personnel.

”We are excited to add control of JVC’s PTZ cameras directly from the interface of the NewTek TriCaster. Customers are going to love native support of JVC’s PTZ cameras in TriCaster,” said Michael Kornet, executive vice president of Business Development for NewTek. “The combined JVC PTZ and NewTek TriCaster solution is a perfect fit for the flexibility, ease-of-use, and cost savings this represents in the market.”

Available in black and white housings, the KY-PZ100 features a 1/2.8-inch CMOS sensor and 30x optical zoom lens, and its f/1.6-4.7 maximum aperture delivers excellent low-light performance. When connected to a Wi-Fi adapter or LTE modem via USB or directly connected to a LAN, it streams up to 1080p/60 video at a variety of bit rates with two-channel audio and minimal latency. The KY-PZ100 also supports on-board HD recording at up to 50 Mbps to a MicroSDHC/SDXC media card, and recorded files can be uploaded to an external server.

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter‘Like’ us on Facebook or take a look at our roundup post.

Preparing for APFS

Preparing for APFS

At last year’s WWDC Apple announced that their new file system, APFS, would be replacing the age-old HFS+, which has underpinned their file system since 1998. It came to mobile devices with iOS 10.3, and is expected to make the jump to macOS at June’s WWDC event. So, with the mooted release date looming, how should companies be preparing for APFS? What considerations do you need to take into account? 

Key considerations

Data loss A developer beta has been available for a while now, and from what we’ve heard transitions have gone smoothly – Apple say they’ve built the system to avoid all data loss. However, being the cautious types we are, we can’t help but think a bit of pre-rollout preparation is for the best, especially if you’re in an enterprise environment.

Awareness of the impact on mixed estates and corporate services If your estate isn’t standardised, you’ll be handling a mixture of older machines using HFS+ and newer ones using APFS, and will need to offer parity access to corporate services (printers, files shares etc). Do you have the tools to inventory your estate and identify potential pitfalls?

Imaging strategy Consider what impact the change may have on the way you approach disc imaging.

Missed the announcement? Here are the key features of APFS.

Protect against data loss

APFS has been engineered to fit neatly into the gaps in HFS+, meaning the chance of data loss is minimal. However, we can’t in good conscience tell you to perform a cross-office upgrade without backing up your own data and ensuring end users do the same with their endpoint devices. Ideally, perform an automated backup across all the devices under your command yourself – asking end users to back up manually rarely gets the desired result, and even if some users oblige you, there are roadblocks such as the photo storage limit that’s imposed on the free version of iCloud, which might prevent some users backing up all their files.

We’d recommend doing an automated backup across all the devices you manage, and keeping at least one copy internally and one copy at an external site – you might want to rent some hosted cloud storage for the switchover period, as this is a really easy way to ensure you have secure, offsite backup without massively impacting your budget.

If you don’t have an automated backup solution already in place, take a look at Archiware P5, or Acronis Backup Advanced. We can also offer Backup24, our own hosted cloud backup solution, in which your data is held in our secure, UK-based data centre, and can be accessed at any time without any retrieval fees.

Know what you’ll need to standardise, and check access to services

Macs running anything earlier than OS X Yosemite won’t be able to read APFS volumes. Any Macs that you buy after the next macOS release will arrive with APFS as their native file system. To avoid problems, you need to inventory your devices and work out which bits of your estate are running OS X Yosemite or earlier and then, where possible, update them so that they’re running the latest OS (here are the minimum requirements for upgrading to Sierra). You’ll also need to root out any devices which are not 64-bit.

You can share APFS volumes over SMB or NFS, but not using AFP, which has led to widespread speculation that Apple will be phasing this out soon. If you’re currently making use of AFP to give your Mac users access to print servers and the like, the move to a later OS should also help you move them over to SMB, which is far better supported in more recent OS releases.

So how do you manage this auditing process and switchover? Well, the number of dedicated Mac management solutions is on the rise, and many of them offer auditing and inventory tools that you can use to roadmap which parts of your estate need changing and when. We recommend Jamf Pro in most instances (we’re so keen on this one we can offer it as a managed, hosted service if you’d rather not take on MDM in house), but AirWatch is another popular solution that’ll serve you well if you’re in a mixed Android/iOS environment.

Want to know more about inventorying your estate? Take a look at our whitepapers here.

Changes to standard imaging practices

APFS is likely to have an impact on some of the traditional forms of disk imaging used in the deployment of new devices. Your current process might involve building a Mac with the desired OS, software and configuration settings, then creating a disk image that contains the content of that Mac’s boot drive, and then applying this to multiple other Macs.

However, Apple seem to want you to invest in MDM (we can’t argue with this) and then use DEP to facilitate zero touch device enrolment as an alternative to imaging.

Doing some research into the best MDM solution for your business and getting your team skilled up on DEP both seem like good ideas at this point – get in touch with our team on the details below to find our how to get started.

Want to know more about achieving zero touch deployment? Take a look at our whitepapers here.

Want to know more? Give us a call on 03332 409 306 or email services@Jigsaw24.com. For all the latest news and reviews, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

NAB 2017: Your rolling news update

NAB 2017: Your rolling news update

It’s that time of year again. If you want to keep up with the news from NAB 2017, all you need to do is bookmark this post.

As big news breaks, we’ll add it to our blog and update this master post, so all you have to do is hit refresh to get the latest news from us and our friends at root6. (If you just want to pre-order product as it’s announced, keep hitting refresh on this page instead.)

Adobe

NAB 2017: Adobe propels video forward

Ahead of the National Association of Broadcasting (NAB) conference, Adobe today announced a major update for video in Adobe Creative Cloud to help filmmakers and video producers collaborate and streamline video workflows. Read more

AJA

Ki Pro Ultra, Pak Dock and Kistor Dock price reductions, and new Ki Pro firmware

Some early AJA news via Digi-Box: you can now save over £1000 on an Aja Ki Pro Ultra and £90 on Pak Dock and Kistor Dock – plus new firmware v2.2 for Ki Pro Ultra with Avid MXF support. Read more.

NAB 2017: AJA launches Ki Pro Ultra Plus with 4-channel HD recording and HDMI 2.0 support

AJA Video Systems today announced Ki Pro Ultra Plus, introducing 1, 2, 3 or 4-Channel simultaneous HD recording up to 1080 50/60p, and full HDMI 2.0 (up to 12-bit capture and output) for 4K/UltraHD workflows. Read more

NAB 2017: AJA previews FS-HDR with breakthrough HDR conversion support

Building on AJA’s flagship FS4, and incorporating the latest HDR technology from Academy and Emmy Award twinning developer Colorfront, FS-HDR provides HDR and Wide Color Gamut (WCG) processing and conversion for realtime 4K/UltraHD and 2K/HD workflows. It will be demonstrated for the first time as a technology preview during NAB 2017 at AJA’s booth, #SL2505. Read more

NAB 2017:  AJA introduces new solutions for IP workflows

At NAB 2017, AJA Video Systems announced new firmware for its KONA IP desktop video and audio I/O card, along with two new IP Mini-Converters, significantly expanding flexibility in IP-based workflows. A new KONA IP license option for JPEG 2000, a preview of KONA IP firmware for SMPTE 2110, and new IPT-1G-HDMI and IPT-1G-SDI Mini-Converters will facilitate flexible and cost efficient delivery of work to and from creative suites via 1Gb Ethernet. Read more. 

NAB 2017: AJA unveils new 12G-SDI and Fiber Mini-Converters

AJA Video Systems today announced new Mini-Converters that resolve interoperability and interconnectivity challenges in modern broadcast and ProAV environments. New products include the 12GDA 12G/3G/SD-SDI Re clocking Distribution Amplifier, 12GM 12G-SDI to/from 3G-SDI Muxer/Demuxer, and new Multi-Mode SFP options for its family of FiDO SDI/Optical Fiber Mini-Converters. Read more.

Atomos

19” Sumo monitor-recorder delivers 4KP60 HDR to the set and the studio

Atomos once again redefines the workflow options for video creatives by creating the first production/studio monitor to combine a 19” HDR 1200nit 10+ stop panel with 4K 12-bit RAW or 10-bit 422 ProRes/DNxHR recording, HD recording up to 240p or live switching and recording of four 1080p60 channels. Read more

Avid

NAB 2017: What editors need to know after Avid Connect

We’re all of four hours into and Avid have already announced new I/O hardware, VM options for Media Composer, and the welcome return of Script Sync and Phrase Find at their Avid Connect event. Here’s a quick roundup of their post offerings so far. Read more.

Avid Connect: Just the audio bits

Avid Pro Tools will now offer native support for Dolby Atmos mixing and expanded support for the NEXIS family, and cloud tools are on their way to Pro Tools | First. Read more.

Avid Artist | DNxIQ unveiled for 4K monitoring and universal mastering

Next-generation video/audio interface offers extensive format support, including 4K monitoring and universal mastering capability, to enable video professionals to quickly and easily meet today’s varied content demands and wide-ranging delivery requirements. Read more.

Avid NEXIS now delivers unparalleled performance, scalability and Pro Tools support

The new software release, available to all new and current customers of Avid NEXIS, delivers greater system bandwidths, enables scalability to larger storage capacities, and now offers support for Pro Tools to optimize professional audio production workflows. Read more

Avid unveils Media Composer | First—a free version of the industry-standard video editing system

Media Composer | First is a brand new, fully featured video editing solution that provides aspiring creative professionals, students, and those just starting their professional careers with free access to the same creative tools used by the most successful and acclaimed filmmakers and television program creators in the world. Read more

Avid Pro Tools to provide native Dolby Atmos mixing

Avid and Dolby collaboration delivers the industry’s deepest integration and the most efficient audio mixing workflows for powerful immersive audio experiences. Read more 

Avid unveils cloud strategy with launch of new offerings

Avid announces extension of its MediaCentral Platform and its industry-leading tools into the cloud with new hosted client applications, cloud media services, and infrastructure on demand that can easily be added to existing on-premises deployments. Read more

Avid ushers in next phase of Avid Everywhere with sweeping and groundbreaking innovations

Avid  today announced a broad and sweeping set of innovations for the Avid MediaCentral Platform. As the next phase of Avid Everywhere, the company is extending the Avid MediaCentral Platform to the cloud, showcasing end- to-end 4K/IP workflows, enhancing immersive workflows, and expanding the Alliance Partner ecosystem, with major advancements across all product suites. Read more.

Avid announces strategic cloud alliance with Microsoft for the media and entertainment industry

Comprehensive multi-year agreement includes technology collaboration, co-development and go-to-market cooperation that will set the pace for the industry in bringing media enterprises, creative teams and individual artists into the cloud. Read more. 

New Avid Media Campus Program provides flexible volume licensing and industry solutions for educational institutions

Offering a deeper partnership with Avid, and flexible volume licensing and deployment options, the new program helps educators better prepare the next generation of creative talents and media professionals for careers in the media and entertainment industry. Read more.

Blackmagic Design

Blackmagic Design CEO Grant Petty on this year’s Blackmagic crop

Blackmagic Design DEO Grant Petty’s annual communique is a highlight of NAB. This year, he holds forth on Ultramatte pricing, ATEM Television Studio Pro HD, and the Fairlight audio features you can now find in the flipping amazing-looking DaVinci Resolve 14. Read more

Blackmagic Design announces DaVinci Resolve 14

Blackmagic Design today announced DaVinci Resolve 14, the biggest release in the history of the product, and an update that has been designed to be more than an incremental software update, but a complete revolution in post production. Blackmagic Design believes the new DaVinci Resolve will break through the stagnant toolsets used in post production, and offer a new path forward for the smallest as well as the largest facilities in the world. Read more.

Blackmagic Design announces new ATEM Television Studio Pro HD

The world’s most advanced all in one live production switcher with integrated hardware control panel and powerful features such as HDMI and SDI inputs, multiview, talkback, DVE and more! Read more.

Blackmagic Design dramatically reduces price of Ultimatte 11

Blackmagic Design today announced an immediate 60% price reduction for Ultimatte 11 from $24,995 to only $9,995. Acquired by Blackmagic Design in October, 2016, Ultimatte is the worldwide leader in blue and green screen removal technology for the broadcast television, commercial and feature film industries. Read more.

Blackmagic Design announces new UltraStudio HD Mini with Thunderbolt 3

Blackmagic Design today announced UltraStudio HD Mini, the world’s first portable Thunderbolt 3 capture and playback solution with 3G-SDI, HDMI and analog connections for broadcast quality 10-bit recording up to 1080p60 and 2K DCI. Read more

Blackmagic Design announces Blackmagic Duplicator 4K now with H.264

Blackmagic Design today announced the addition of realtime H.264 encoding to the Blackmagic Duplicator 4K. Now customers can choose to record H.264 for maximum compatibility with existing HD televisions and computers, or they can choose H.265 for delivering Ultra HD to the latest devices. Blackmagic Duplicator 1.1 update is now available as a free download from the Blackmagic Design website. Read more.

Blackmagic Design announces remote Bluetooth camera control for URSA Mini Pro

Blackmagic Design today announced a new open protocol for URSA Mini Pro cameras that will allow customers to create their own remote control solutions via Bluetooth. The protocol is being demonstrated at NAB, with the API and sample code anticipated to be released to customers free of charge in June 2017. Read more

Blackmagic Design announces new professional scopes and multi-lingual support for Video Assis

Blackmagic Design today announced the immediate availability of Blackmagic Video Assist 2.4 update which adds support for multi-lingual support for 10 separate languages. This means customers can now use Video Assist in their native language. Read more.

Canon

Canon launch new upgrade service for EOS 5D Mk IV

Canon have announced a new paid upgrade for EOS 5D Mk IV users, available exclusively from Canon-authorised service centres.  Read more.

Canon unveil new pro lens

Canon are out of the gate early this year, releasing news of a new lens just as our team set off for NAB. Read more.

NAB 2017: Canon releases firmware upgrade for professional displays

Canon Europe, world leader in imaging solutions, today announces a firmware upgrade for three of its professional 4K displays – the DP-V1710, DP-V2410 and DP-V2420. Read more. 

DJI

DJI’s Ronin 2 is ready to take 30lbs of camera

It’s been a relatively quiet NAB in terms of production kit but this new gimbal from DJI has cheered us up no end, mostly by being twice as strong as the previous Ronin and having the most dramatic launch video we’ve seen in a while. Read more.

Dolby

Dolby announce new Atmos Production Suite and Mastering Suite

After Avid’s announcement that the forthcoming release of Pro Tools HD will offer native Dolby Atmos mixing, there was more Dolby news brewing at NAB 2017, with the release of two new software bundles – the Dolby Atmos Production Suite and Dolby Atmos Mastering Suite. Read more.

EditShare

NAB 2017: EditShare will showcase ‘small business friendly’ EFS 200 and EFS 300 servers

EditShare, a technology leader in intelligent shared storage and media management solutions, announced the introduction of the XStream EFS 200 and XStream EFS 300 storage products. Read more.

JVC

With the ProHD Mobile Bridge and the new ProHD Portable Bridge, JVC has created robust bonded cellular solutions for ENG and multi-camera live productions. Read more.

NewTek

Stream and publish anywhere with the NewTek TriCaster TC1

It’s the one that you’ve been waiting for… 4K. 60p. IP. 16 inputs and no compromises. The NewTek TriCaster TC1 is the first affordable end-to-end 4K IP video production system, and it’s available to pre-order now. Read more.

NewTek TriCaster offers native support of JVC KY-PZ100 PTZ cameras

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today announced NewTek TriCaster multi-camera video production systems will offer native support of JVC KY-PZ100 robotic PTZ network video production cameras. Read more

Notes on NewTek TriCaster TC1, NC1 I/O module, NVG1 and NDI

A few weeks back, NewTek released the TriCaster TC1 and we managed to get more details at NAB. However, they were also holding a couple of other NDI cards up their sleeve in the form of brand new product releases. Read more

Panasonic

Panasonic showcases next gen technology and solutions to support 4K smart entertainment and connected stadiums

Panasonic have revealed that their NAB highlights this year will include the 4K AK-UC3000 studio camera system and the HD AK-HC5000 high-speed camera system, 4-sided LED videoboards, ballooncam, and augmented reality projection. Read more

Sony

NEP UK selects Sony HDC-4300s to deliver live 4K to sports broadcasting market

Today, NEP UK announces a significant investment in live 4K sport broadcasting, with the purchase of 85 Sony HDC-4300 4K/HD system cameras, PWS-4500 servers, and 43 TRIMASTER EL OLED monitors, including the BVM-E171. Read more

Sony announces new technical capabilities and interoperability achievements as broadcast momentum for IP Live continues to grow

Sony is introducing a series of new IP Live functions, interoperability milestones and customer success stories on the first day of NAB 2017. Broadcasters around the world are increasingly embracing IP for its proven ability to deliver quality live 4K video, audio, synchronisation signals and control data through a single network cable. Read more

Sony’s 4K/HD Live Production Workflows enhanced with Content Management Station PWS-110CM1 and updated firmware for PWS-4500 Server

New solutions enable the addition of metadata management for streamlined, searchable, transferable content that saves users time. Read more

NAB 2017: Sony embraces HDR production with full end-to-end solution

From products, to workflow and format, Sony offers users end-to-end HDR production capabilities from acquisition to display, for cinema, live production, online video and event production. These solutions meet the industry’s growing demand for a wider colour gamut and increased dynamic range that creates more realistic viewing experiences with enhanced levels of detail. Read more

TVLogic

New TVLogic reference 4K and OLED monitors

LCD and OLED HD displays manufacturer TVLogic are choosing NAB 2017 to introduce several new 4K HDR and OLED monitors. The new displays are designed to address the ever-increasing demands of broadcast, production, post-production, and multi-viewer applications. Here’s the full press release… Read more

If you want to know more on the biggest and best NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2017: Ki Pro Ultra, Pak Dock and Kistor Dock price reductions, and new Ki Pro firmware

NAB 2017: Ki Pro Ultra, Pak Dock and Kistor Dock price reductions, and new Ki Pro firmware

Some early AJA news via Digi-Box: you can now save over £1000 on an Aja Ki Pro Ultra and £90 on Pak Dock and Kistor Dock – plus new firmware v2.2 for Ki Pro Ultra with Avid MXF support. 

Now more affordable than ever, Ki Pro Ultra is the premiere file-based 4K/UltraHD and 2K/HD video recorder and player. Ki Pro Ultra v2.2 firmware offers Avid MXF support for HD workflows and is available as a free download here. The release adds recording and playback of DNxHD files with an OP1a profile within an MXF container for DNxHD HQX (220x), DNxHD SQ (145) and DNxHD LB (36) codecs. This provides a native MXF workflow for Avid pipelines free of transcoding.

Ki Pro Ultra features a built-in HD LCD monitor and supports edit-ready Apple ProRes files in a range of video formats and frame rates up to 4K 60p, or Avid DNxHD files at HD resolutions. Flexible input and output connectivity, including 3G-SDI, HDMI, and fibre, provides support for powerful, efficient large raster and high-frame-rate workflows.

Record 4K/UHD and 2K/HD sources to reliable and affordable AJA Pak SSD media, available in capacities up to 1TB. A twin-media bay drive enables extremely fast media changes and rollover recording. The Ki Pro Ultra has a wide range of connectivity with 3G-SDI, fibre and HDMI inputs and outputs, AES and analogue XLR balanced audio, LTC, RS232 and LAN.

The Pak Dock and KiStor docking stations provide both Thunderbolt and USB 3.0 connections for ultra-fast file transfers between either PC or Mac host computer and Pak modules. Works with all Pak media and Pak adapters – now with a £90 reduction in cost!

Ki Pro Ultra, Pak Dock, and KiStor are available from specialist AJA resellers (ourselves included).

If you want to know more on the biggest and best NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.