NAB 2016: Atomos adds flagship Shogun Inferno to the HDR blaze of product announcements

NAB 2016: Atomos adds flagship Shogun Inferno to the HDR blaze of product announcements

Before you read this press release, we’d like you to put on Disco Inferno. Go on. We’ll wait. 

Atomos invented the all-in-one monitor recorder category and now redefine it with the Shogun Inferno. It is the combination of the most advanced monitor technologies – 1500nit/10bit/HDR, the latest recording capability – 4Kp60 over Quad-SDI, along with playback & editing functionality that encourages on set collaboration. Shogun Inferno makes mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers.

Shogun Inferno sits as the flagship model in the new 8-strong Atomos HDR lineup, which has expanded to include HDR as a free update to the Blade HD series, Ninja Assassin, Shogun and Shogun Studio along with the recently announced Flame series.

“The best technology booms are the ones that truly wow long standing professionals. HDR on the Atomos products leaves even the most experienced video professional excited like a kid in a candy store – never before have you actually been able to monitor and shoot what you are actually seeing,” said Jeromy Young, Atomos’ CEO and Co-founder.

“Just as we opened up the changeover from MPEG to ProRes and the upgrade from HD to 4K, we’re focused on ensuring the exciting breakthrough that is HDR easily becomes part of every filmmaker’s arsenal. To do this all at 4K 60p is a real revolution.”

Shogun Inferno has all of the premium monitoring features previously announced on the Shogun Flame i.e. 10 stops of dynamic range with AtomHDR, 1500nit brightness for outdoor monitoring and 10-bit processing for smooth colour transitions. In addition, Inferno also adds:

– High quality 4K 60p and HD 240p ProRes and DNxHR recording, from either a video or Raw signal – perfect for sports broadcasters and slow motion recordings.

– Raw to Raw CDNG recording up to 4K DCI/UHD 30p or 2K/HD 120p. CDNG support will also be added to existing Shogun Flame, Shogun and Shogun Studio users one month after the launch of Inferno.

– Versatility of Quad SDI connections to let you input from cameras with 1.5/3/6/12G SDI outputs without the need for converters – perfect for 4K HDR multicam events.

– PQ (ST-2084) input that allows you to use Inferno as a grading monitor in post

PQ (ST-2084) output standard HDR to compatible TVs and monitors. The Samurai Blade, Ninja Blade, Shogun and Ninja Assassin also benefit from getting a free upgrade to the AtomHDR image processing for their 400 nit, 8-bit displays. This is possible because Atomos control both OS and the LCD display 1 engine allowing previous generation HD products to receive this amazing feature for free. This gives a preview of the Post Production HDR result in the field so that judging exposure and bringing it into Post for HDR or SDR delivery is possible for shooters who have a Log output from their camera. The free OS upgrade to gain AtomHDR for Blade, Shogun, Ninja Assassin and Shogun Studio is scheduled for May 2016.

The Shogun Inferno in detail

–  AtomHDR AtomHDR lets you shoot with the high brightness range of your camera’s Log profile and preview the final, vibrant post production HDR result.

– 4K 60p Record and play out pristine ProRes/ DNxHR in 4K resolution and 24/25/30/50/60p frame rates.

– HD 240p Apart from 4K recording, high frame rate HD from 50p to 240p can be recorded from cameras that output these high frame rates.

– Quad SDI The Quad SDI inputs let you connect from cameras with 1.5/3/6/12G SDI outputs without the need for converters.

– RAW recording Capture the RAW output from Sony FS7/ FS700 and Canon C300MKII/C500 over SDI, recording to either ProRes, DNxHR or CDNG.

– 10-bit monitor 10-bit monitor processing increases the number of colors from 16.7 million for standard 8-bit panels to 1.07 billion, minimizing color banding on screen.

– 7” 1500nit brightness For Standard Dynamic Range (SDR) shooting ramp the brightness slider up to 1500 nit for hood-free outdoor monitoring.

– Apple ProRes and AVID DNxHR recording Record to visually lossless Apple ProRes or AVID DNxHD in Rec709 or Log formats as an edit friendly, visually lossless industry benchmark independent of the camera brand used.

– PQ in/out Take PQ out into larger HDR compatible screens or feed HDR from your NLE into the PQ input for HDR grading using the Inferno.

– Custom looks Apply a custom look to footage by uploading and applying “.cube” 3D LUT’s. View in full/half mode on screen, output it to a monitor or record into the footage.

– Continuous power Our patent pending Continuous power system automatically swaps to the second battery when power is low for uninterrupted recording in the field.

– Playlist generation Create playlists easily, either entire clips or tagged parts of clips, for playback on the unit or out to a larger screen.

Pricing and availability

The Shogun Inferno ships with host of accessories including a HPRC hard case, a snap-fast HDR sunhood, fast battery charger, control cable, 2 x NP-F750 4 cell batteries, USB 3 Docking Station, D-Tap Cable, 5 x Master Caddy Cases, Break-out XLR cable and a 12 V 3A AC-DC Power Adapter. MSRP is £1665 with availability in Q3 2016.

 

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: Premiere Pro and FCP X add support for Tangent panels

NAB 2016: Premiere Pro and FCP X add support for Tangent panels

As well as announcing availability of their long-awaited Ripple panel, Tangent Devices have revealed that Adobe Premiere Pro and Apple Final Cut Pro X now sport improved Tangent integration. 

“Adobe announced that they’re including support of our panels in the next release of Premier Pro. They have also implemented full support of our Mapper application, so you’ll be able to customise the layout of the controls on the panels. This is really exciting news for us and we’ve been looking forward to this as it’s been the source of a lot of requests from users,” said Tangent’s spokesperson. (You can see the Adobe announcement here).

Tangent also announced that support for FCP X’s Color Finale plug-in. “We already have pretty much full control of FCP X with our panels thanks to the efforts of Sam Mestman and his extensive use of our Mapper. Now the guys at Color Grading Central have announced full support of our panels in their Color Finale plug-in for FCP X. With Support for the Mapper included, you can customise your control layouts. We’re excited to see this expansion for the support of our panels within FCP X and we’re looking forward to the release of this new version. You can read more about Color Finale here.”

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: Tangent Ripple shipping soon!

NAB 2016: Tangent Ripple shipping soon!

Tangent’s long-awaited entry level Ripple panel has been on the horizon since IBC 2015, but now the design and details have been finalised and we’re closing in on a shipping date.

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Here’s the official blurb: “Getting in touch with your software has never been more affordable. Ripple is Tangent’s new entry level panel with a price-tag to match. Designed for the occasional colourist, editor, and student, Ripple provides the essential three-way trackerball controls to speed up primary grading. Its small footprint means it sits comfortably beside your keyboard, mouse and tablet.

“Like all Tangent panels, Ripple is supported by the Tangent Mapper, which means many applications will allow you to customise control layouts or build your own from scratch. Ripple is automatically supported by all applications which support the Tangent Hub which means that it should work right out of the box, for example. Resolve, Nucoda, SCRATCH, SpeedGrade, Premiere Pro etc. Ripple can also be combined with any panels from the Element range (including the element-Vs tablet app) so you can easily expand the functionality of your Tangent setup.”

Key features of Tangent Ripple:

– Three trackerballs with dials for masters.
– High resolution optical pick-ups for the balls and dials.
– Independent reset buttons for the balls and dials.
– Programmable A and B buttons.
– USB powered with integral cable.
– Lightweight and compact (600g and 325 x 148 x 52mm, specifically).

Pre-order the Ripple here for £250 (£300 inc VAT).

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

 

NAB 2016: axle 2016 to include Panel plug-in for Premiere Pro CC

NAB 2016: axle 2016 to include Panel plug-in for Premiere Pro CC

Alongside their new Pulse solution, axle Video have used NAB 2016 to debut  axle 2016, the newest version of their radically simple media management software.

The biggest change is the inclusion of axle Panel for Adobe Premiere Pro CC. This new plug-in “saves time and effort and improves creativity by allowing Adobe Premiere Pro users to instantly access and use any media managed by axle 2016 and the core axle search features from within their editing environment,” according to the axle team.

Other new features include: 

– Elastic search.

– OSX status application.

– Improved process monitoring.

– Improved administration.

– Large text fields.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

 

NAB 2016: Matrox release new lecture capture system, the Monarch LCS

NAB 2016: Matrox release new lecture capture system, the Monarch LCS

Matrox video have launched an exciting new product for HE at this year’s NAB Show in Las Vegas. Their Monarch LCS is a lecture capture system (in case you were wondering what LCS meant), which Matrox promise is “simple to set up and integrate into any open Video Management System”.

According the the official Matrox site, “Monarch LCS lets you easily define profiles for live streamed and recorded lectures by mixing camera and presentation material from SDI and HDMI sources. Once configured, this versatile H.264 encoding appliance can be operated by anyone at the push of a button. And it won’t break your budget!”

Choose your layout – or let viewers choose their own

Monarch LCS lets you record audio and video footage of the presenter alongside a separate computer source to capture slides and supporting materials, then mix them into a single webcast. “The operator can select a number of operating modes that include layouts such as Picture-in-picture and Side-by-side. If the operator prefers to dynamically change the inputs throughout the lecture, the Monarch LCS also offers Switcher mode. With very little set up time, the Monarch LCS can be configured to capture and deliver content such as presentations and seminars in many appealing layouts.

“In Isolated mode, the appliance provides two independent video files or streams. This feature, when used with a compatible 3rd party player, enables the viewer to select their preferred layout. The synchronised streaming or recording of Monarch LCS’s dual inputs are invaluable when such players are used. By aligning video inputs, the viewer can seamlessly switch to their preferred layout while maintaining perfectly synced audio and video.”

Ease of operation and integration

Matrox explain that “Monarch LCS can be controlled and configured via the Monarch LCS Command Center using any device on the network that supports a standard web browsing application such as a tablet. The interface is designed for operator ease-of-use and features one-click operation to start encoding from anywhere within the user interface. A number of typical streaming and recording presets are provided that define all of the encoding parameters, including resolution and bitrate. Encoding parameters can be customised and combined with destination and operating mode settings and saved as a unique profile. If the device must be accessed by different users, profiles can be instantly recalled without having to re-enter data.

“Designed to work in network environments, Monarch LCS is a network appliance that facilitates a seamless integration into existing infrastructures managed by third party asset management solutions, such as OpenCast VMS and Moodle LMS software. In addition, the scheduler feature supports open source iCal software such as Google calendar which allows you to create a schedule, export to an .ics file format, and easily import to the device. Schedules can be imported at any time and Monarch LCS can be configured to periodically retrieve schedules on your network.”

Uncompromising quality

Monarch LCS can share up to 20 Mb/s of encoding capacity across its two H.264 encoding channels. You can adjust bitrate/quality setting for each independently, and Monarch’s scaling, deinterlacing, and noise reduction engines ensure only the highest quality images are sent to the encoders, which can be set to encode at up to 1080p30 resolutions.

Flexible input and output

Monarch LCS offers multiple destination options when streaming or recording. In record mode, an encoding channel captures MOV or MP4 files, so your video files can be played on virtually any player. You can then store these recordings on local USB drives, SD cards, or network-mapped drives and made available immediately to a Lecture or Video Management System for distance learners to access. When streaming, the encoders use either RTMP or RTSP protocol to deliver live streams to local media servers or cloud-based CDNs.

According to the official specs, “Monarch LCS can support productions with two HDMI video sources or one SDI and one HDMI video source. Embedded or analogue audio can be selected as the audio source. By supporting video camera signals that are either SDI or HDMI, this lecture recorder gives operators the flexibility to select what is best for that installation. SDI signals can travel more than 300 feet (100 meters) over coaxial cable, which is ideal if the camera is mounted a long distance from the encoder. When cable lengths are not an issue, HDMI cameras may prove the most affordable option, particularly in larger installations.”

Frame synchronisation between inputs

Matrox insist that “the ultimate lecture viewing experience can only be guaranteed when computer, video and audio content is synchronised before encoding. However, computer and video feeds rarely share the same resolutions and frame rates. The Monarch LCS accepts these different feeds and synchronises them before encoding.” The result? Frame-accurate video and audio, regardless of the operating mode. There’s also a built-in frame synchroniser to correct any signal discontinuity at either input, ensuring uninterrupted streaming and recording operations.

Live production preview output

Anyone who’s using the Monarch LCS to drive in-house projections, both SDI and HDMI outputs are active and can be mapped to either inputs, a useful feature for driving in-house projections. The HDMI output also gives the operator the option of selecting the production output at the frame size of the encoding parameters, enabling them to preview content that will be sent to the remote viewer.

Remotely manage your device

Got multiple Monarchs? Matrox have an app for that. “The Matrox Utils application allows operators to remotely scan and find all Monarch LCS devices present on their network. The Utils application will also scan the attached Monarch LCS and notify the operator if the unit is up to date with its installed firmware version and will also update the device automatically to ensure that it has the latest software release. The Matrox Utils Application can also be used to reboot Monarch LCS devices present on the network.

“Contractors or in-house IT specialists can take advantage of Monarch LCS Dev Tools, which includes automatic configuration tools and the Monarch LCS Control API, to provide operators with a unified, consistent and branded experience. Individuals do not need to interact with the Monarch LCS Command Center web UI, simplifying enterprise-level and centrally administered deployments.

“The Monarch LCS Control API is an ideal way to integrate Monarch LCS functionality into an existing classroom, boardroom or other space equipped with a Crestron control system. Monarch LCS registered users are invited to download a sample SIMPL module written to run on Crestron 2-Series and 3-Series Room Media Controllers”

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: SmallHD announces production monitor prices and proves value with slow-mo durability demo

NAB 2016: SmallHD announces production monitor prices and proves value with slow-mo durability demo

SmallHD announces pricing of their new daylight-viewable SmallHDR Production Monitors and releases a new video on SmallHDR.com featuring extreme durability tests of the displays in super slow motion.

“These are unbelievably rugged production monitors, and the same level of build quality is demonstrated in every model.” says Wes Phillips, SmallHD Co-Founder, “Downtime can be a very expensive side-effect of a monitor built without durability in mind, so we took it upon ourselves to prove that these are the toughest monitors on the market.”

Facing off against baseball bats, off-road vehicles, .40 caliber handguns and more, SmallHD’s new HDR production monitors are truly put through the paces in the latest video found on SmallHDR.com. Demonstrating how milled billet aluminum housings and thick screen protection can prevent damage in even the most severe production accidents, extreme slow-motion shots reveal every bend and twist as the monitors fight to survive each punishing test.

Beyond durability, these bright displays are designed to instill a huge level of confidence through their daylight-viewing ability, extensive software toolset, and groundbreaking accessory flexibility—making ruggedness just a piece of the value they bring to the industry.

The SmallHDR 17-inch, 24-inch and 32-inch models come in at $3999, $5499, and $7999 respectively, positioning them as the most affordable line of HDR capable Production Monitors on the market. All three models and a full array of custom accessories will be available on SmallHD.com and through SmallHD authorized resellers May 2016.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: JVC introduces robotic PTZ Video-Over-IP production camera

NAB 2016: JVC introduces robotic PTZ Video-Over-IP production camera

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today introduced its first robotic PTZ IP video production camera, the KY-PZ100, which is ideal for studio or field applications. In addition to its 3G-SDI and HDMI outputs, the KY-PZ100 features JVC’s unique IP-based communications engine to provide streaming HD video at a variety of bit rates with minimal latency. JVC will demonstrate the new camera during the 2016 NAB Show (Booth C4314), which runs April 18-21 in Las Vegas, Nev.

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When connected to a Wi-Fi adapter or LTE modem via USB or directly connected to a LAN, the KY-PZ100 streams up to 1080p/60 video with two-channel audio using SMPTE 2022 forward error correction (FEC). The camera offers low latency streaming at various bit rates, and its integrated Zixi technology delivers reliable streaming performance with FEC and automatic repeat request (ARQ) as well as adaptive bit rate control.

Designed as a standalone remote camera or as part of a multi-camera system, the KY-PZ100 can also be used as a conventional PTZ camera. It includes a 1/2.8-inch CMOS sensor (2.2 million pixels) and a 30x optical zoom lens. Its f/1.6-4.7 maximum aperture delivers excellent low-light performance, and its LoLux mode delivers images in darkness as low as 0.01 lux. The camera also supports on-board HD recording at up to 50 Mbps to a MicroSDHC/SDXC media card, and recorded files can be uploaded to an external server.

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“There are plenty of PTZ cameras on the market, but none have a direct host USB connection to an LTE modem or Wi-Fi adapter.” explained Edgar Shane, general manager of engineering, JVC Professional Video. “This unique capability allows our PTZ camera to be placed anywhere there’s a power source and stream broadcast quality HD video. This exciting new technology will appeal to a number of vertical markets including broadcast, government, sports production, and houses of worship.”

Users can control the PTZ unit using JVC’s new RM-IP100 remote control panel, a Web browser, or a variety of remote units that support VISCA protocol. The RM-IP100 can memorize more than 100 preset settings and positions. For installation versatility, the camera is available in black (KY-PZ100B) or white (KY-PZ100W) housings and can be mounted upside-down, if necessary.

The KY-PZ100 will be available in October at an expected MSRP of $3,995. We’re still waiting on confirmation of a UK/EU release, so watch this space.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: New axle Pulse turns audiences into contributors

NAB 2016: New axle Pulse turns audiences into contributors

Today axle Video announced the first-ever integrated solution for news organisations and brands to gather and stream video directly from their audiences.

axle Pulse is a new mobile app that lets broadcasters and brands source immediate, authentic content; their communities are empowered with an easy way to capture and share video footage from their smartphones. The system is available either as a complete software/hardware solution for purchase, or as a monthly cloud subscription. It includes branded apps for iPhones and Android smartphones, and lets contributors sign up, shoot and upload video. The users can also join a dialogue with the broadcaster or corporate media department which can include requests to capture specific material in exchange for compensation. For breaking news stories, a livestreaming mode is available which turns the smartphone into an immediate on-location asset for news organizations.

axle Pulse

The axle Pulse system combines an easy-to-use mobile app and a powerful media management back end, based on axle’s radically simple axle Gear software. The solution works as follows:

– The company operating the software can request footage from contributors in their audience, optionally with specific assignments.
– Contributors capture and upload video footage in response to assignments, with any compensation predetermined.
– A built-in search tool lets the broadcaster quickly tag, curate and subclip submitted videos.

In the case of breaking news or live events, streaming from one or more contributors can be enabled for direct feeds.

Axle Pulse is based in part on pioneering mobile software called VidLasso, which axle Video has acquired and adapted for use in the new system. Christy King, a cofounder of VidLasso, who has joined axle as an advisor, said “I am delighted to see VidLasso grow up to become axle Pulse. The axle software team has expanded our original feature set in smart ways for news organizations and brands to harness the power of mobile video capture and streaming. axle is the leader in affordable media management, with great customers in the broadcast and corporate markets, and I’m thrilled to see axle Video build on our mobile capture technology, and make it even easier to gather and organize user generated content.”

The system includes axle Gear media management back end technology that gives permissionbased browser access to all uploaded content, as well as postproduction features like the ability to select and approve footage for use on air or on a website. When integrated with affordable networked storage and playout options from axle Video’s partners, axle Pulse can form the core of a next-generation media operation at a small fraction of the cost of traditional broadcast infrastructure.

 

 

Pricing and availability

axle Pulse is available now for complete on-site system deployment; after June 1 as a monthly cloud subscription. Both approaches include branded iPhone and Android mobile apps, as well as all required back end infrastructure for managing submitted video content and (with the streaming option enabled) live streams. Contact axle Video for details. axle 2016 software is available now starting at $995 for two users.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: Avid introduces industry’s first end-to-end production workflow for Panasonic AVC Ultra-LongG

NAB 2016: Avid introduces industry’s first end-to-end production workflow for Panasonic AVC Ultra-LongG

More and more news organizations and broadcasters worldwide are now shooting in the Panasonic AVC Ultra-LongG video format, since it provides high quality media at smaller bandwidth rates. Some of the world’s largest broadcasters are already using this AVC Ultra-LongG format, including NBC and Cox Media, and many more organizations will be adopting the format soon.

Read the original article over at Avid’s site.
By offering end-to-end AVC Ultra-LongG workflows and support across the MediaCentral Platform, we are extending Avid Resolution Independence and providing our customers and partners with unprecedented performance and efficiency.Avid’s end-to-end workflow for AVC Ultra-LongG spans the Avid Artist, Media, and Storage Suites, and includes baseband and file-based ingest, editorial and logging, send-to-playback, and archive. Through seamless integration with the Avid MediaCentral Platform, you can now safely replace old camera inventory and invest in this new camera platform without risking interruption of well-established operational practices.

“We are excited to announce the AVC Ultra-LongG workflow integration with Avid systems. Many of our customers are seeking a total workflow that spans the production continuum from acquisition to archive, and that is exactly what this solution offers,” said Kunihiko Miyagi, executive vice president of Cinema and Broadcasting, Imaging Network Business Division, Panasonic Corporation.

The following Avid solutions will offer Panasonic AVC Ultra-LongG support during the second quarter of 2016:

– Media Composer Edit SD, HD, and high-res media with the film, TV, and broadcast industry standard.
– Avid NEXIS Accelerate production with the world’s first software-defined storage platform.
– Interplay | Production Manage assets, collaborate, and automate workflows for high-volume media delivery.
– Interplay | MAM Unify and coordinate every aspect of media production with a comprehensive system.
– AirSpeed | 5500 Speed up SD, HD, and high-res workflows with a multichannel ingest/playout server.
– Media | Director Automate file-based media ingest, parking, and transcoding.
– MediaCentral | UX Access media and work on projects anywhere using a cloud-based interface.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: New JVC ProHD fiber system supports multi-camera Video-Over-IP workflows

NAB 2016: New JVC ProHD fiber system supports multi-camera Video-Over-IP workflows

JVC Professional Video, a division of JVCKENWOOD USA Corporation, will introduce a new fiber studio system based on its 800 Series ProHD cameras at the 2016 NAB Show (Booth C4314), which runs April 18-21 in Las Vegas, Nev. Built exclusively for JVC by MultiDyne Video & Fiber-Optic Systems, the system supports 3G-SDI 1080p/60 camera feeds and returns, and takes advantage of the camera’s built-in streaming engine for video-over-IP functionality.

The camera module connects directly to the back of GY-HM890 camcorder via 68-pin interface – no external cables required – for full studio functionality. It transports multiple bi-directional 3G-SDI signals as well as control, audio, sync, and intercom between the camera and the FS-900 Base Station.

Up to three cameras are supported by the Base Station, and its redundant power supplies provide up to 150 watts for each camera, as well as prompters and talent monitors. Its three-in-one configuration provides a more cost efficient solution than other multi-camera solutions previously offered by JVC and other manufacturers.

With built-in gigabit Ethernet, the lightweight, 2 RU Base Station also allows video-over-IP, control and advanced configuration. The high quality 1080p video signals are ideal for webcasts, virtual sets, and image magnification (I-MAG) applications. The system integrates easily with any studio, mobile truck, or portable flypack, and connects directly with a facility’s switcher, router, intercom, and house sync systems.

“The integration of three cameras with a single base station provides an elegant, compact, and cost effective solution,” explained Edgar Shane, general manager of engineering, JVC Professional Video. “This does it all – at a lower cost than a conventional system with three base stations. Plus, you can add SMPTE 2022 SDI-over-IP functionality, so the system will support your future transition to a fully IP-based workflow.”

JVC will offer an optional multi-viewer card for the Base Station, and the module will be available in multiple configurations to address specific customer cable and intercom requirements. Both the camera module and base station will be available in June 2016, with pricing starting at under $32,000 for a three-camera system.

Want to know more? For more on the latest NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.