NAB 2016: axle 2016 to include Panel plug-in for Premiere Pro CC

NAB 2016: axle 2016 to include Panel plug-in for Premiere Pro CC

Alongside their new Pulse solution, axle Video have used NAB 2016 to debut  axle 2016, the newest version of their radically simple media management software.

The biggest change is the inclusion of axle Panel for Adobe Premiere Pro CC. This new plug-in “saves time and effort and improves creativity by allowing Adobe Premiere Pro users to instantly access and use any media managed by axle 2016 and the core axle search features from within their editing environment,” according to the axle team.

Other new features include: 

– Elastic search.

– OSX status application.

– Improved process monitoring.

– Improved administration.

– Large text fields.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

 

NAB 2016: Matrox release new lecture capture system, the Monarch LCS

NAB 2016: Matrox release new lecture capture system, the Monarch LCS

Matrox video have launched an exciting new product for HE at this year’s NAB Show in Las Vegas. Their Monarch LCS is a lecture capture system (in case you were wondering what LCS meant), which Matrox promise is “simple to set up and integrate into any open Video Management System”.

According the the official Matrox site, “Monarch LCS lets you easily define profiles for live streamed and recorded lectures by mixing camera and presentation material from SDI and HDMI sources. Once configured, this versatile H.264 encoding appliance can be operated by anyone at the push of a button. And it won’t break your budget!”

Choose your layout – or let viewers choose their own

Monarch LCS lets you record audio and video footage of the presenter alongside a separate computer source to capture slides and supporting materials, then mix them into a single webcast. “The operator can select a number of operating modes that include layouts such as Picture-in-picture and Side-by-side. If the operator prefers to dynamically change the inputs throughout the lecture, the Monarch LCS also offers Switcher mode. With very little set up time, the Monarch LCS can be configured to capture and deliver content such as presentations and seminars in many appealing layouts.

“In Isolated mode, the appliance provides two independent video files or streams. This feature, when used with a compatible 3rd party player, enables the viewer to select their preferred layout. The synchronised streaming or recording of Monarch LCS’s dual inputs are invaluable when such players are used. By aligning video inputs, the viewer can seamlessly switch to their preferred layout while maintaining perfectly synced audio and video.”

Ease of operation and integration

Matrox explain that “Monarch LCS can be controlled and configured via the Monarch LCS Command Center using any device on the network that supports a standard web browsing application such as a tablet. The interface is designed for operator ease-of-use and features one-click operation to start encoding from anywhere within the user interface. A number of typical streaming and recording presets are provided that define all of the encoding parameters, including resolution and bitrate. Encoding parameters can be customised and combined with destination and operating mode settings and saved as a unique profile. If the device must be accessed by different users, profiles can be instantly recalled without having to re-enter data.

“Designed to work in network environments, Monarch LCS is a network appliance that facilitates a seamless integration into existing infrastructures managed by third party asset management solutions, such as OpenCast VMS and Moodle LMS software. In addition, the scheduler feature supports open source iCal software such as Google calendar which allows you to create a schedule, export to an .ics file format, and easily import to the device. Schedules can be imported at any time and Monarch LCS can be configured to periodically retrieve schedules on your network.”

Uncompromising quality

Monarch LCS can share up to 20 Mb/s of encoding capacity across its two H.264 encoding channels. You can adjust bitrate/quality setting for each independently, and Monarch’s scaling, deinterlacing, and noise reduction engines ensure only the highest quality images are sent to the encoders, which can be set to encode at up to 1080p30 resolutions.

Flexible input and output

Monarch LCS offers multiple destination options when streaming or recording. In record mode, an encoding channel captures MOV or MP4 files, so your video files can be played on virtually any player. You can then store these recordings on local USB drives, SD cards, or network-mapped drives and made available immediately to a Lecture or Video Management System for distance learners to access. When streaming, the encoders use either RTMP or RTSP protocol to deliver live streams to local media servers or cloud-based CDNs.

According to the official specs, “Monarch LCS can support productions with two HDMI video sources or one SDI and one HDMI video source. Embedded or analogue audio can be selected as the audio source. By supporting video camera signals that are either SDI or HDMI, this lecture recorder gives operators the flexibility to select what is best for that installation. SDI signals can travel more than 300 feet (100 meters) over coaxial cable, which is ideal if the camera is mounted a long distance from the encoder. When cable lengths are not an issue, HDMI cameras may prove the most affordable option, particularly in larger installations.”

Frame synchronisation between inputs

Matrox insist that “the ultimate lecture viewing experience can only be guaranteed when computer, video and audio content is synchronised before encoding. However, computer and video feeds rarely share the same resolutions and frame rates. The Monarch LCS accepts these different feeds and synchronises them before encoding.” The result? Frame-accurate video and audio, regardless of the operating mode. There’s also a built-in frame synchroniser to correct any signal discontinuity at either input, ensuring uninterrupted streaming and recording operations.

Live production preview output

Anyone who’s using the Monarch LCS to drive in-house projections, both SDI and HDMI outputs are active and can be mapped to either inputs, a useful feature for driving in-house projections. The HDMI output also gives the operator the option of selecting the production output at the frame size of the encoding parameters, enabling them to preview content that will be sent to the remote viewer.

Remotely manage your device

Got multiple Monarchs? Matrox have an app for that. “The Matrox Utils application allows operators to remotely scan and find all Monarch LCS devices present on their network. The Utils application will also scan the attached Monarch LCS and notify the operator if the unit is up to date with its installed firmware version and will also update the device automatically to ensure that it has the latest software release. The Matrox Utils Application can also be used to reboot Monarch LCS devices present on the network.

“Contractors or in-house IT specialists can take advantage of Monarch LCS Dev Tools, which includes automatic configuration tools and the Monarch LCS Control API, to provide operators with a unified, consistent and branded experience. Individuals do not need to interact with the Monarch LCS Command Center web UI, simplifying enterprise-level and centrally administered deployments.

“The Monarch LCS Control API is an ideal way to integrate Monarch LCS functionality into an existing classroom, boardroom or other space equipped with a Crestron control system. Monarch LCS registered users are invited to download a sample SIMPL module written to run on Crestron 2-Series and 3-Series Room Media Controllers”

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: SmallHD announces production monitor prices and proves value with slow-mo durability demo

NAB 2016: SmallHD announces production monitor prices and proves value with slow-mo durability demo

SmallHD announces pricing of their new daylight-viewable SmallHDR Production Monitors and releases a new video on SmallHDR.com featuring extreme durability tests of the displays in super slow motion.

“These are unbelievably rugged production monitors, and the same level of build quality is demonstrated in every model.” says Wes Phillips, SmallHD Co-Founder, “Downtime can be a very expensive side-effect of a monitor built without durability in mind, so we took it upon ourselves to prove that these are the toughest monitors on the market.”

Facing off against baseball bats, off-road vehicles, .40 caliber handguns and more, SmallHD’s new HDR production monitors are truly put through the paces in the latest video found on SmallHDR.com. Demonstrating how milled billet aluminum housings and thick screen protection can prevent damage in even the most severe production accidents, extreme slow-motion shots reveal every bend and twist as the monitors fight to survive each punishing test.

Beyond durability, these bright displays are designed to instill a huge level of confidence through their daylight-viewing ability, extensive software toolset, and groundbreaking accessory flexibility—making ruggedness just a piece of the value they bring to the industry.

The SmallHDR 17-inch, 24-inch and 32-inch models come in at $3999, $5499, and $7999 respectively, positioning them as the most affordable line of HDR capable Production Monitors on the market. All three models and a full array of custom accessories will be available on SmallHD.com and through SmallHD authorized resellers May 2016.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: JVC introduces robotic PTZ Video-Over-IP production camera

NAB 2016: JVC introduces robotic PTZ Video-Over-IP production camera

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today introduced its first robotic PTZ IP video production camera, the KY-PZ100, which is ideal for studio or field applications. In addition to its 3G-SDI and HDMI outputs, the KY-PZ100 features JVC’s unique IP-based communications engine to provide streaming HD video at a variety of bit rates with minimal latency. JVC will demonstrate the new camera during the 2016 NAB Show (Booth C4314), which runs April 18-21 in Las Vegas, Nev.

jvc_ptz_blog_white

When connected to a Wi-Fi adapter or LTE modem via USB or directly connected to a LAN, the KY-PZ100 streams up to 1080p/60 video with two-channel audio using SMPTE 2022 forward error correction (FEC). The camera offers low latency streaming at various bit rates, and its integrated Zixi technology delivers reliable streaming performance with FEC and automatic repeat request (ARQ) as well as adaptive bit rate control.

Designed as a standalone remote camera or as part of a multi-camera system, the KY-PZ100 can also be used as a conventional PTZ camera. It includes a 1/2.8-inch CMOS sensor (2.2 million pixels) and a 30x optical zoom lens. Its f/1.6-4.7 maximum aperture delivers excellent low-light performance, and its LoLux mode delivers images in darkness as low as 0.01 lux. The camera also supports on-board HD recording at up to 50 Mbps to a MicroSDHC/SDXC media card, and recorded files can be uploaded to an external server.

jvc_ptz_black_blog

“There are plenty of PTZ cameras on the market, but none have a direct host USB connection to an LTE modem or Wi-Fi adapter.” explained Edgar Shane, general manager of engineering, JVC Professional Video. “This unique capability allows our PTZ camera to be placed anywhere there’s a power source and stream broadcast quality HD video. This exciting new technology will appeal to a number of vertical markets including broadcast, government, sports production, and houses of worship.”

Users can control the PTZ unit using JVC’s new RM-IP100 remote control panel, a Web browser, or a variety of remote units that support VISCA protocol. The RM-IP100 can memorize more than 100 preset settings and positions. For installation versatility, the camera is available in black (KY-PZ100B) or white (KY-PZ100W) housings and can be mounted upside-down, if necessary.

The KY-PZ100 will be available in October at an expected MSRP of $3,995. We’re still waiting on confirmation of a UK/EU release, so watch this space.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: New axle Pulse turns audiences into contributors

NAB 2016: New axle Pulse turns audiences into contributors

Today axle Video announced the first-ever integrated solution for news organisations and brands to gather and stream video directly from their audiences.

axle Pulse is a new mobile app that lets broadcasters and brands source immediate, authentic content; their communities are empowered with an easy way to capture and share video footage from their smartphones. The system is available either as a complete software/hardware solution for purchase, or as a monthly cloud subscription. It includes branded apps for iPhones and Android smartphones, and lets contributors sign up, shoot and upload video. The users can also join a dialogue with the broadcaster or corporate media department which can include requests to capture specific material in exchange for compensation. For breaking news stories, a livestreaming mode is available which turns the smartphone into an immediate on-location asset for news organizations.

axle Pulse

The axle Pulse system combines an easy-to-use mobile app and a powerful media management back end, based on axle’s radically simple axle Gear software. The solution works as follows:

– The company operating the software can request footage from contributors in their audience, optionally with specific assignments.
– Contributors capture and upload video footage in response to assignments, with any compensation predetermined.
– A built-in search tool lets the broadcaster quickly tag, curate and subclip submitted videos.

In the case of breaking news or live events, streaming from one or more contributors can be enabled for direct feeds.

Axle Pulse is based in part on pioneering mobile software called VidLasso, which axle Video has acquired and adapted for use in the new system. Christy King, a cofounder of VidLasso, who has joined axle as an advisor, said “I am delighted to see VidLasso grow up to become axle Pulse. The axle software team has expanded our original feature set in smart ways for news organizations and brands to harness the power of mobile video capture and streaming. axle is the leader in affordable media management, with great customers in the broadcast and corporate markets, and I’m thrilled to see axle Video build on our mobile capture technology, and make it even easier to gather and organize user generated content.”

The system includes axle Gear media management back end technology that gives permissionbased browser access to all uploaded content, as well as postproduction features like the ability to select and approve footage for use on air or on a website. When integrated with affordable networked storage and playout options from axle Video’s partners, axle Pulse can form the core of a next-generation media operation at a small fraction of the cost of traditional broadcast infrastructure.

 

 

Pricing and availability

axle Pulse is available now for complete on-site system deployment; after June 1 as a monthly cloud subscription. Both approaches include branded iPhone and Android mobile apps, as well as all required back end infrastructure for managing submitted video content and (with the streaming option enabled) live streams. Contact axle Video for details. axle 2016 software is available now starting at $995 for two users.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: Avid introduces industry’s first end-to-end production workflow for Panasonic AVC Ultra-LongG

NAB 2016: Avid introduces industry’s first end-to-end production workflow for Panasonic AVC Ultra-LongG

More and more news organizations and broadcasters worldwide are now shooting in the Panasonic AVC Ultra-LongG video format, since it provides high quality media at smaller bandwidth rates. Some of the world’s largest broadcasters are already using this AVC Ultra-LongG format, including NBC and Cox Media, and many more organizations will be adopting the format soon.

Read the original article over at Avid’s site.
By offering end-to-end AVC Ultra-LongG workflows and support across the MediaCentral Platform, we are extending Avid Resolution Independence and providing our customers and partners with unprecedented performance and efficiency.Avid’s end-to-end workflow for AVC Ultra-LongG spans the Avid Artist, Media, and Storage Suites, and includes baseband and file-based ingest, editorial and logging, send-to-playback, and archive. Through seamless integration with the Avid MediaCentral Platform, you can now safely replace old camera inventory and invest in this new camera platform without risking interruption of well-established operational practices.

“We are excited to announce the AVC Ultra-LongG workflow integration with Avid systems. Many of our customers are seeking a total workflow that spans the production continuum from acquisition to archive, and that is exactly what this solution offers,” said Kunihiko Miyagi, executive vice president of Cinema and Broadcasting, Imaging Network Business Division, Panasonic Corporation.

The following Avid solutions will offer Panasonic AVC Ultra-LongG support during the second quarter of 2016:

– Media Composer Edit SD, HD, and high-res media with the film, TV, and broadcast industry standard.
– Avid NEXIS Accelerate production with the world’s first software-defined storage platform.
– Interplay | Production Manage assets, collaborate, and automate workflows for high-volume media delivery.
– Interplay | MAM Unify and coordinate every aspect of media production with a comprehensive system.
– AirSpeed | 5500 Speed up SD, HD, and high-res workflows with a multichannel ingest/playout server.
– Media | Director Automate file-based media ingest, parking, and transcoding.
– MediaCentral | UX Access media and work on projects anywhere using a cloud-based interface.

For more on the latest NAB Show releases, take a look at our roundup post, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: New JVC ProHD fiber system supports multi-camera Video-Over-IP workflows

NAB 2016: New JVC ProHD fiber system supports multi-camera Video-Over-IP workflows

JVC Professional Video, a division of JVCKENWOOD USA Corporation, will introduce a new fiber studio system based on its 800 Series ProHD cameras at the 2016 NAB Show (Booth C4314), which runs April 18-21 in Las Vegas, Nev. Built exclusively for JVC by MultiDyne Video & Fiber-Optic Systems, the system supports 3G-SDI 1080p/60 camera feeds and returns, and takes advantage of the camera’s built-in streaming engine for video-over-IP functionality.

The camera module connects directly to the back of GY-HM890 camcorder via 68-pin interface – no external cables required – for full studio functionality. It transports multiple bi-directional 3G-SDI signals as well as control, audio, sync, and intercom between the camera and the FS-900 Base Station.

Up to three cameras are supported by the Base Station, and its redundant power supplies provide up to 150 watts for each camera, as well as prompters and talent monitors. Its three-in-one configuration provides a more cost efficient solution than other multi-camera solutions previously offered by JVC and other manufacturers.

With built-in gigabit Ethernet, the lightweight, 2 RU Base Station also allows video-over-IP, control and advanced configuration. The high quality 1080p video signals are ideal for webcasts, virtual sets, and image magnification (I-MAG) applications. The system integrates easily with any studio, mobile truck, or portable flypack, and connects directly with a facility’s switcher, router, intercom, and house sync systems.

“The integration of three cameras with a single base station provides an elegant, compact, and cost effective solution,” explained Edgar Shane, general manager of engineering, JVC Professional Video. “This does it all – at a lower cost than a conventional system with three base stations. Plus, you can add SMPTE 2022 SDI-over-IP functionality, so the system will support your future transition to a fully IP-based workflow.”

JVC will offer an optional multi-viewer card for the Base Station, and the module will be available in multiple configurations to address specific customer cable and intercom requirements. Both the camera module and base station will be available in June 2016, with pricing starting at under $32,000 for a three-camera system.

Want to know more? For more on the latest NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: The highlights

NAB 2016: The highlights

Here we go. Bookmark this page and periodically hit refresh to be kept up to date with all the big announcements from NAB Show 2016, including live streams, key links and the most interesting new releases.

AJA

AJA Releases CION v1.3 Firmware with New Gamma Settings; Announces New Pak1000 Promo for CION Purchases

AJA Video Systems today released new v1.3 firmware for the AJA CION, AJA’s 4K/UltraHD and 2K/HD production camera that shoots edit-ready Apple ProRes files at up to 4K 60fps. Read more

NAB 2016: AJA Unveils FS4 frame synchroniser and converter

AJA Video Systems today unveiled FS4, the most advanced all digital frame sync and universal up/down/cross converter ever from AJA, supporting 4K, UltraHD, 2K, HD and SD workflows in a 1RU frame. Read more 

NAB 2016: AJA Ki Pro Ultra v1.2 update to add ExFAT, 16-channel audio, CC support, 2SI; Pak-Adapt-eSATA to bring third party eSATA media compatibility

AJA Video Systems today announced Ki Pro Ultra v1.2 firmware adding 16-channel embedded SDI audio, ExFAT file system, Closed Captioning (CC) and SMPTE 2SI I/O support. Read more

NAB 2016: AJA announces U-TAP USB 3.0 capture devices

AJA Video Systems today announced U-TAP HDMI and U-TAP SDI offering high quality HD/SD capture through a bus powered USB 3.0 port. Read more

NAB 2016: AJA introduces new Mini-Converters and openGear-Compatible rack cards

At NAB 2016, AJA Video Systems expanded its line of portable Mini-Converters with the introduction of the Hi5-4K-Plus, a 4K/UltraHD 3G-SDI to HDMI 2.0 converter, and the HDP3, a 3G-SDI to DVI-D converter with 1080p 60 support. Read more

NAB 2016: AJA Announces KONA IP at NAB 2016

AJA Video Systems today announced KONA IP, its first desktop video and audio I/O product for professional IP-based workflows. KONA IP is the next generation of AJA’s industry-leading KONA line of PCIe capture cards and works with AJA Control Room and Control Panel software and SDK tools along with leading third-party content creation applications. Read more

Atomos

NAB 2016: Atomos adds flagship Shogun Inferno to the HDR blaze of product announcements

Atomos invented the all-in-one monitor recorder category and now redefine it with the Shogun Inferno. It is the combination of the most advanced monitor technologies – 1500nit/10bit/HDR, the latest recording capability – 4Kp60 over Quad-SDI, along with playback & editing functionality that encourages on set collaboration. Shogun Inferno makes mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers. Read more

Avid

NAB 2016: Avid demonstrate cloud collaboration within ProTools

Avid have demonstrated a new cloud collaboration platform for ProTools built directly into the application. The demo was done live at the Avid ACA event prior to NAB opening for select ACA members attending the event. Read more

NAB 2016: Avid announce Adobe Premiere integration with Interplay Media Central

Avid today have announced and demonstrated a huge move toward making their production asset management system, Interplay Media Central, the open arena they have talked about for a number of years now. Read more

NAB 2016: Avid announce NEXIS storage at Avid Connect

AVID today have announced a number of new and updated products at their Avid Connect event, prior to the NAB show which begins on Monday. One of the major headlines is a series of new storage systems, called NEXIS, building on the same hardware and operating system used with the ISIS 1000, launched last year. Read more

NAB 2016: Avid introduces industry’s first end-to-end production workflow for Panasonic AVC Ultra-LongG

More and more news organizations and broadcasters worldwide are now shooting in the Panasonic AVC Ultra-LongG video format, since it provides high quality media at smaller bandwidth rates. Some of the world’s largest broadcasters are already using this AVC Ultra-LongG format, including NBC and Cox Media, and many more organizations will be adopting the format soon. Read more

Moving from Avid ISIS to NEXIS | PRO? Here’s what we know…

As you’ve probably heard, Avid have announced that they’re rebranding their ISIS storage range as the NEXIS range of shared storage products. For those of you who were about to buy an ISIS, have just bought an ISIS or have based your entire storage setup around the ISIS, this might have been slightly unwelcome news, but actually the move to NEXIS seems pretty simple. Here’s what you need to know. Read more 

axle Video

NAB 2016: New axle Pulse turns audiences into contributors

Today axle Video announced the first-ever integrated solution for news organisations and brands to gather and stream video directly from their audiences. Read more

Blackmagic Design

NAB 2016: Blackmagic Design announces new Blackmagic URSA studio viewfinder

Turn URSA Mini into the ultimate professional studio camera with a 7 inch studio viewfinder! Blackmagic Design today announced the new Blackmagic URSA Studio Viewfinder, a high resolution 7” studio viewfinder with variable tension mounting points, tally, external controls and more that turns Blackmagic URSA Mini into a true professional studio camera. Read more

NAB 2016:  New URSA Mini camera OS adds new UI, dozens of features and improves camera performance!

Blackmagic Design today announced a major new camera operating system for its URSA Mini cameras. This new camera OS features an incredible new user interface along with dozens of new features and will be available later this year free of charge for all URSA Mini customers. Read more

NAB 2016: Blackmagic Design announces Blackmagic Video Assist 4K

Blackmagic Design today announced Blackmagic Video Assist 4K, a portable all in one professional monitor and video recorder that can be used to add professional recording and monitoring to any SDI or HDMI camera. Read more

NAB 2016: Blackmagic Design introduces new Blackmagic Micro Converters

Introducing the world’s smallest broadcast quality video converters! Blackmagic Design today introduced Blackmagic Micro Converter SDI to HDMI and Blackmagic Micro Converter HDMI to SDI, two new super small, pocket size broadcast quality video converters. Both models are available immediately for only US$85 each. Read more

NAB 2016: Blackmagic Design announces ATEM Switcher 6.8 update with HyperDeck Control integration

Blackmagic Design today announced the immediate availability of ATEM Switcher 6.8 Update which adds control of all HyperDeck Studio disk recorders to all ATEM switchers. ATEM Switcher 6.8 Update is available for download now from the Blackmagic Design website and is free of charge for all Blackmagic ATEM switcher customers. Read more 

NAB 2016: Blackmagic Design announces UltraStudio 4K Extreme 3

The world’s most advanced capture and playback solution now with 40Gb/s Thunderbolt 3 technology. Blackmagic Design today announced UltraStudio 4K Extreme 3, the world’s most advanced Thunderbolt video capture and playback solution. Read more

NAB 2016: Blackmagic Design selects Tico lightweight compression to move to live video production over IP

Blackmagic Design is now an adopter of the ultra low latency TICO compression technology developed by intoPIX, enabling high resolution video over IP networks. Read more 

NAB 2016: Blackmagic Design launches DaVinci Resolve 12.5!

Our friends over at the Resolve development team have done it again! This year’s NAB release of Resolve has over 250 new features and 1000 enhancements and bug fixes. The new features range from downright incredible to improving your day to day experience, saving time and bringing the sort of tools we’ll need for the next generation of content creation requirements. Read more

NAB 2016: Blackmagic Design announce new Blackmagic MultiView 4

Monitor 4 completely independent SD, HD or Ultra HD SDI video sources on a single display! Blackmagic Design today announced Blackmagic MultiView 4, a new multi viewer that lets customers monitor 4 completely independent SDI video sources on a single display. Read more

NAB 2016: Blackmagic Design convertor upgrades with HDMI instant lock and 33 point LUT support

Mini Converter SDI to HDMI 4K and Teranex Mini SDI to HDMI 12G both get new HDMI instant lock feature, and Teranex Mini also adds 33 point LUT support. Read more

NAB 2016: Blackmagic Design announces new DeckLink Duo 2 PCIe capture and playback card

Blackmagic Design today announced DeckLink Duo 2, a new high performance capture and playback solution with 4 independent channels that can be assigned to either record or playback in any combination, all on a single plug in PCI Express card. Read more

Blackmagic Design announces Desktop Video 10.6.4 update with HDR

New software update adds HDR support to UltraStudio 4K Extreme and DeckLink 4K Extreme 12G! Blackmagic Design today announced Desktop Video 10.6.4 Update which adds support for HDR playback over HDMI to UltraStudio 4K Extreme and DeckLink 4K Extreme 12G. Desktop Video 10.6.4 is available as a free download from the Blackmagic Design website. Read more

Canon

NAB 2016: Canon announce the new CN-E 18-80mm lens

Canon have unveiled the CN-E 18-80mm cine lens, a new Cinema EOS lens with cine-servo style functionality. Designed for professional and advanced amateur videographers using large format, single sensor cameras, the lens strengthens Canon’s line of cine-servo lenses, following in the footsteps of the CN7x17 and CN20x50. Read more

NAB 2016: Canon video range gets a firmware refresh

Canon’s pro video lineup is getting a fresh coat of paint ahead of NAB 2016, with many of the range getting major firmware updates. Here’s the official statement. Read more

G-Technology

NAB 2016: G-Technology offers new NAS solution for content creators

New 12-bay G-RACK 12 enables teams of creative professionals to streamline media and entertainment workflows with the reliability, scalability, and studio-friendly technology you’d expect from the trusted G-Technology brand. Read more

GB Labs

GB Labs adopts NewTek NDI for IP production workflow

GB Labs, the world’s leading manufacturer of Network Attached Storage (NAS), today announced its adoption of NewTek’s open Network Device Interface (NDI) standard for IP-based production workflows for its range of high speed, media specific storage. Read more

JVC

NAB 2016: New JVC ProHD fiber system supports multi-camera Video-Over-IP workflows

The camera module connects directly to the back of GY-HM890 camcorder via 68-pin interface – no external cables required – for full studio functionality. It transports multiple bi-directional 3G-SDI signals as well as control, audio, sync, and intercom between the camera and the FS-900 Base Station. Read more

NAB 2016: JVC introduces robotic PTZ Video-Over-IP production camera

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today introduced its first robotic PTZ IP video production camera, the KY-PZ100, which is ideal for studio or field applications. In addition to its 3G-SDI and HDMI outputs, the KY-PZ100 features JVC’s unique IP-based communications engine to provide streaming HD video at a variety of bit rates with minimal latency. Read more

LaCie

NAB 2016: LaCie Goes Big with Thunderbolt 3 debut

Today at the National Association of Broadcasters Convention, LaCie, the premium brand from Seagate Technology plc, announced the LaCie 12big Thunderbolt 3, a professional 12-bay desktop RAID storage unit. Read more

NewTek

NAB 2016: NewTek announces TalkShow VS 4000 multi-channel video calling system

Announced just prior to this year’s NAB Show, NewTek’s latest talk show update handles up to four remote video guests simultaneously or in sequence using SDI or IP workflows. Read more

NAB 2016: NDI Source set to make a splash

With so much hardware and software lined-up for the big event, we’re starting to get really excited for NAB 2016. One thing we’re particularly excited about is NDI Source. Read more

NAB 2016: NewTek Connect Pro tool bridges IP and SDI workflows

NewTek today announced NewTek Connect Pro, a multi-purpose software tool designed to seamlessly connect IP video formats of new and existing video production hardware and software to work together. Read more

NAB 2016: NewTek’s NDI For Adobe Creative Cloud applications eliminates pre- and post-production render and upload times, streamlining video review & approval

At NAB 2016, NewTek today announced NDI for Adobe Creative Cloud, a software plug-in with NewTek’s groundbreaking Network Device Interface (NDI) technology. The NDI integration enables users of Adobe Premiere Pro CC, Adobe After Effects CC and other Adobe Creative Cloud applications to send real-time video and audio to any NDI-enabled receiving product, such as production switchers or capture cards, across a standard Ethernet network. Read more

What are NDI Transit and Telestrator?

NewTek’s NDI IP protocol was one of the big talking points at this year’s NAB, and two of the key apps they released to work within it were NDI Transit and NDI Telestrator. Which begs the question, what are they? Read more 

Matrox

NAB 2016: Matrox release new lecture capture system, the Monarch LCS

Matrox video have launched an exciting new product for HE at this year’s NAB Show in Las Vegas. Their Monarch LCS is a lecture capture system (in case you were wondering what LCS meant), which Matrox promise is “simple to set up and integrate into any open Video Management System”. Read more

Small HD

NAB 2016: SmallHD announces production monitor prices and proves value with slow-mo durability demo

SmallHD announces pricing of their new daylight-viewable SmallHDR Production Monitors and releases a new video on SmallHDR.com featuring extreme durability tests of the displays in super slow motion. Read more

Sony

NAB 2016: Sony Unveils 4K 8x Super Motion Camera System with Replay Server Function, built for sports live production

Sony announced today the launch of the HDC-4800, its newest camera system which combines 4K & Wide Color Space with Ultra-High Frame Rate (UHFR) capabilities – 8x at 4K, and up to 16x in full HD- but also features dynamic cutout and zoom capabilities for live sports and special event productions. Read more

NAB 2016: Sony unveils world’s first 4K XDCAM shoulder camcorder with 2/3-type image sensor

Sony today introduced its latest XDCAM shoulder-mount camcorder, PXW-Z450. Capable of capturing superb 4K (3840 x 2160) picture quality from new 2/3-type Exmor R CMOS sensor, the camcorder possesses exceptional weight balance and low power consumption alongside excellent networking features. Read more

NAB 2016: Sony introduces the PVM-X550, a 55” quad-view large screen TRIMASTER EL 4K OLED monitor

Sony today announced the new PVM-X550, a 55-inch 4K OLED monitor ideal for verifying 4K footage during production. The PVM-X550 incorporates Sony’s exclusive TRIMASTER EL technology, achieving superb colour and picture quality reproduction, and making the monitor ideal for 4K cinema production and 4K live production. Read more

Sony goes Beyond Definition at NAB 2016

At NAB 2016, Sony is showcasing new technologies and workflows for HD, 4K, high dynamic range, storage and IP transmission, providing the tools to drive professionals’ creativity. Sony’s exhibit will feature new models and updates to widely used products – camcorders, cameras, monitors, switchers, storage, archiving, and wireless transmission for broadcast, production, sports, live events and more. Read more 

NAB 2016: Sony showcases 4K IP Live and ASPEN Interoperability in collaboration with Evertz

At NAB 2016, Sony is showcasing IP interoperability through its continuing collaboration on Sony’s IP Live Production System and Evertz’ Software Defined Video Networking (SDVN) solution. Read more

NAB 2106: Sony’s new Media Backbone Hive wins IABM Game Changer Award

IABM has chosen Sony’s Media Backbone Hive as the winner of its IABM Game Changer Award in the hotly contested Post Production category. The IABM Game Changer Awards, announced yearly at NAB, honour the efforts vendors devote to bringing cutting-edge solutions to the broadcast industry. Read more

Symply

NAB 2016: Symply slip StorNext 5 into storage

The team haven’t even touched down in Vegas for NAB 2016 yet, but big news is already filtering in. First of all, we’re hearing Symply Inc have announced they’re embedding the StorNext 5 storage management platform into their hard drive lineup. Read more

NAB 2016: Symply unveils first product series, SymplyStor and SymplyShare

Symply, Inc., the new startup in high-performance storage for media and creative professionals, today unveiled its first product series, SymplyStor desktop RAID and SymplyShare for Thunderbolt and IP-connected workgroups. Read more

Tangent Devices

NAB 2016: Tangent Ripple shipping soon!

Tangent’s long-awaited entry level Ripple panel has been on the horizon since IBC 2015, but now the design and details have been finalised and we’re closing in on a shipping date. Read more

NAB 2016: Premiere Pro and FCP X add support for Tangent panels

As well as announcing availability of their long-awaited Ripple panel, Tangent Devices have revealed that Adobe Premiere Pro and Apple Final Cut Pro X now sport improved Tangent integration. Read more

Zeiss

NAB 2016: Zeiss announce the new Batis 2.8/18 lens for Sony E mount cameras

Zeiss is pleased to announce the latest addition to the Batis family of autofocus lenses with the launch of the new 2.8/18 lens. Featuring a super wide-angle, the launch of the Batis 2.8/18 marks the expansion of ZEISS’ family of full-frame lenses for Sony α system E-Mount cameras. Sales of the new lens will commence on 2nd May 2016. Read more

Want to know more? For more on the latest NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: New FUJINON UA107x is industry’s longest, widest 4K UHD lens

NAB 2016: New FUJINON UA107x is industry’s longest, widest 4K UHD lens

Ground-breaking lens delivers crisp 4K images across entire zoom range, better colour capture, and high dynamic range.

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At the NAB Show, the Optical Devices Division of FUJIFILM North America will introduce its cutting-edge FUJINON UA107x8.4 (UA107x) broadcast lens – the longest and widest 4K lens ever created for Ultra HD (UHD) broadcast applications. The UA107x 4K UHD lens can be seen along with the complete FUJINON Premier 4K product family at Booth C7125 during the NAB Show, running from April 16-21 at the Las Vegas Convention Center.

Destined to set a new standard for 4K UHD and HD production worldwide, the UA107x provides superb 4K optical quality across the entire zoom focal range – a hallmark of the FUJINON ZK series of Cine-Style lenses.

“With an F number of 1.7 and a focal length of 8.4 to 900mm, the UA107 raises the bar for 4K UHD and HD production worldwide,” said Thom Calabro, director of Marketing and Product Development for the Optical Division of FUJIFILM. “A proprietary anti-fogging system reduces downtime due to moisture, which is a critical concern when shooting in all types of weather. And it comes with patented OS-TECH optical image stabilisation technology for rock-steady performance, even when making the longest UHD shots. The UA107x produces images that are sure to impress.”

The UA107’s refined optical quality has been engineered using FUJIFILM’s latest optical simulation software, which was used to model the UA107’s large diameter aspherical elements. This lens has a multi-group zoom system that suppresses image distortion and ensures that 4K UHD images captured remain consistent and accurate from center to corner, making the UA107x a solid choice to complement today’s 4K 2/3” UHD cameras.

High resolution, high contrast, and high dynamic range are hallmarks of the Premier 4K UA Series. The UA107x’s aspherical elements have been treated with the latest High Transmittance Electron Beam Coating (HT-EBC). Using HT-EBC in tandem with FUJIFILM’s exclusive Aspheric Technology, the UA107 is able to reduce ghosting and lens flares, while increasing the amount of light transmitted through the lens to the camera’s sensors.

“The UA107 delivers richer colors plus greatly enhanced blue response and transmittance, due to its use of the latest High Transmittance Electron Beam Coating (HT-EBC),” said Calabro. “Coupled with FUJIFILM’s exclusive Aspheric Technology, and the UA107x is able to reduce ghosts and flares while increasing light transmission to the camera sensors.”

Users of FUJINON’s UA80x and XA99X lenses will feel right at home using the XA107x, because this new 4K lens retains all the same digital features, including: F number limit, Quick Zoom, two-shot presets, a 2X extender, and other precision digital functions designed to increase production flexibility.

A video of Calabro explaining the features of the UA107 and other FUJINON lenses being introduced at the NAB convention next week can be seen here:

Want to know more? For more on the latest NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

NAB 2016: Canon announce the new CN-E 18-80mm lens

NAB 2016: Canon announce the new CN-E 18-80mm lens

Canon have unveiled the CN-E 18-80mm cine lens, a new Cinema EOS lens with cine-servo style functionality. Designed for professional and advanced amateur videographers using large format, single sensor cameras, the lens strengthens Canon’s line of cine-servo lenses, following in the footsteps of the CN7x17 and CN20x50. The latest addition offers the perfect balance of operability with outstanding precision and quality, giving videographers the power to capture exceptional images.

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Available out-of-the-box, the lens includes a servo engine which is powered via EF mount connectors, supporting hand-held shooting. For increased versatility, Canon is launching the ZSG-C10, an optional dedicated zoom grip, ideal for use with hand-held rigs.

Key Features

– High optical resolving power and optomechanical design to meet all 4K shooting requirements.

– Canon EF mount compatibility provides support for fast and accurate Dual Pixel CMOS auto focus, camera-to-lens servo power supply, automatic lens metadata acquisition for easy post-processing, and lens functions such as peripheral illumination correction.

– The 18-80mm focal length equates to 4.4x zoom ratio with table T4.4 number maintained across the entire zoom range.

– 3 modes of image stabilisation for crisp, clear video.

– Includes 9 blade diaphragm, to give the much loved ‘bokeh’ look.

– Weighs a drone-friendly 1.2kg.

– Features minimal focus breathing, thanks to the 3-group inner focus system, meaning less distortion and more consistent shooting.

– Optional Canon ZSG-C10 remote zoom grip (sold separately) offers fluid zoom control, a dedicated one-shot AF button, and the flexibility to use handheld, shoulder-mounted or with a tripod.

– DC and USM motors for fast, fluid and quiet servo zoom and focus control.

 

Pricing and availability 

The CN-E 18-80mm is slated for release in late 2016 and can be pre-ordered from Jigsaw24.

Want to know more? For more on the latest NAB Show releases, give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.