NewTek’s new education pricing structure explained

NewTek’s new education pricing structure explained

If you’ve been eyeing up a TriCaster or 3Play system for your gallery, it might interest you to know that NewTek have rejigged their education discounts. Instead of getting education-specific pricing, you now get free extras as standard with your hardware. 

TrIcaster setup at Staffordshire uni

Rather than getting a chunk off the cost of your initial hardware, you’ll now get a choice of two complimentary education software add-ons, that allow you to extend the functionality of your kit at no extra cost.

Option one gives you two coupon codes for any virtual sets of your choice, so you can drop journalism students into a TV studio complete with background effects and picture in picture display.

Option two gives you a free download of NewTek NDI Telestrator, an on-screen annotation app that allows you to add graphics to and draw on live video, instant replays, still images or clips. NewTek’s addition to the screen annotation app canon is touchscreen-friendly and IP-ready. It gives you the ability to add standard graphics to an image, plus the ability to draw freehand over the top of your video stills. NDI Telestrator includes configurable paint and shape tools, colour and highlight options, and other standard visual elements.

The free versions of these add-ons are only available to accredited educational institutions, and you will need to provide qualifying educational institute documentation. You can claim one or the other add-on whenever you a buy a new TriCaster or 3Play unit.

Advanced Edition: The exception that proves the rule

While you may not be getting special pricing on your hardware anymore, you still get a massive discount on NewTek’s Advanced Edition software bundle, which is £869 for education customers as opposed to the usual £3800 sell (not a typo).

This is a fairly fantastic deal, as Advanced Edition offers many unique and additional features to TriCaster, with just a few of the highlights being:

– Enhanced streaming engine; enabling multiple streams to multiple platforms, simultaneously.

– Augmented reality keys/graphics, within virtual sets, making them appear as a 3D, integral part of the set.

– Undo/Redo functionality added.

– Support for Dante Audio networking.

– Audio output configuration.

– Data Link Integration to allow real time updating or graphics information.

– Control Surface button lock selection.

– Improved social media integration.

– Higher quality LiveSet rendering.

Want to know more? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @Jigsaw24Video on Twitter or ‘Like’ us on Facebook.

Take the hassle out of repairs with our managed service

Take the hassle out of repairs with our managed service

As well as the convenience of having your machines collected and returned according to schedule, our managed repairs service allows you to tailor your repairs provision to your business needs, offering you the chance to spread your repair costs with manageable monthly payments and simplifying admin for your in-house team, as they can sidestep the hassle of booking in each machine as a separate repair. 

As well as the convenience of having your machines collected and returned according to schedule, our managed repairs service allows you to tailor your repairs provision to your business needs, offering you the chance to spread your repair costs with manageable monthly payments and simplifying admin for your in-house team, as they can sidestep the hassle of booking in each machine as a separate repair.

Why choose managed repairs?

– Convenient collection and return of all your faulty units.

– Batch repairs meaning there’s minimal admin per month, no matter how many machines need work.

– Monthly invoicing to spread the cost of repairs over the year.

– No lengthy waits for diagnosis on each machine.

– Dedicated point of contact and direct access to our engineers.

How does it work?

Step 1 You gather up any faulty devices over the course of a day, week, fortnight or month – whatever suits you.

Step 2 We contact you to book the repair batch onto our system, and then arrange transportation.

Step 3 We turn around the repairs in an average time of 3-5 working days.

Step 4 Your fixed Macs are returned, and any newly faulty ones collected.

Step 5 You’re invoiced monthly for any repairs that have been carried out.

Why choose Jigsaw24?

– Apple Authorised Service Provider with over 20 years’ experience.

– Repairs centres in Nottingham, Soho and Manchester.

– Our engineers are all Apple-accredited.

– In warranty or out of warranty diagnostics and repairs covered.

– Repairs by us won’t void your warranty.

– Direct point of contact within our technical team, who can explain a fault without hiding behind jargon.

– Experience of creative and business workflows, so we understand your setup.

We can tailor our managed repairs service to your business’s needs, schedule and budget. Call us on 03332 409 306 to discuss your options, or contact the team at any time at solutions@Jigsaw24.com. For all the latest news and reviews, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

Adobe reveal new Creative Cloud features at Adobe MAX

Adobe reveal new Creative Cloud features at Adobe MAX

Adobe have used their annual Adobe MAX conference to announce a raft of new features for Creative Cloud users, which we can expect to join the Adobe lineup between now and the end of the year. The new improvements are designed to make it easier for creatives to deal with the new challenges presented by virtual and augmented reality, and the rise in demand for 3D content.  

Adobe’s latest updates are designed to promote collaboration, mobility, a ‘cloud first’ philosophy (in which work lives primarily in the cloud and is then edited on various devices but not housed on them), and machine learning, which constitutes extending the kind of intelligent technology that powers Photoshop’s Context Aware tools into other apps.

Coming soon: Project Felix

Felix is intended to allow graphic designers to combine 2D and 3D assets to create their images without having to familiarise themselves with more complicated applications like After Effects.

The beta is going to be opened to paid Creative Cloud for teams members at the end of the year. Once you’re on board, you’ll be able to use Project Felix to develop photorealistic 3D images using a workflow that’s specifically designed for people who aren’t experienced 3D content creators.

Key features announced as part of the beta include a free library of models, materials and lights to help you get started straight away, realtime rendering so that you can view updates as you design, and machine learning features that include auto lighting and auto horizon positioning tools.

Based on user feedback so far, Adobe are already working to improve interoperability with Photoshop and Illustrator, make label/decal application easier, add GPU rendering support and more, so it’s well worth keeping an eye out for the start of the beta.

Now in beta: Adobe Experience Design CC

The Experience Design (XD) beta continues apace, with over 50 features added since March. The app is designed to improve teamwork among workgroups who are prototyping apps and mobile content, and allows you to build and share prototypes, then collaborate and feed back on them in realtime. Adobe say it’s now ready for everyday use on computers that are running macOS, so if you’ve been holding off on downloading XD until it became more stable, now’s the time to get involved.

Major new additions include the arrival of Layers, a slightly modified version of the layers you know from Photoshop et al that makes it easier to navigate between artboards and work with elements on each. The idea is that Layers will speed up your XD workflow by allowing you to focus on just the elements you want to modify (the Layers panel contextually displays only the layers for the artboard that you select).

To navigate to the artboard you need, just double-click its icon and XD will automatically pan and zoom to that artboard, fitting it into the application window. Double-clicking on groups allows you to explore and navigate to nested elements. You can also reorder, rename, show/hide, export, make symbols and lock/unlock layers quickly and easily.

Another addition is Symbols, aka objects that you use throughout your design, and which are all dynamically updated if you edit once instance. All you need to do to create a Symbol is hit Cmd+K. For ease of organisation, all your Symbols are stored in their own library, and you can drag and drop them from there into your prototype.

Once everything is added, your peers will be able to comment on it in realtime, and preview changes on different devices as they are made.

The XD beta is currently available on macOS, iOS and Android platforms, with Windows 10 compatibility coming soon.

What’s new in… desktop design apps

The biggest overall change is to your in-app searching capabilities. The new Universal Search in Photoshop not only lets you search all panels, menus, libraries and assets from a single pane (great for finding a command you’ve forgotten the location of), but includes a Visual Search component.

A bit like Google Images, Visual Search allows you to find an image that’s almost right in a library or Adobe Stock, and then search specifically for images that are similar to that one. In a nice additional touch, you can add text descriptors to the image you’ve searched, so if we were to have found a particularly noble picture of our mascot, the zebra, but wanted it to be standing against a setting sun, we could search “[selected image] + sunset” to see pictures that feature similar zebras against the sunset, or ask for a zebra with water in the foreground and mountains behind. This will also work when searching for textures and shadows to add to 3D objects.

Both Photoshop and Illustrator are now going to include template libraries to help new users (or experienced users who are short on time) to get started on common document types. Additional templates will be available in Adobe Stock, and should you download one that you don’t have the right fonts for, Typekit will automatically source and download them for you.

Photoshop also benefits from tighter SVG integration, an enhanced Properties Panel, and support for SVG fonts.

As well as templates, Illustrator is poised to receive font, text and glyph enhancements as a result of Adobe answering 81 common user requests in this update.

Dreamweaver is going to get a new, streamlined interface with a fast, flexible coding engine, but we haven’t managed to get a peek yet – we’ll let you know more when we do.

What’s new in… video apps

The emphasis here is on preparing video and animation workflows for the influx of 3D and virtual/augmented reality projects that are expected to hit the pipeline as everyone attempts to develop the next Pokemon Go.

A new 3D rendering engine in After Effects allows for the creation of extruded text and shape layers, and handles CPU rendering of 3D elements up to 20 times faster than the current version.

As part of their push to integrate more machine learning elements into Creative Cloud, Premiere Pro is getting a new auto-aware virtual reality feature that auto detects the kind of content you’re creating, and a new Social Publishing Panel (released in beta at MAX) will optimise the publishing of content you create in Premiere Pro across multiple social channels, so you achieve maximum impact.

There were two other key beta trials launched at Adobe MAX: Team Projects and Character Animator. Character Animator is designed to improve the connection between Photoshop, Illustrator and video apps to speed up puppet creation and animation – you might have seen it in action during The Simpsons’ live episode or when a cartoon version of Donald Trump appeared on the The Late Show. By mapping characters’ movement patterns onto an actor’s features, Character Animator lets you see your animated creations walk and talk in realtime.

Team Projects allows Creative Cloud for teams and Creative Cloud for enterprise members to co-edit video files simultaneously in Premiere Pro, After Effects and Prelude, so multiple users can be working on the same frame at the same time, but all accessing it from different machines.

What’s new in… mobile apps

The big news is that Photoshop Sketch, Comp and Photoshop Fix are now going to be available on Android. There have also been a number of workflow improvements, including automatic creation of mockups, universal copy/paste within and across documents (hooray!) and enhanced font support in Comp.

Photoshop Brush is also going to be supported in Sketch, and both Sketch and Draw are going to gain new layer blend modes.

Want to know more? Give us a call on 03332 409 251 or email adobe@Jigsaw24.com. For all the latest news and reviews, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

Apple launch new MacBook Pro lineup with Touch Bar and Touch ID

Apple launch new MacBook Pro lineup with Touch Bar and Touch ID

Apple special events are always a high point in the Jigsaw24 calendar, but last night’s was particularly rewarding, yielding up two new MacBook Pro 13″ models (one for function key fans, one with the aggressively cool new Touch Bar) and an all-singing, all-dancing 15″ model. 

Held at Town Hall, Cupertino, Apple’s latest set of announcements features demos from Adobe, Twitter, Algoriddim and the Final Cut Pro team, the launch of a new Apple Accessibility site and news of a new TV app that turns your Apple TV into a hub for all your digital content, but nothing could distract from the real stars of the night: the all-new MacBook Pro lineup.

After years of incremental improvements, it’s great to see Apple really give some love to the pro end of their notebook line. The new lineup features a standard MacBook Pro 13″, which was explicitly positioned as ‘the MacBook Pro for people thinking of buying a MacBook Air’, a MacBook Pro 13″ with Touch Bar and Touch ID, and a 15″ model with Touch Bar and Touch ID, plus four Thunderbolt 3 ports with integrated USB-C.

What is Touch Bar?

See that row of function keys at the top of your keyboard that you only ever use to adjust the volume? Apple has taken them away and replaced them with a multi-touch Retina Display quality mini display that knows what programme you’re in and displays the appropriate controls automatically.

When you’re working in the finder, you’ll see the brightness and volume keys you’re used to. Open Mail, and they’ll instantly change to shortcuts for sending, forwarding and moving your emails, among other tasks. Go into Photoshop, and you’ll see common shortcuts and a scale for adjusting properties like brightness and contrast. You can even scrub your video timelines in Final Cut Pro and make edits to audio and video clips using multitouch gestures, right on the Touch Bar.

All this means that whether you’re working with images or in productivity apps, you don’t have to leave off typing to use a trackpad or mouse to find common shortcuts; they’re right there for you on the keyboard, and you can even customise what Touch Bar displays in each app to ensure maximum productivity gains. Rather than having to take a step back from your images to find menus and palettes, you can work full screen and use one hand on Touch Bar and another on the Force Touch trackpad to edit without pauses or distractions.

MacBook Pro gets a new keyboard, trackpad, screen and more…

The 12″ MacBook’s butterfly keyboard and Force Touch trackpad have both been moved to the MacBook Pro, although the butterfly keyboard has become more responsive on the way and “gives more sense of keyboard travel”, which we’re not fully sure we understand but which we are excited to experience.

The new trackpad is twice the size of that on the current MacBook Pro, giving you double the space to work with gesture controls. In combination with the new Touch Bar, Apple think this larger trackpad will allow creatives to develop a two-handed on-notebook workflow way of working, with one hand on the Touch Bar and another on the trackpad, without the need for mice or external pen tablets.

Other good news for creatives (and those of us who watch all their TV on our computers now) is that the MacBook Pro lineup now has a new and improved screen with 500 nit brightness, 67% higher contrast and a 25% wider colour gamut. If you’re more an audio type, you’ll like that speakers are now twice as loud and now have a much wider dynamic range.

Touch ID

Apple’s Touch ID security has made its way from iOS to macOS, powered by a new T1 chip that handles Touch ID and Secure Enclave. This means that not only can you lock your MacBook Pro geometrically, but you can also use Apple Pay to make purchases online. All you need to do is select ‘Pay with Apple Pay’ on the relevant listing, then tap Touch ID to authorise payment.

Most interesting for businesses, schools and other environments where machines may be shared is the fact that Touch ID can remember multiple fingerprints, and that if a user other than the one logged in taps the Touch ID button, the computer will automatically switch to their account, with all their apps and windows open as they last left that – a great productivity boost if you’re hot desking or use a shared pool of notebooks for any projects.

Thunderbolt 3 with integrated USB-C

You may remember USB-C as the somewhat controversial port that Apple added to their lineup with the 12″ MacBook. Combining multiple standards into a single port, USB-C can act as VGA, HDMI, DisplayPort or a power port with the right adapter – and now includes Thunderbolt connectivity as well.

These more versatile ports mean that you can connect your MacBook Pro to high-end displays, RAID storage, docks and third party creative hardware to transform a notebook into a full blown creative workstation.

The models

MacBook Pro 15″ with Touch Bar and Touch ID

The new MacBook Pro 15” is powered by a 2.6GHz (3.5GHz with Turbo Boost) Intel Core i7 quad core processor, configurable to 2.9GHz Intel Core i7 Quad Core processor. With a 2TB 3.1GBps SSD and 16GB of 2133MHz memory at its heart, performance on the new generation MacBook Pro 15” is up to 50% faster, while new thermal architecture ensures cool running. Despite this improved performance, it offers up to 10 hours battery life.

Graphics are powered by a Radeon Pro Polaris graphics card, which gives you up to 4GB VRAM and 2.3x faster graphics performance overall. This translates to a 130% performance boost with regard to 3D graphics work, 57% for video editing and 60% for gaming.

MacBook Pro 15” features 4x Thunderbolt 3 ports, with support for USB 3.1, Display Port connectivity and charging.

MacBook Pro 13″ with Touch Bar and Touch ID

The MacBook Pro 13” is powered by an Intel Core i5 processor (2.9GHz, up to 3.3GHz with Turbo Boost enabled), configurable to a 3.7GHz Intel Core i7 Dual Core processor. Fast response times come courtesy of a 265GB PCIe-based SSD and 8GB of 2133MHz memory. An Intel Iris 550 graphics card with 64MB of eDRAM provides twice the graphics performance of the previous generation, delivering 103% better performance when you’re gaming, and 76% better when you’re editing video or working with 3D graphics. MacBook Pro 13” features four Thunderbolt 3 ports, with support for USB 3.1, Display Port connectivity and charging.

MacBook Pro 13″ 

MacBook Pro is powered by a 2.0GHz Dual Core Intel Core i5 processor with Turbo Boost support that can reach speeds of up to 3.1GHz, configurable to a 2.4GHz Dual Core Intel Core i7 processor. A 256GB PCIe-based SSD and 8GB of 1866MHz memory ensure fast response times, while Intel Iris 540 graphics give you superior graphics performance. MacBook Pro 13” features two Thunderbolt 3 ports,with support for USB 3.1, Display Port connectivity and charging..

Want to order the latest MacBook Pro models? Give us a call on 03332 409 306 or email sales@Jigsaw24.com. For all the latest news and reviews, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

 

Rohde and Schwarz release Venice 4K

Rohde and Schwarz release Venice 4K

We first saw Rohde & Schwarz’s upgraded VENICE 4K ingest system back at NAB, but are happy to announce it’s now out in the world, in stock and available for you to buy. Here’s a quick reminder of why you might want to.

venice_4k_blog_sized

 

It’s fairly format agnostic. VENICE 4K features native 4K/UHD-1 acquisition, playback and transform functions, delivering leading 4K/UHD-1 performance and the highest picture quality to production and TV studios. It’s based on a modern, open system architecture, offering support for a wide variety of file formats, codecs and interfaces, and effectively makes handling 4K/UHD-1 material with up to 60p as easy as handling HD footage.

It gets rid of stitching VENICE 4K records material directly with 4K/UHD-1 resolution, so there’s no need to carry out time-consuming stitching processes.

It automatically records HD proxies While it’s recording 4K, VENICE 4K can simultaneously generate an  HD derivative to provide compatibility with existing HD workflows.

It supports dual destination UHD-1 signals VENICE 4K supports Sony XAVC and Apple ProRes for the recording of UHD-1 signals, and the dual destination feature makes it possible to save UHD-1 signals in parallel and independently of one another to two different storage environments, eliminating transfer times for copy processes. UHD-1 signals can be directly recorded to internal and external storage media, and the recorded material can be directly accessed.

There are more codecs to come Rohde & Schwarz have committed to releasing regular software upgrades to expand the variety of supported codecs, meaning you can adapt the VENICE 4K Workflow to your individual needs.

It allows users to control multiple channels even in tense playout scenarios Users can directly access all important functions and make changes to processes until immediately before content goes on the air, even in hectic production environments. The clear display of multiple channels in parallel makes it possible to simultaneously view channels in A/B mode and auxiliary channels and to control them even under difficult live conditions.

Want to know more? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. For all the latest news, follow @Jigsaw24Video on Twitter or ‘Like’ us on Facebook.

Ultimatte joins Blackmagic Design stable

Ultimatte joins Blackmagic Design stable

Blackmagic Design’s biggest news at IBC wasn’t a product – it was the reveal that they had acquired respected chromakey solution Ultimatte.

Blackmagic have a reputation for acquiring niche companies and using their existing products as a jumping off point to create innovative, low cost technology (see: DaVinci Resolve, Teranex, Cintel), and we’re excited to see how they develop the already impressive Ultimatte lineup.

ultimatte_12_blog

“I went to the Ultimatte stand after the announcement – very impressive stuff,” our Product Manager Meg said after IBC. “The Ultimatte 12 is available in HD and 4K, and one thing I really liked about the virtual sets was the fact that they are dynamic – you can have a moving image set up in the windows of the virtual set. On the stand they used some footage of the outside of the RAI centre that they had shot with a GoPro, and having it in the windows made the virtual set look a lot more active. And that the lighting settings include the shadows from the green screen really adds realism to the virtual set.”

Also impressed are the film and television academies, who’ve gifted Ultimatte with an Oscar and an Emmy. Blackmagic CEO Grant Petty, summed the firm up with: “For the past 40 years, Ultimatte has been the industry standard hardware and software used to key these people in front of weather maps, stock charts, and other info graphics. In fact, many broadcasters use Ultimatte to place entire news teams, weather reporters, talk show hosts, sports commentators and more into completely virtual sets.

“Ultimatte uses advanced 4:4:4:4 image processing and provides enhanced matte controls that lets customers accurately separate the subject from the background. Customers also get matte correction features, indirect and direct lighting features, spill suppression tools, edge artifact controls and more, all in realtime.”

We’re excited to see how this partnership plays out and, while we’ve not heard any official release announcements, we’re crossing our fingers and hoping that they’ll at least have a prototype by next year’s NAB.

For more on the latest IBC releases, take a look at our roundup post, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

Thanks for coming to our SEO Social!

Thanks for coming to our SEO Social!

Thanks to everyone who made it to our fourth Digital Creatives event, the SEO Social!

Thanks in particular to our DC regular, Iain Seers from Watershed Consulting, for getting the night started in style, Bing Ads’ Adela Popilkova for her insights on SEO layering, and Stephen Kenwright from Branded3 for sharing their success stories.

If you want a refresh of the key points (or if you couldn’t make it), you can always email events@Jigsaw24.com to request a copy of the night’s presentations.

If you were wowed by the reps from Extensis and Adobe but have sadly misplaced their cards, you can always get in touch with sales@Jigsaw24.com to request more information on any of the solutions you saw.

For those of you who were taken by Acronis’ Mac PC integration solutions, we offer free trials of  Acronis Access Advanced and Acronis Access Connect.

If you need anything else, just give us a call on 03332 409 306 or email sales@Jigsaw24.com. For all the latest news and reviews, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook

IBC 2016: GB Labs launch Echo 36 with complete failover

IBC 2016: GB Labs launch Echo 36 with complete failover

GB Labs have launched some exciting new high availability storage at this year’s IBC. Called Echo 36, it offers complete failover in the case of disk failure or “localised disaster”, a phrase we do not hear enough. Here’s the press release: echo_36_storage

Echo 36 is the big brother of GB Labs Echo nearline storage product. The Echo36 with our new Cloak DR software offers complete failover for power/disk failure and localised disaster. This makes Echo 36 a bulletproof storage solution for large broadcasters where data availability is paramount.

Two Echo 36 units working together provide unparalleled security and high availability with no single point of failure through storage and networking layers. Our unique Core operating system writes to both units simultaneously and in real-time, even when the units are up to 10Km apart.

Should one Echo 36 unit be completely destroyed, the same data is available in seconds from the other. Users on the network would be unaware because our operating system manages this transition over a single virtualized IP address, leading to no downtime and no relinking of media or other servers.

For more on the latest IBC releases, take a look at our roundup post, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

IBC 2016: Sony showcase Beyond Definition vision

IBC 2016: Sony showcase Beyond Definition vision

In case you weren’t excited enough by Prime Support, IP workflow solutions and the NX5R, Sony have another ace up their sleeve: they’re demonstrating their Beyond Definition workflow solutions on their stand, including PTZ cameras, lenses and monitors.

The HDC-P43; a 4K point-of-view from any angle

The HDC-P43 is Sony’s new, unique camera ready for 4K HDR and HFR shooting. A 4K point-of-view camera, the HDC-P43 is based on the HDC-4300 platform, with a light and compact body as well as low power consumption.

The HDC-P43 supports a variety of applications and greatly expands 4K shooting capabilities for production teams: it can be used as large studio camera systems, including the PMW-F55 and CA4000, as stand-alone 4K camera for setup in limited space, as well as for shooting on a crane and shooting overhead views of hall and event venue. The HDC-P43 is also highly configurable using optional software licenses. Licenses are available for 4K and HFR capture, allowing for a customizable solution for HD, 4K, HDR, and HFR live productions

4K/HD PTZ remote cameras

The new BRC-X1000 and BRC-H800 provide impressive picture quality with high sensitivity and low noise. Ideal for small-to-midsize production companies as a primary camera for local broadcast affiliates, cable TV operations, education, hospital and government applications, as well as live event recording for houses of worship or weddings. It can also serve as a key production element in large, advanced media production facilities requiring the proven efficiencies BRC remote-operated cameras bring to a production workflow

Interchangeable lens E PZ 18-110mm F4 G OSS Super 35mm/APS-C lens with power zoom capability

The latest addition to α interchangeable lens line-up is an ideal companion to α Mount System cameras, from PXW-FS7 professional camcorders to α7 series interchangeable-lens cameras offering 18mm to 110mm (27mm to 165mm in 35mm format) standard zoom range and greater operability. It benefits from Sony’s Smooth Motion Optics (SMO) design developed to eliminate unwanted image shifts during movie shooting like focus shift and axial shift during zooming, and focus breathing as well.

Professional Master monitors for HD production

Sony’s recently announced BVM-E171 (17-inch) and BVM-E251 (25-inch) TRIMASTER ELTM OLED Master Monitors support ITU-R BT.2020 colour space, the broadcasting standard for Ultra HD, for accurate colour reproduction. To eliminate possible flicker especially in case that low frequency signal is displayed (24p, 24PsF 50i and so on), the BVM-E171 and BVM-E251 are equipped with flicker-free mode

Professional audio

Sony has introduced new ENG models in the DWX-N series, the DWR-S02DN dual channel slot-in receiver and the DWT-P01N plug-on transmitter. In addition to current codec mode one, mode two (high sound quality with low latency) and mode three (more reliable RF transmission) will be added. Also, a new configuration menu for XDCAM Shoulder Camcorders will add wireless audio features such as remote control of transmitter’s RF output power and a power save setting.

For more on the latest IBC releases, take a look at our roundup post, give us a call on 03332 409 306, email broadcast@Jigsaw24.com or pop your details in the form below. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.

IBC 2016: Avid introduce NEXIS | E5 and Avid NEXIS High Availability

IBC 2016: Avid introduce NEXIS | E5 and Avid NEXIS High Availability

New high-density, high-availability Avid NEXIS solutions enable large-scale broadcast and post-production organizations to accelerate production and increase efficiency.

Avid today introduced new innovations for Avid NEXIS, the industry’s first and only software-defined storage platform specifically designed for storing and managing media. Leveraging the power of the Avid MediaCentral Platform, Avid NEXIS provides dynamic virtualisation, adaptive protection, and media-savvy collaboration so media organizations of all sizes can accelerate production and increase efficiency. The newly extended Avid NEXIS family now includes high-density and high-availability solutions that provide unrivaled reliability and performance for the most demanding environments.

“Across the industry, we are seeing an unprecedented explosion of content, which drives the need for more robust storage infrastructure, greater reliability and control, and closer collaboration,” said Avid Chairman, President and CEO, Louis Hernandez, Jr. “To address these key customer issues, we delivered Avid NEXIS earlier this year, and the adoption from media organizations of all sizes has been incredible. Now we are continuing to innovate with new high-density and high-availability Avid NEXIS solutions that help the largest broadcast and post-production organizations to increase operational efficiency and maximize the lifetime value of their assets.”

Introducing Avid NEXIS | E5 and Avid NEXIS High Availability

Avid NEXIS | E5 is an enterprise-class, hyper-dense storage engine that offers real-time editorial collaboration and the highest levels of scalability, performance, and client connections for large-scale broadcast and post-production environments. Avid NEXIS | E5 provides 40GbE connectivity and 80–480 TB of storage capacity per engine, with the ability to scale up to 1.4PB of capacity and 9.6GBps of bandwidth, supporting more than 2000 Avid DNxHR HD streams or 500 Avid DNxHR 4K streams across over 300 connected clients in a mere 17U of rackspace.

Avid NEXIS High Availability options increase the reliability and performance of Avid NEXIS E-class storage systems for the most critical deployments. The Avid NEXIS Redundant Storage Controller, Redundant System Director, and Redundant Networking options protect against potential hardware performance issues, while the Media Mirroring option protects an entire Avid NEXIS system against up to five simultaneous disk failures, and even an entire engine failure.

Thanks to the openness of the Avid MediaCentral Platform, Avid NEXIS solutions work with all top media creation applications, including Media Composer, Pro Tools, Apple Final Cut Pro X, Adobe Premiere Pro CC, Grass Valley EDIUS, and many more. Production teams can quickly access a shared pool of virtualised storage resources, which dramatically increases their efficiency.

Avid NEXIS enables fully virtualized storage so media organizations can adjust storage capacity mid-project, without disrupting workflows. Customers can select components that meet their current needs, and easily grow as their needs change. Avid NEXIS is the only scale-out storage solution that enables customers to dynamically tune the system to ensure that high-priority workflows always have the capacity, performance and data protection levels they require. Customers can give critical projects maximum performance, while throttling back on less critical workflows. This ability lets teams react quickly to changes, adjusting performance and protection levels to match the needs of a project at any stage in the workflow.

Availability

Avid NEXIS | E5 is available now
Avid NEXIS Redundant Storage Controller option is available now
Avid NEXIS Redundant System Director option is available now
Avid NEXIS Redundant Networking option will be available in Q4 2016
Avid NEXIS Media Mirroring option will be available in Q4 2016

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