Our design team spend most of their waking hours toiling over Photoshop, InDesign, Illustrator, Premiere Pro and Dreamweaver, so we thought it would be a good idea for us to check in with some of Adobe Creative Week 2012’s online seminars and see what other creatives were up to.
With the UK economy still idling in recession, big themes up for discussion were how creativity could help push growth, the decline of print, constrained budgets and changing skill sets. Adobe also showcased their new Touch apps for Apple’s iPad, Creative Cloud and Creative Suite 6. Here’s Liana, Ed and Paul’s thoughts on the week’s hotly contested debates…
Day 1: Creative Industry Overview
The overarching question to kick off Creative Week was ‘Can creativity help drive the UK out of recession?’, and the results showed the viewers had a pretty sunny outlook, 88% of them voting ‘Yes’. One of the themes touched on was creativity in education, and whether we were failing the younger generation by not giving art and creative subjects enough credibility.
Designer Liana Jackson wasn’t so sure it was such a big hindrance: “While gaining basic skills in maths and science is necessary, I’ve never felt like I wasn’t able to pursue a career in design because art wasn’t ‘credible’. I suppose it can be seen more as a hobby than an actual job, and I think more people are trying to get into creative roles now, and earning money doing jobs for people because they ‘kind of know’ what they’re doing. This can lead to a lot of pants design out there and a lot of qualified designers out of a job.”
With the rising use of mobile devices in the classroom (Adobe showed an interesting case study from Ravensbourne College), students are getting far more collaborative and diverse design skills. Whether this new crop of creativity can provide the stimulus the UK needs for economic growth remains to be seen.
Adobe Touch apps and Creative Cloud
Throughout Creative Week, Adobe evangelists were showcasing their latest products with in-depth video tutorials, which are all handily uploaded to the Adobe Creative Week site to watch back at your leisure. Of particular interest to our iPad expert Ed Reisner were the new Adobe Touch apps and Creative Cloud, as presented by Rufus Deuchler (Senior Worldwide Design Evangelist at Adobe Systems – @rufusd on Twitter).
“While Apple have been pushing their cloud services for a while, it’s great that you can now ‘work in the cloud’ with Adobe,” he said. “Creative Cloud also lets you download and manage desktop apps like Photoshop, Illustrator and InDesign or the Touch tablet apps such as Kuler and Proto, a bit like Apple’s App Store. Interestingly, you can also download an app for a specific time period. This would be useful if you’ve taken on a contractor for a month or two, and only need a Photoshop licence for that time.”
Ed also thought Adobe’s six Touch apps – Photoshop, Kuler, Proto, Collage, Ideas and Debut – would be really useful for designers on the move: “Each of the Touch apps is designed specifically for multitouch use, and as they integrate with Creative Cloud, will let you work on initial concepts and save them while you’re out of the office.
“Photoshop Touch gives you control of some basic Photoshop commands, but also lets you add comments so you can collaboratively review ideas with colleagues and clients. The Ideas app is great for sketching out concepts, letting you draw intuitively with touch gestures as vector paths, ready to scale up in Illustrator when you’re back at your desktop computer. Of all Adobe’s Touch apps, the most interesting is probably Proto, which integrates with Dreamweaver to let you create basic websites on the fly. You can be with a client and sketch out ideas on your iPad as you’re talking, using multitouch gestures to put in headers, tabs and more.”
Day 2: Design and Publishing
The decline of print media is no big news, so it was heartening to see that 69% of people surveyed on Day 2 thought that print could survive the digital revolution. Jeremy Leslie from the magCulture blog said that having both print and digital “gives us the option to pick and choose the right solution for the project in hand”, while Future Publishing’s digital Editor-in-Chief Mike Goldsmith enthused that “digital technology gives you permission to fail”, as it’s so much easier to rectify mistakes and make amends.
“Digital media can reach people far quicker than print, and with platforms like Twitter, it’s changed how we read and consume content,” said Liana. “But they reminded viewers that the challenge is still engaging that person to want to follow a link and read on.
“Design, like fashion, is also cyclical, and Adobe brought up the good example of InDesign’s first introduction, and people moving over from Quark. Everyone learned to use new tools like drop shadow, but then it became so ubiquitous that it fell out of favour, only to come back when it started being seen as different and original again,” she added.
Tutorials for Day 2 focused on Adobe’s big three apps for design and publishing – Photoshop, InDesign and Illustrator – as well as newcomer Muse, which lets you do WYSIWYG web design without lines and lines of code. Check out the videos on the Adobe Creative Week site.
We’ve been using Creative Suite 6 for a while now, and our videographer Tom has also put together his own handy tutorials for Photoshop’s Content-Aware and text extrusion tools, and Image Trace in Illustrator, which you can see over at our YouTube channel.
Day 3: Film and video
‘Do smaller budgets make for more original ideas?’ Last year, the BBC spent 13% less on TV, and ITV spent 21% less (2011 compared to 2010), yet revenue went up for both. Pressure and expectation from above to do more with fewer resources and less technology can force creatives to think differently, seemed to be the reasoning.
One new avenue which has helped is social media platforms like YouTube and Twitter which, former BBC social media expert Marc Goodchild reckons, “brings producers closer to their audience”.
Liana agreed that social media is now a key part of creativity: “As Marc said, YouTube allows you to test your work and fine tune it before the final cut, decreasing risk and making it as good as it can be. It’s also great for talent scouts and HR managers looking to hire people. Pilots used to be secretive and for a specialised audience, but now they’re expected to be seen by lots of people, thus giving more constructive feedback.
“The panellists also discussed how Twitter is now a valid source of openly eavesdropping – people aren’t afraid to give their opinion because they aren’t talking to your face. There are also enough people to get a rounded, calculated result, from a different range of expertise and backgrounds.”
Day 4: Web and mobile
Cross-disciplinary skills are all well and good, but the fourth day of Creative Week asked – ‘Should you be a Jack of all trades instead of a master of one?’. A very talented 64% said designers should be skilled in newer processes like app design in addition to traditional skills.
With the ways people consume media changing, and clients wanting to be at the forefront of that change, keeping up to date with technology has never been so important. Just as a coder needs a basic grasp of design, designers should have an understanding of coding, they said.
Adobe demoed a great new resource – The Expressive Web – showcasing CSS3, HTML5 and content aware pages. As Ed mentioned above, there’s also the new Touch app Proto. Proto lets you create a website wireframe directly on your tablet device, preview in on the tablet and then export it out to the Creative Cloud where you can then start fleshing the website out in Dreamweaver.
Day 5: Photography and Imaging
The last day’s topic was bound to cause a bit of controversy – ‘Is digital imaging all tech and no talent?’. Any designer worth their salt knows that software is a brilliant addition to photography, but it can’t make a great photo on its own, and an overwhelming 70% agreed that ‘No’, you need talent too.
It was said that Photoshop gives you the opportunity to experiment using techniques and ideas without massive costs – for example award-winning photographer Timothy Allen (BBC’s Human Planet) argued that it was much more cost-effective to use the Tilt-shift feature in Photoshop than it was to buy new lenses to shoot with to achieve the same effect.
Senior designer Paul Shillabeer thought the rise of ‘iPhoneography’ and photo-sharing sites was having a very real effect on the industry. “More amateurs and professionals are using apps and iPhones to create imagery,” he said. “This movement is getting bigger and is very accessible to all levels of photographer from pros to casual snappers. Erin Moroney [of the UK Young Photographers’ Alliance] also noted that photo stock libraries are finding it hard to compete and cannot command the high price tags they used to because people are sourcing images from so many other sources – a very similar image to what a client’s looking for could easily be found on Flickr.”
– A good taster of the current state of the design and media industries, Adobe’s Creative Week 2012 managed to wrap up all the big questions about the changing face of digital creativity. If you missed any of the debates and tutorials, you can catch up on demand here.
You can find out more about Adobe Creative Suite 6 and our full range of design tools at our site, or by calling our team on 03332 409 306 or emailing CAD@Jigsaw24.com. For all the latest news, follow @WeAreJigsaw24 on Twitter or ‘Like’ us on Facebook.